Mischievous and daring, a young princess ascends to new heights after a life of trials and tribulations.

Selection from the Louve of over fifty precious jewelry pieces, pictured in paintings and photographs.

“A dynamic group biography studded with design history and high-society dash . . . [This] elegantly wrought narrative bears the Cartier hallmark.”—The Economist The “astounding” (André Leon Talley) story of the family behind the Cartier empire and the three brothers who turned their grandfather’s humble Parisian jewelry store into a global luxury icon—as told by a great-granddaughter with exclusive access to long-lost family archives “Ms. Cartier Brickell has done her grandfather proud.”—The Wall Street Journal The Cartiers is the revealing tale of a jewelry dynasty—four generations, from revolutionary France to the 1970s. At its heart are the three Cartier brothers whose motto was “Never copy, only create” and who made their family firm internationally famous in the early days of the twentieth century, thanks to their unique and complementary talents: Louis, the visionary designer who created the first men’s wristwatch to help an aviator friend tell the time without taking his hands off the controls of his flying machine; Pierre, the master dealmaker who bought the New York headquarters on Fifth Avenue for a double-stranded natural pearl necklace; and Jacques, the globe-trotting gemstone expert whose travels to India gave Cartier access to the world’s best rubies, emeralds, and sapphires, inspiring the celebrated Tutti Frutti jewelry. Francesca Cartier Brickell, whose great-grandfather was the youngest of the brothers, has traveled the world researching her family’s history, tracking down those connected with her ancestors and discovering long-lost pieces of the puzzle along the way. Now she reveals never-before-told dramas, romances, intrigues, betrayals, and more. The Cartiers also offers a behind-the-scenes look at the firm’s most iconic jewelry—the notoriously cursed Hope Diamond, the Romanov emeralds, the classic panther pieces—and the long line of stars from the worlds of fashion, film, and royalty who wore them, from Indian maharajas and Russian grand duchesses to Wallis Simpson, Coco Chanel, and Elizabeth Taylor. Published in the two-hundredth anniversary year of the birth of the dynasty’s founder, Louis-François Cartier, this book is a magnificent, definitive, epic social history shown through the deeply personal lens of one legendary family.

This text captures the magnificence of a collection of symbolic objects steeped in English history like no other: the crown jewels.

A rare look at the exquisite world of Russian treasures that lies beyond Fabergé. Imperial Russia evokes images of a vanished courts unparalleled splendor: magnificent tiaras, gem-encrusted necklaces, snuff boxes and other diamond-studded baubles of the tsars and tsarinas. During that time, jewelry symbolized power and wealth, and no one knew this better than the Romanovs. The era marked the high point of the Russian jewelers' art. Beginning with Catherine I's reign in 1725, in the century when women ruled Russia, until the Russian Revolution of 1917, the imperial capital's goldsmiths perfected their craft, and soon the quality of Russias jewelry equaled, if not surpassed, the best that Europes capitals could offer. Who created these jewels that helped make the Russian Court the richest in Europe? Hint: it wasn't Carl Fabergé. This is the first systematic survey in any language of all the leading jewelers and silver masters of Imperial Russia. The authors skillfully unfold for us the lives, histories, creations, and makers marks of the artisans whose jewels and silver masterworks bedazzled the tsars. The previously unheralded names include Pauzié, Bolin, Hahn, Koechli, Seftigen, Marshak, Morozov, Nicholls & Plincke, Grachev, Sazikov, and many others. The market for these exquisite masterworks is also explored, from its beginnings to today's auction world and collector demand. More than 600 stunning photos reacquaint the world with the master artisans and their creations.

THIS BOOK IS A CELEBRATION OF SOME OF THE WORLD'S MOST INTRIGUING AND PRECIOUS OBJECTS: THE CROWNS, SCEPTRES, ORBS, JEWELS AND EMBLEMS OF THE ROYAL FAMILIES OF EUROPE.

Remarkable pieces of French jewelry that mirror America's transformation from frontier nation to industrial power

The book explores the origins of the word tiara which derives from the head ornaments of Persian kings. The term tiara encompasses the diadem, said to have been invented by Dionysos, god of wine, the Kokoshnik from early Russia, and the wreath of flowers, perhaps the most appealing source of inspiration for the modern jeweller. Tiaras are considered as emblems of love and marriage, as symbols of aristocratic heritage, and as works of art in their own right in a range of styles from the antique and neo-classical to art deco. The stunning array of contemporary designs indicates that tiaras are now most definitely items of high fashion. Many are shown alongside either their original designs or photographs of their owners from the Queen Mother to Madonna. Tiaras, Past and Present traces the history of these magnificent jewels from ancient time to their re-emergence in the First Empire, through the work of famous jewellers like Faberg , Cartier and Boucheron to the extravagant contemporary creations of Vivienne Westwood and Versace. Tiaras of all types glitter throughout the pages, breathtaking in the sumptuousness of their stones and the intricacy of their design. The tiara is indeed pre-eminent among jewels, and this book is a celebration of them.