In the Anteroom of Divinity focuses on the persistence of Pseudo-Dionysian angelology in England's early modern period. Beginning with a discussion of John Colet's commentary on Dionysisus' twin hierarchies, Feisal G. Mohamed explores the significance of the Dionysian tradition to the conformism debate of the 1590s through works by Richard Hooker and Edmund Spenser. He then turns to John Donne and John Milton to shed light on their constructions of godly poetics, politics and devotion, and provides the most extensive study of Milton's angelology in more than fifty years. With new philosophical, theological, and literary insights, this work offers a contribution to intellectual history and the history of religion in critical moments of the English Reformation.

'This masterly work ought to be The Elizabethan Encyclopedia, and no less.' - Cahiers Elizabethains Edmund Spenser remains one of Britain's most famous poets. With nearly 700 entries this Encyclopedia provides a comprehensive one-stop reference tool for: * appreciating Spenser's poetry in the context of his age and our own * understanding the language, themes and characters of the poems * easy to find entries arranged by subject.

William Elford Rogers proposes a genre-theory that will clarify what we mean when we speak of literary works as dramatic, epic, or lyric. Focusing on lyric poetry, this book maintains that the broad genre-concepts need not be discarded but can be preserved by a new interpretive model that gives us conceptual knowledge not about works but about interpretation. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"The first biography in sixty years of the most important non-dramatic poet of the English Renaissance"--From publisher description.

This volume provides essays by twenty-nine leading scholars and critics on the best English poets from Chaucer to Larkin.

Although it has been recognized that Edmund Spenser's poetry owes a debt to the work of the French poets of the Pléiade, particularly to Joachim du Bellay and Pierre de Ronsard, there has been no critical analysis of this relationship. Mr. Satterthwaite compares the work of the three poets, showing the relation between the English movement to write quantitative verse and the French experiments in vers mesures. He discusses the attitudes of the poets to their Muses and to contemporary literature, their ideas of time and mutability, their moral (or amoral) views of literature and of life their religious orientation, and their use of the Platonic and neo-Platonic theories that were a part of the inherited culture of the Renaissance. Originally published in 1960. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde first appeared in 1886. Readers at the time commented on three major influences at work on the text: Darwinism, the Bible, and Platonism. With the passage of time commentators have tended to focus on either the Darwinian or the biblical implications surrounding Hyde, and the Platonic implications have been more or less overlooked. For a full understanding of Hyde all three must be considered; and they must all be considered together. This book locates Robert Louis Stevenson's Edward Hyde within the history of ideas. It examines a range of texts from earlier literature involving apes or ape-like creatures, thereby revealing a tradition which explores and questions the origins of mankind - theological, philosophical, and scientific - in an attempt to account for the presence of our lower impulses. The chosen texts show that, as knowledge of the natural world increases through exploration and scientific learning, earlier ways of looking at the world have accommodated new ideas by absorbing the new and incorporating it into the old mythological framework. The author demonstrates how this tradition feeds naturally into Stevenson's text, providing a Darwinian-biblical-Platonic context within which to examine Hyde.