Recent scholarly and popular attempts to define the Enlightenment, account for its diversity, and evaluate its historical significance suffer from a surprising lack of consensus at a time when the social and political challenges of today cry out for a more comprehensive and serviceable understanding of its importance. This book argues that regnant notions of the Enlightenment, the Radical Enlightenment, and the multitude of regional and religious enlightenments proposed by scholars all share an entangled intellectual genealogy rooted in a broader revolutionary "culture of enlightening" that took shape over the long-arc of intellectual history from the waning of the sixteenth-century Reformations to the dawn of the Atlantic Revolutionary era. Generated in competition for a changing readership and forged in dialog and conflict, dynamic and diverse notions of what it meant to be enlightened constituted a broader culture of enlightening from which the more familiar strains of the Enlightenment emerged, often ironically and accidentally, from originally religious impulses and theological questioning. By adapting, for the first time, methodological insights from the scholarship of historical entanglement (l'histoire croisée) to the study of the Enlightenment, this book provides a new interpretation of the European republic of letters from the late 1600s through the 1700s by focusing on the lived experience of the long-neglected Catholic theologian, historian, and contributor to Diderot's Encyclopédie, Abbé Claude Yvon. The ambivalent historical memory of Yvon, as well as the eclectic and global array of his sources and endeavors, Burson argues, can serve as a gauge for evaluating historical transformations in the surprisingly diverse ways in which eighteenth-century individuals spoke about enlightening human reason, religion, and society. Ultimately, Burson provocatively claims that even the most radical fruits of the Enlightenment can be understood as the unintended offspring of a revolution in theology and the cultural history of religious experience.

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The late eighteenth century witnessed an explosion of intellectual activity in Scotland by such luminaries as David Hume, Adam Smith, Hugh Blair, William Robertson, Adam Ferguson, James Boswell, and Robert Burns. And the books written by these seminal thinkers made a significant mark during their time in almost every field of polite literature and higher learning throughout Britain, Europe, and the Americas. In this magisterial history, Richard B. Sher breaks new ground for our understanding of the Enlightenment and the forgotten role of publishing during that period. The Enlightenment and the Book seeks to remedy the common misperception that such classics as The Wealth of Nations and The Life of Samuel Johnson were written by authors who eyed their publishers as minor functionaries in their profession. To the contrary, Sher shows how the process of bookmaking during the late eighteenth-century involved a deeply complex partnership between authors and their publishers, one in which writers saw the book industry not only as pivotal in the dissemination of their ideas, but also as crucial to their dreams of fame and monetary gain. Similarly, Sher demonstrates that publishers were involved in the project of bookmaking in order to advance human knowledge as well as to accumulate profits. The Enlightenment and the Book explores this tension between creativity and commerce that still exists in scholarly publishing today. Lavishly illustrated and elegantly conceived, it will be must reading for anyone interested in the history of the book or the production and diffusion of Enlightenment thought.

Ranging from the earliest drama to the theater of the 1980's this encyclopedia includes coverage of national drama and theater around the world, theater companies, and musical comedy. Arrangement of the 1,300 entries is alphabetically by name or subject with nearly 950 of these devoted to individual playwrights and their works.

“Wealth without work Pleasure without conscience Science without humanity Knowledge without character Politics without principle Commerce without morality Worship without sacrifice. https://vidjambov.blogspot.com/2023/01/book-inventory-vladimir-djambov-talmach.html “Our people are God-bearers,” - this is how the repentant socialist Shatov begins his passionate speech in “Demons”. "Great and holy are the ideals of the Russian people," explains Dostoevsky in the "Diary of a Writer" (Diary of a Writer for 1876 February. XXII, 42). “Russia is great in its humility,” he writes elsewhere (The Brothers Karamazov. XIV, 286). Pathetic critics ridiculed these expressions as if they were general and not definite, but they were not. The author clothed them in a very definite dress and explained both in which properties of the soul the predominant qualities of the Russian person are reflected, and in what the dignity of his religiosity is expressed, and what are his world aspirations and aspirations, and what is his attitude towards various people and nations. ... The whole world also has the right to expect that the subjugated Russian Church, represented by its highest spiritual rulers, will raise its voice against the red persecution. But in powerlessness and in captivity, the subjugated Russian Church, the voice of courageous shepherds will not reach from the prison cellars. And those who have taken over the helm of spiritual rule are either silent, or, worse, allow red threats to compel in their name the faint-hearted praise of the power of the red persecutors. May the Lord God be their Judge! Instead of freeing the enslaved Orthodox peoples, the Russian Church itself fell into such an enslaved state, which our co-religion tribes did not experience either under the rule of the Mohammedans, or under the rule of Western heretics, or our ancestors under the yoke of the Tatars.

Annotation Yevgeny Vakhtangov pioneered Fantastic Realism through his innovative theatrical concepts. This book compiles new translations of his work on the art of theatre creating a primary source of original material on this theatrical master.

Russian novelist and philospher Leo Tolstoy (1828-1910) is best known for his monumental novels War and Peace and Anna Karenina, but his reputation as a master of short fiction is richly evident in this unparalleled anthology. Here, in the largest one-volume collection available, are 36 stories of war, intrigue, treachery, murder, moral turmoil, spiritual anguish, and occasional redemption. They include early stories like the famed "Sevastopol" tales of warfare and "Lost on the Steppe;" the tour de force novellas "The Death of Ivan Ilyitch" and "The Kreutzer Sonata;" as well as folk tales, parables, realistic tales, and many lesser-known gems.

"One hundred years after his death in 1910. Lev Nikolaevich Leo Tolstoy continues to be regarded as one of the world's greatest writers. Historically, little attention has been paid to his wife, Sofia Andreevna Tolstaya. Acting in the capacity of literary assistant, translator, transcriber and editor, she played an important role in the development of her husband's career. Her memoirs which she entitled My Life - lay dormant for almost a century. Now the book's first-time-ever appearance in Russia is complemented by an unabridged and annotated English translation." "Tolstaya paints an intimate and honest portrait of her husband's character, setting forth new details about his life to which she alone was privy. She describes her extensive correspondence with many prominent figures in Russian and Western society, making My Life a unique account of late-19th- and early-20th-century Russia, with its cast of characters ranging from peasants to the Tsar himself. Her engaging narrative reveals not only her significant contributions to her husband's work but also her considerable talent as an author in her own right."--BOOK JACKET.

A collection of translated plays from Tolstoy.