Already troubled by his parents' divorce, Bobby Canfield is further distressed when he learns that his father, who has coached him in running bases, intends to move away.

With the help of a shape-shifting fox, the Prince of Alban goes on a series of quests, among such enemies as the Giant With Five Heads and the Seven Big Women of Jura.

A New York Times Editors’ Choice: “A mind-bending romp through a gender-fluid, eighteenth century London . . . a joyous mash-up of literary genres shot through with queer theory and awash in sex, crime, and revolution.” NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker • HuffPost • Kirkus Reviews • Finalist for the Lambda Literary Award • Shortlisted for the Center for Fiction First Novel Prize • “A dazzling tale of queer romance and resistance.”—Time Jack Sheppard and Edgeworth Bess were the most notorious thieves, jailbreakers, and lovers of eighteenth-century London. Yet no one knows the true story; their confessions have never been found. Until now. Reeling from heartbreak, a scholar named Dr. Voth discovers a long-lost manuscript—a gender-defying exposé of Jack and Bess’s adventures. Is Confessions of the Fox an authentic autobiography or a hoax? As Dr. Voth is drawn deeper into Jack and Bess’s tale of underworld resistance and gender transformation, it becomes clear that their fates are intertwined—and only a miracle will save them all. Writing with the narrative mastery of Sarah Waters and the playful imagination of Nabokov, Jordy Rosenberg is an audacious storyteller of extraordinary talent. Praise for Confessions of the Fox “A cunning metafiction of vulpine versatility . . . an action-adventure tale with postmodern flourishes; an academic comedy spliced with period erotica; an intimate meditation on belonging.”—Katy Waldman, The New Yorker “Confessions of the Fox is so goddamned good. Reading it was like an out-of-body experience. I want to run through the streets screaming about it. It should be in the personal canon of every queer and non-cis person. Read it.”—Carmen Maria Machado, National Book Award finalist for Her Body and Other Parties “A hat tip to Moby-Dick . . . a running footnote hall of mirrors to rival Borges . . . one of the most trenchant calls for progressive action that I have read in a very long time.”—The New York Times Book Review “An ambitious work of metafiction, a sexy queer love story . . . a bold first novel.”—Entertainment Weekly

LOOK WHO'S PLAYING FIRST BASE Will Mike stand up to his teammates to defend his friend? When the Checkmates need a new first baseman, Mike Hagin's new friend, Yuri, seems like a logical choice. But when Yuri starts flubbing plays and the team's star player threatens to quit as a result, Mike is not sure Yuri is such a good choice after all-for a teammate or for a friend. It appears as if Mike will have to choose between his friendship with Yuri and his loyalty to the team-or is there another solution?

A fox steals a chicken. Why would the fox do this and not eat the bird?

CHALLENGE AT SECOND BASE Stan Martin's chances of playing second base seem next to zero at the start of the season. His rival for the position, Gary Newman, looks tough to beat. Stan loves baseball-maybe even more than his brother, Phil, who played pro ball until quitting suddenly the year before-but after experiencing a few setbacks, Stan is tempted to quit too. Then Stan receives a mysterious note telling him to stick it out-and soon Stan finds himself face-to-face with the challenge at second base.

Retells an Armenian folktale about a fox who has his tail cut off after he steals some milk and how he bargains to get it back.

The story of Harquin, a young fox. His parents warn him not to go down to the valley, but he can't resist the temptation, and one day he's spotted by the gamekeeper. A hunt is organized, and Harquin has to run for his life.

ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?