This exceptional anthology often establishes astonishing contexts from which to explore the intimate codes of relationships. This impressive collection is rich with color and surprise.Stand out poems include "The world is beautiful of flowers", "Love Syrup", " My Heart", "Drop of water from the rose " , "My Love to one who is a Solder", " You are in the Army", "Being loved by someone should never hurt", "Heartfelt", "The Thought of light". Poem "The tree of Oak" stands out as it is about the time I was born, the world I have pictured and the sense I have felt.Each of my poems was carefully engraved the deepest love into full bloom. Therefore The New Full Bloom Love Poem book will inspire every person with a sincere Soul.

This comprehensive anthology attempts to give the common reader possession of six centuries of great British and American poetry. The book features a large introductory essay by Harold Bloom called "The Art of Reading Poetry," which presents his critical reflections of more than half a century devoted to the reading, teaching, and writing about the literary achievement he loves most. In the case of all major poets in the language, this volume offers either the entire range of what is most valuable in their work, or vital selections that illuminate each figure's contribution. There are also headnotes by Harold Bloom to every poet in the volume as well as to the most important individual poems. Much more than any other anthology ever gathered, this book provides readers who desire the pleasures of a sublime art with very nearly everything they need in a single volume. It also is regarded as his final meditation upon all those who have formed his mind.

In “Letters, To The Men I Have Loved” contemporary poet Mirtha Michelle Castro Mármol expresses her feelings through distinct letters and poems to various men whom she considers motivated personal growth and her transition from young adult to womanhood. With words she paints a vivid picture of feelings such as passion, forgiveness, lust, and hope. Gracefully playing with the universal theme of the pursuit of love and the desire for change that can resonate with women all around the world.

Blooming is a contemporary poetry collection that examines the themes of femininity and self-discovery, as well as the beauty of love and healing through affection. Divided into three chapters titled, seeding, growing, and blooming, the book is a metaphor for the deep feelings that grow from tiny seeds and blossom into beautiful flowers. These poems were written for blooming and gentle hearts, meant to inspire and encourage. Enjoy this poetry treasure and let yourself bloom. *The paperback contains black-and-white illustrations.

Expressions of passion and heartbreak, written by Murasaki Shikibu 1,000 years ago, transcend time and culture in this new translation of the poetry in the first 33 chapters of The Tale of Genji. It is the relationship between the novel's characters and the poetry that creates the beauty and sustained erotic tone of Lady Murasaki's story. For the first time, these 400+ poems are presented in the increasingly popular format of tanka (5-7-5-7-7), along with extended notes that reveal the hidden details and depth of meaning in Murasaki's real and fictional worlds.

A celebration of hope. An encounter with grace. A restoration of the heart. A healing of wounds. An anthem of freedom. All Along You Were Blooming is the ultimate love letter from the pen of popular Instagram poet Morgan Harper Nichols to your mind, heart, soul, and body. On Instagram @morganharpernicols, Morgan has over a million followers. Fans can add Morgan's beautiful artwork and thoughts for boundless living to their library. All Along You Were Blooming is a striking collection of illustrated poetry and prose, inviting you to "stumble into the sunlight" and delight in the wild and boundless grace you've been given. Morgan reminds you: There is a purpose in every season No matter how you want to race through this day or run away from this place, you are invited to live fully--right here, right now Light will always find you, even when the sun sets and you sit awaiting the dawn That you are always blooming in the way you were meant to All Along You Were Blooming is perfect: For men and women of all ages For teachers to share with classrooms during poetry focused lessons Valentine's Day, Mother's Day, National Best Friend Day, birthdays, and holiday gifting In each small moment, whether in the light or the dark, you can make room for becoming, for breathing, for stumbling, and for simply being--for there is grace, today and every day.

Orchid Flower Love Poetry: Amorous Moods of Sensuous Passion is the romantic gems of eclectic poetry by Raymond Douglas Chong. His moody love poetry amorously covers ecstasy, angst, and caprice. His lyrical verses sensitively describe love in an authentic way, with idiosyncratic reality and ingenious creativity. They are in the context of an orchid flower, a traditional Chinese motif for delicate beauty. The poems are passionate yearnings with vibrant and vivid lyrical imagery of love. Their scope includes the peaks and the valleys of the amorphous art of love. In sensuous passion, they will intimately connect his heart as poet with your heart as a reader.

A dozen poems on love by a New Jersey obstetrician (1883-1963) who often wrote them on office prescription pads. In the title poem, first published when he was 72, he wrote: "What power has love but forgiveness? / In other words / by its intervention / what has been done / can be undone."

Ivy patiently waits for the coming of spring, in a poem utilizing excerpts from famous poets including Wordsworth, Longfellow, e.e. cummings, and Dickinson.

WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.