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This book integrates the problem of violence into a larger framework, showing how economic and political behavior are closely linked.

A pioneering study of early trade and beach communities in the Pacific Islands and first published in 1977, this book provides historians with an ambitious survey of early European-Polynesian contact, an analysis of how early trade developed along with the beachcomber community, and a detailed reconstruction of development of the early Pacific port towns. Set mainly in the first half of the 19th century, continuing in some cases for a few decades more, the book covers five ports: Kororareka (now Russell, in New Zealand), Levuka (Fiji), Apia (Samoa), Papeete (Tahiti) and Honolulu (Hawai'i). The role of beachcombers, the earliest European inhabitants, as well as the later consuls or commercial agents, and the development of plantation economies is explored. The book is a tour de force, the first detailed comparative academic study of these early precolonial trading towns and their race relations. It argues that the predominantly egalitarian towns where Islanders, beachcombers, traders, and missionaries mixed were largely harmonious, but this was undermined by later arrivals and larger populations.

The pottery industry was key for Burton-in-Lonsdale on the borders of Yorkshire, Lancashire and Cumbria for nearly three centuries until its demise in 1944. This book tells the story of Richard Bateson, the last potter of Black Burton, a renowned thrower and teacher. It encapsulates the history and traditions of this lost trade; the personalities, the struggles, the humour alongside the hard work. The book is a grand contribution to the history of Burton, the history of pottery and the story of rural arts in transformation from an industrial to a more artistic endeavour. "The most comprehensive collection of history, stories, first-hand accounts and photographs we are ever likely to see... social history of a high order; rooted in its context, explored by those who really understand how it was." From the Foreword by Mark McKergow "(Richard) didn't like Bernard Leach's pots, because all Leach's pots had a wobble and Richard's never did." David Frith, Brookhouse Pottery