7 Adjusting to a New Reality: The Army and the Imminent Independence -- Conclusion -- Notes -- Bibliography -- Index

A thorough history of the French Army in Africa and of the native peoples of Africa who came into contact with the French. Special attention is paid to the native African soliders attached to the French Army. Annotation copyrighted by Book News, Inc., Portland, OR

*WINNER OF THE 2021 INTERNATIONAL BOOKER PRIZE* *ONE OF PRESIDENT BARACK OBAMA'S FAVORITE BOOKS OF 2021* Winner of the Los Angeles Times Book Prize for fiction Shortlisted for the 2022 DUBLIN Literary Award "Astonishingly good." —Lily Meyer, NPR "So incantatory and visceral I don’t think I’ll ever forget it." —Ali Smith, The Guardian | Best Books of 2020 One of The Wall Street Journal's 11 best books of the fall | One of The A.V. Club's fifteen best books of 2020 |A Sunday Times best book of the year Selected by students across France to win the Prix Goncourt des Lycéens, David Diop’s English-language, historical fiction debut At Night All Blood is Black is a “powerful, hypnotic, and dark novel” (Livres Hebdo) of terror and transformation in the trenches of the First World War. Alfa Ndiaye is a Senegalese man who, never before having left his village, finds himself fighting as a so-called “Chocolat” soldier with the French army during World War I. When his friend Mademba Diop, in the same regiment, is seriously injured in battle, Diop begs Alfa to kill him and spare him the pain of a long and agonizing death in No Man’s Land. Unable to commit this mercy killing, madness creeps into Alfa’s mind as he comes to see this refusal as a cruel moment of cowardice. Anxious to avenge the death of his friend and find forgiveness for himself, he begins a macabre ritual: every night he sneaks across enemy lines to find and murder a blue-eyed German soldier, and every night he returns to base, unharmed, with the German’s severed hand. At first his comrades look at Alfa’s deeds with admiration, but soon rumors begin to circulate that this super soldier isn’t a hero, but a sorcerer, a soul-eater. Plans are hatched to get Alfa away from the front, and to separate him from his growing collection of hands, but how does one reason with a demon, and how far will Alfa go to make amends to his dead friend? Peppered with bullets and black magic, this remarkable novel fills in a forgotten chapter in the history of World War I. Blending oral storytelling traditions with the gritty, day-to-day, journalistic horror of life in the trenches, David Diop's At Night All Blood is Black is a dazzling tale of a man’s descent into madness.

Publisher description

As part of France's opposition to the independence of its former colonies in the years following World War II, its army remained deeply invested in preventing the decolonization of the territories comprising French West Africa (FWA). Even as late as the 1950s, the French Army clung to the hope that it was possible to retain FWA as a colony, believing that its relations with African soldiers could offer the perfect model for continued ties between France and its West African territories. In The French Army and Its African Soldiers Ruth Ginio examines the French Army's attempts to win the hearts and souls of the local population at a time of turbulence and uncertainty regarding future relations between the colonizer and colony. Through the prism of the army's relationship with its African soldiers, Ginio considers how the army's activities and political position during FWA's decolonization laid the foundation for France's continued active presence in some of these territories after independence. This project is the first thorough examination of the French Army's involvement in West Africa before independence and provides the essential historical background to understanding France's complex postcolonial military relations with its former territories in Africa.

Narrating War and Peace in Africa interrogates conventional representations of Africa and African culture -- mainly in the twentieth and early twenty-first centuries -- with an emphasis on portrayals of conflict and peace. While Africa has experienced political and social turbulence throughout its history, more recent conflicts seem to reinforce the myth of barbarism across the continent: in Nigeria, Rwanda, Somalia, Sierra Leone, Uganda, Kenya, Mozambique, Chad, South Africa, Zimbabwe, and Sudan. The essays in this volume address reductive and stereotypical assumptions of postcolonial violence as "tribal" in nature, and offer instead various perspectives -- across disciplinary boundaries -- that foster a less fetishized, more contextualized understanding of African war, peace, and memory. Through their geographical, historical, and cultural scope and diversity, the chapters in Narrating War and Peace in Africa aim to challenge negative stereotypes that abound in relation to Africa in general and to its wars and conflicts in particular, encouraging a shift to more balanced and nuanced representations of the continent and its political and social climates. Contributors: Ann Albuyeh, Zermarie Deacon, Alicia C. Decker, Aména Moïnfar, Kayode Omoniyi Ogunfolabi, Sabrina Parent, Susan Rasmussen, Michael Sharp, Cheryl Sterling, Hetty ter Haar, Melissa Tully, Pamela Wadende, Metasebia Woldemariam, Jonathan Zilberg. Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin. Hetty ter Haar is an independent researcher in England.

During the Second World War over half-a-million African troops served with the British Army as combatants and non-combatants in campaigns in the Horn of Africa, the Middle East, Italy and Burma - the largest single movement of African men overseas since the slave trade. This account, based mainly on oral evidence and soldiers' letters, tells the story of the African experience of the war. It is a 'history from below' that describes how men were recruited for a war about which most knew very little. Army life exposed them to a range of new and startling experiences: new foods and forms of discipline, uniforms, machines and rifles, notions of industrial time, travel overseas, new languages and cultures, numeracy and literacy. What impact did service in the army have on African men and their families? What new skills did soldiers acquire and to what purposes were they put on their return? What was the social impact of overseas travel, and how did the broad umbrella of army welfare services change soldiers' expectations of civilian life? And what role if any did ex-servicemen play in post-war nationalist politics? In this book African soldiers describe in their own words what it was like to undergo army training, to travel on a vast ocean, to experience battle, and their hopes and disappointments on demobilisation. DAVID KILLINGRAY is Professor Emeritus of History, Goldsmiths, and Senior Research Fellow at the Institute of Commonwealth Studies, University of London.

"West African Soldiers in Britain's Colonial Army, 1860-1960 explores the history of Britain's West African colonial army based in Nigeria, Ghana, Sierra Leone and the Gambia placing it within a broader social context and emphasizing, as far as possible, the experience of the ordinary soldier. The aim is not to describe the many battles and campaigns fought by this force but to look at the development of the West African colonial army as an institution over the course of about a century. In pursuing this goal, it is sometimes useful to employ the lens of military culture defined differently by scholars but essentially meaning a set of shared ideas and behaviors that inform daily life in the military. While other locally recruited colonial militaries in Africa have attracted considerable attention from historians as they served as an essential pillar supporting European rule, this book represents the first comprehensive scholarly study of Britain's West African army which was the largest such British-led force south of the Sahara. The study is based on extensive archival research conducted in nine archives located in five countries"--

This book gives the reader a straightforward and continuous survey of the history of the French Foreign Legion. By outlining the Legion's vicissitudes, victorious campaigns, epic marches, heroic and sometimes hopeless stands, dirtiest combats and dramatic defeats, but also by briefly placing the Legion back in the historical background of France, and by describing its development, organization, uniforms, equipments and weapons, the author hopes to dispel myths, and try to give a true and accurate picture of what the French Foreign Legion has been from 1831 until today. There are well-researched, detailed line drawings throughout.

“A fascinating study exploring the motivation of French soldiers during the Napoleonic Era, and the process through which they became Napoleon’s men.”—Frederick C. Schneid, author of Napoleon’s Conquest of Europe The men who fought in Napoleon’s Grande Armée built a new empire that changed the world. Remarkably, the same men raised arms during the French Revolution for liberté, égalité, and fraternité. In just over a decade, these freedom fighters, who had once struggled to overthrow tyrants, rallied to the side of a man who wanted to dominate Europe. What was behind this drastic change of heart? In this ground-breaking study, Michael J. Hughes shows how Napoleonic military culture shaped the motivation of Napoleon’s soldiers. Relying on extensive archival research and blending cultural and military history, Hughes demonstrates that the Napoleonic regime incorporated elements from both the Old Regime and French Revolutionary military culture to craft a new military culture, characterized by loyalty to both Napoleon and the preservation of French hegemony in Europe. Underscoring this new, hybrid military culture were five sources of motivation: honor, patriotism, a martial and virile masculinity, devotion to Napoleon, and coercion. Forging Napoleon’s Grande Armée vividly illustrates how this many-pronged culture gave Napoleon’s soldiers reasons to fight. “Hughes offers a tight and well-grounded exposition and analysis of French military culture in the Napoleonic period in which military honour is presented as a dynamic element.” —Journal of European Studies “Hughes’s book not only contributes to our understanding of the military success of Napoleon’s army, but also elegantly employs cultural history methods to better understand army operations and sustained troop motivations.” —Julia Osman, History: Reviews of New Book