Fish (Florida International Univ.; emer., Univ. of Illinois, Chicago) "reads" The Fugitive, the mid-1960s television series, as a work of classic literature, teasing out moral and philosophical themes in various episodes. Examining such oppositions as inner truth versus outer appearance, individual independence versus community conformity, justice versus law, innocence versus justice, he depicts the series as capturing a shift in American culture. Fish defines the shift by quoting William Pfaff on the impact of shifting population and decline of the influence of churches. "Add to these developments," writes Fish, "the ideological efforts of liberals who contributed to the old America's demise by [to further quote Pfaff] attacking its values, despising its conformism and subordinating the demands of community to those of individual liberty." Fish argues that the series is similar to a theological text because of its "preoccupation with primary values," most primary among them freedom "in the moral sense ... freedom from attachments that own [one] and circumscribe [one's] will." The author contends that the "moral and philosophical significance" with which he has burdened The Fugitive was in fact intended by Roy Huggins, the creator of the series. This interesting, well-crafted interpretation of the series resonates with cultural significance. Summing Up: Recommended. Lower-division undergraduates through faculty. Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by W. F. Williams.

The Fugitive made its debut on ABC on September 17, 1963. Over the next four seasons, the show enjoyed enormous commercial and critical success. Millions of fans followed the heroic exploits of Dr. Richard Kimble (David Janssen) as he eluded police lieutenant Philip Gerard (Barry Morse) and doggedly pursued the killer of his wife, the notorious one-armed man. The four-year television run was a commercial and critical success and the 1993 movie of the same name sparked renewed interest in the show. The coverage is episode-by-episode: title, cast lists, director, writer, original airdate, and a comprehensive plot synopsis.

DIVIshmael Reed’s parody of slave narratives—the classical literature of the African American tradition—which redefined the neo-slave genre and launched a lucrative academic industry/divDIV Some parodies are as necessary as the books they answer. Such is the case with Flight to Canada, Ishmael Reed’s scathing, offbeat response to conventional anti-slavery novels such as Uncle Tom’s Cabin. Though Flight to Canada has been classified by some as a “post race” novel, the villains and the heroes are clear./divDIV /divDIVThree slaves are on the run from the Swille plantation. Among them, the most hotly pursued is Raven Quickskill, a poet who seeks freedom in Canada, and ultimately hopes to return and liberate others. But this particular Civil War–era landscape is littered with modern elements, from Xerox copiers to airplanes, and freely reimagines historic figures as sacred as Abraham Lincoln. A comedy flashing with insight, Flight to Canada poses serious questions about history and the complex ways that race relations in America are shaped by the past. /divDIV /divDIVThis ebook features an illustrated biography of Ishmael Reed including rare images of the author./div

Jennifer Fenn's debut novel inspired by true events, about a teenage boy who has stolen—and crashed—not one, but three airplanes. And each time he’s walked away unscathed. Who is Robert Jackson Kelly? Is he a juvenile delinquent? A criminal mastermind? A folk hero? One thing is clear: Robert always defies what people think of him. And now, the kid who failed at school, relationships, and almost everything in life, is determined to successfully steal and land a plane. Told as an investigation into Robert’s psyche, the narrative includes multiple points of view as well as documentary elements like emails, official records, and interviews with people who knew Robert. Ultimately, Flight Risk is a thrilling story about one teenager who is determined to find a moment of transcendence after everyone else has written him off as lost.

FLIGHT OF THE FUGITIVES Introducing Gladys Aylward Six-year-old Mei-en screamed in terror when she realized her gypsy owner was about to sell her to a foreign lady. Times were hard in the mountainous region of China in 1934, and orphans were often sold for pennies. But foreigners in China were considered "devils," and Mei-en thought surely the little woman in Chinese clothes would eat her for supper! But this time Mei-en's new owner was the compassionate and respected missionary, Gladys Aylward. One day outside her new home, Mei-en saw wonderful silver "birds" flying in the sky-but her delight turned to dread when they began dropping bombs that exploded all over the city. Suddenly their lives, and those of nearly a hundred orphan children, were in terrible danger! With the enemy in hot pursuit, their only escape is over the mountains!

This volume introduces a new way to study the experiences of runaway slaves by defining different “spaces of freedom” they inhabited. It also provides a groundbreaking continental view of fugitive slave migration, moving beyond the usual regional or national approaches to explore locations in Canada, the U.S. North and South, Mexico, and the Caribbean. Using newspapers, advertisements, and new demographic data, contributors show how events like the Revolutionary War and westward expansion shaped the slave experience. Contributors investigate sites of formal freedom, where slavery was abolished and refugees were legally free, to determine the extent to which fugitive slaves experienced freedom in places like Canada while still being subject to racism. In sites of semiformal freedom, as in the northern United States, fugitives’ claims to freedom were precarious because state abolition laws conflicted with federal fugitive slave laws. Contributors show how local committees strategized to interfere with the work of slave catchers to protect refugees. Sites of informal freedom were created within the slaveholding South, where runaways who felt relocating to distant destinations was too risky formed maroon communities or attempted to blend in with free black populations. These individuals procured false documents or changed their names to avoid detection and pass as free. The essays discuss slaves’ motivations for choosing these destinations, the social networks that supported their plans, what it was like to settle in their new societies, and how slave flight impacted broader debates about slavery. This volume redraws the map of escape and emancipation during this period, emphasizing the importance of place in defining the meaning and extent of freedom. Contributors: Kyle Ainsworth | Mekala Audain | Gordon S. Barker | Sylviane A. Diouf | Roy E. Finkenbine | Graham Russell Gao Hodges | Jeffrey R. Kerr-Ritchie | Viola Franziska Müller | James David Nichols | Damian Alan Pargas | Matthew Pinsker A volume in the series Southern Dissent, edited by Stanley Harrold and Randall M. Miller

A New York Times Notable Book A Library Journal Best Book of 2021 A “marvelous…superbly effective” (The New Yorker) debut novel about a young woman coming of age with a dazzling yet damaged mother who lived and loved in extremes. Met by rave reviews in The New Yorker, The New York Times, and more, this stunning translation of Violaine Huisman’s “witty, immersive autofiction showcases a Parisian childhood with a charismatic, depressed parent” (Oprah Daily). Beautiful and magnetic, Catherine, a.k.a. “Maman,” smokes too much, drives too fast, laughs too hard, and loves too extravagantly, and her daughter Violaine wouldn’t have it any other way. But when Maman is hospitalized after a third divorce and a breakdown, everything changes. Even as Violaine and her sister long for their mother’s return, once she’s back Maman’s violent mood swings and flagrant disregard for personal boundaries soon turn their home into an emotional landmine. As the story of Catherine’s own traumatic childhood and adolescence unfolds, the pieces come together to form an indelible portrait of a mother as irresistible as she is impossible, as triumphant as she is transgressive. With spectacular ferocity of language, a streak of dark humor, and stunning emotional bravery, The Book of Mother is an exquisitely wrought story of a mother’s dizzying heights and devastating lows, and a daughter who must hold her memory close in order to surrender, and finally move on.

Although he was once chosen as a griffin's companion, Arren Cardockson was reviled, betrayed, and ultimately killed. Brought back to life by a power beyond his understanding, Arren flees for the frozen sanctuary of the North. With the man-eating griffin Skandar by his side, and an entire country hunting him, Arren has little hope of reaching the place of his ancestry and of lifting his curse. But then he comes across a wild woman who may hold the key to making his lifeless heart beat once more.