Welsh and Phillips (independent scholars) and Hill (Georgia Gwinett College) offer an exhaustive A-Z compendium of information about Francis Ford Coppola, a major figure in American cinema and director of The Godfather, The Conversation, Apocalypse Now, and many other films. The book describes Coppola as a "visionary auteur" and presents his career as one of extremes--from the fabulous successes of the 1970s to the bitter disappointments of the 1980s, as he struggled and compromised with the Hollywood system. Entries for each film include full credits, a plot summary, highlights of the production history and critical reception, and references for further reading. Additional entries are devoted to Coppola's professional associates, actors, those he mentored, and diverse influences in his life. This unique volume will be necessary reading for anyone studying Coppola's films and American filmmaking of the mid to late 20th century. Contributors are knowledgeable specialists--writers or teachers with credentials in film and media. Phillips previously wrote Godfather: The Intimate Francis Ford Coppola (CH, Sep'04, 42-0202), and he and Hill edited Francis Ford Coppola: Interviews (2004). An excellent selected bibliography, general index, and photographs of scenes from the films enhance the volume's value to students. Summing Up: Essential. Medium to large film collections in public and academic libraries; lower-level undergraduates and above, and general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by L. E. Jorbin.

Francis Ford Coppola's career has spanned five decades, from low budget films he produced in the early 1960s to more personal films of recent years. Because of the tremendous popular success of The Godfather and the tremendous critical success of its sequel, Coppola is considered to be one of the best directors of all time. The entries in this encyclopedia focus on all aspects of Coppola's work—from his early days with producer Roger Corman to his films as the director of the 1970s. This extensive reference contains material on all of the films Coppola has played a role in, from screenwriter to producer to director, including such classics as Patton, The Godfather, The Conversation, The Godfather Part II, and Apocalypse Now. Each entry is followed by a bibliography of published sources, both in print and online, making The Francis Ford Coppola Encyclopedia the most comprehensive reference on this director's body of work.

These interviews show how the director of The Godfather and The Godfather: Part II evolved from hotshot film maverick to elder statesman of American cinema.

FRANCIS FORD COPPOLA: A FILM-MAKERS LIFE is the first complete picture of the flawed cinematic genius who directed the GODFATHER trilogy, APOCALYPSE NOW, THE CONVERSATION, and other distinctive films - some wildly successful, some disastrous.

This reference volume provides an evaluation of Oliver Stone's work as a screenwriter, producer, and director.

Joel and Ethan Coen have written and directed some of the most celebrated American films of the last thirty years. The output of their work has embraced a wide range of genres, including the neo-noirs Blood Simple and The Man Who Wasn’t There, theabsurdist comedy Raising Arizona, and the violent gangster film Miller’s Crossing. Whether producing original works like Fargo and Barton Fink or drawing on inspiration from literature, such as Charles Portis’ True Grit or Cormac McCarthy’s No Country for Old Men, the brothers put their distinctive stamp on each film. In The Coen Brothers Encyclopedia, all aspects of these gifted siblings as writers, directors, producers, and even editors—in the guise of Roderick Jaynes—are discussed. Entries in this volume focus on creative personnel behind the camera, including costume designers, art directors, and frequent contributors like cinematographer Roger Deakins and composer Carter Burwell. Recurring actors are also represented, such as Jeff Bridges, Steve Buscemi, George Clooney, John Goodman, Holly Hunter, Frances McDormand, and John Turturro. Each entry is followed by a bibliography of published sources, both in print and online. From Blood Simple to Inside Llewyn Davis, The Coen Brothers Encyclopedia is a comprehensive reference on two of the most significant filmmakers of the last three decades. An engaging examination of their work, this volume will appeal to scholars, researchers, and fans interested in this creative duo.

This collection of essays asks the question "What is history?" and considers how history is shaped in different socioeconomic contexts. The writers take a transdisciplinary approach, in the belief that everyone who deals with history--including professional historians, novelists, and poets--constructs narratives of the past to make sense of the present as well as to determine their future courses of action. With contributions from a variety of specialists in media studies, literature, history and anthropology, this book breaks new ground in adaptation studies.

As baby boomers gray, cinematic depictions of aging and the aged are on the rise. In the horror genre, fears of growing old take on fantastic proportions. Elderly characters are portrayed as either eccentric harbingers of doom--the crone who stops at nothing to restore her youth, the ancient ancestor who haunts the living--or as frail victims. This collection of new essays explores how various filmic portrayals of aging, as an inescapable horror destined to overtake us all, reflect our complex attitudes toward growing old, along with its social, psychological and economic consequences.

Stanley Kubrick is one of the most revered directors in cinema history. His 13 films, including classics such as Paths of Glory, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining, attracted controversy, acclaim, a devoted cult following, and enormous critical interest. With this comprehensive guide to the key contexts - industrial and cultural, as well as aesthetic and critical - the themes of Kubrick's films sum up the current vibrant state of Kubrick studies. Bringing together an international team of leading scholars and emergent voices, this Companion provides comprehensive coverage of Stanley Kubrick's contribution to cinema. After a substantial introduction outlining Kubrick's life and career and the film's production and reception contexts, the volume consists of 39 contributions on key themes that both summarise previous work and offer new, often archive-based, state-of-the-art research. In addition, it is specifically tailored to the needs of students wanting an authoritative, accessible overview of academic work on Kubrick.