A large-scale account of Conrad's extensive involvement with the French literary tradition, Yves Hervouet's book is a milestone in our understanding of his work. It will have a major impact on Conrad scholarship and as a study of cross-cultural influence, it will be of interest to all students of comparative literature in the period.

Joseph Conrad: The Short Fiction offers a wide range of perspectives on Conrad's short stories. Nine essays, by established and emerging scholars, deal with early and classic stories as well as the relatively neglected works of Conrad's later career. The essays explore in depth the historical and publishing contexts of individual stories and provide insights into Conrad's practice as a writer of short fiction. These new readings, based on contemporary theoretical and interpretive perspectives, will appeal not only to specialists of literary Modernism but also to the advanced student and the general reader.

Joseph Conrad: The Short Fiction offers a wide range of perspectives on Conrad’s short stories. Nine essays, by established and emerging scholars, deal with early and classic stories as well as the relatively neglected works of Conrad’s later career. The essays explore in depth the historical and publishing contexts of individual stories and provide insights into Conrad’s practice as a writer of short fiction. These new readings, based on contemporary theoretical and interpretive perspectives, will appeal not only to specialists of literary Modernism but also to the advanced student and the general reader.

Joseph Conrad is a key figure in modernist fiction, whose innovative work engages with many of the crucial philosophical, moral and political concerns of the twentieth century. This collection of major critical readings of his work is arranged according to the issues which each critic addresses, issues which are of crucial importance, and in many cases remain controversial, within contemporary literary theory and criticism. Following an opening section on the critical tradition, indicating how the study of Conrad's work has been politicised since the 1970s, there are sections on 'Narrative, Textuality and Interpretation', 'Imperialism', 'Gender and Sexuality', 'Class and Ideology', and 'Modernity'. Within each section two or three critical excerpts offer contrasting and complementary accounts of the fiction, while the headnotes to each piece and the introduction place these excerpts within the wider critical debate, clarifying for the reader both the theoretical issues and the interpretation of Conrad's fiction. A glossary of terms and a bibliography categorised by critical approach complete a volume which will provide an invaluable resource for students of Conrad and twentieth-century literature as well as other readers of Conrad's work.

Joseph Conrad is widely recognized as one of the greatest writers of the early twentieth century. Robert Hampson traces Conrad’s life from his childhood in a Russian penal colony, through his early manhood in Marseille and his years in the British Merchant Navy, to his career as a novelist. This critical biography describes how these experiences inspired Conrad’s work, from his early Malay novels to his best-known work, Heart of Darkness. Hampson also discusses Conrad’s important relations with other writers, in particular Ford Madox Ford, as well as his late-life political engagements and his relationships with women. Featuring new interpretations of all of Conrad’s major works, this is an original interpretation of Conrad’s life of writing.

Up-to-date and extensive revision of Najder's much-acclaimed scholarly biography of Conrad, employing newly accessible sources. Joseph Conrad is not only one of the world's great writers of English -- and world -- literature, but was a writer who lived a particularly full and interesting life. For the biographer this is a double-edged sword, however: thereare many periods for which documentation is uncommonly difficult. Zdzislaw Najder's meticulously documented biography first appeared in English in 1983, garnering high praise as the best, most complete biography of Conrad. Najder's command of English, French, Polish, and Russian allowed him access to a greater variety of sources than any other biographer, and his Polish background and his own experience as an exile have afforded him a unique affinity forConrad and his milieu. All this has come into play once again in the present, extensively revised edition: much of its extensive new material was unearthed in newly-opened former east-bloc archives. There is new material on Conrad's father's genealogy and his role in Polish politics; Conrad's service in the French and British merchant marines; his early English reading and correspondence; his experiences in the Congo; the circumstances of writing his memoirs, and much more. In addition, several aspects of Conrad's life and works are more thoroughly analyzed: his problems with the English language; his borrowings from French writers; his attitude toward socialism, his reaction to the reception of his books. Zdzislaw Najder teaches at the European Academy, Cracow.

Leading scholars provide a comprehensive introduction to the work of Joseph Conrad.

This study examines the relations between the work of the Polish-English novelist Joseph Conrad and the French Nobel Prize winner André Gide. Gide's translation of Conrad's Typhoon is read as a work belonging paradoxically to the oeuvres of both writers, where their respective preoccupations meet with illuminating results. Focusing also on other major works by Conrad and Gide, the study suggests that the intertextual and personal interaction between these two masters of 20th Century fiction was governed by processes of identification and projection, conflict between master and disciple and a consequent resistant reading of texts, and confrontation with linguistic and cultural heterogeneity. Issues of translation theory, psychoanalysis and intertextuality are brought together to offer a glimpse of a possible dialogue between literature and ethics. This study will be of interest to students and researchers in English, French and Comparative Literature.

In 1908, Joseph Conrad was criticised by a reviewer for being a man ‘without either country or language’: even his shipboard communities were the product of a ‘cosmopolitan’ vision. This book takes off from that criticism and begins by exploring the history and meanings of the term ‘cosmopolitan’. It then considers the multinational world of Conrad’s ships – and of the Merchant Marine more generally – to differentiate multinationalism from cosmopolitanism. Subsequent chapters then address nationalism, nation-formation and the concept of the nation through a reading of Nostromo; cosmopolitanism and internationalism in The Secret Agent; nationalism, internationalism and transnational activism in relation to Under Westen Eyes; and Conrad’s own transnational activism in his later essays. While drawing distinctions between cosmopolitanism, internationalism and transnationalism as the appropriate conceptual framings for Conrad’s works, this book traces Conrad’s own engagement with nationalism, cosmopolitanism, and transnational activism in relation to the political events of his time.