Authoritative version contains complete Four Seasons plus the rest of Vivaldi's Opus 8. Includes new English translations of the original sonnets and extensive editorial notes on the composer's life and work.

This authoritative version contains the complete Four Seasons plus the rest of Vivaldi's Opus 8, including "The Storm at Sea," "Pleasure," and "The Hunt." Printed from new plates, this crisp, pristine edition includes new English translations of the original sonnets and extensive editorial notes on the composer's life and work.

Vivaldi's finest compositions for flute solo and string orchestra. Op. 10: Concerto No. 1 in F, "The Sea Tempest" (RV433); Concerto No. 2 in G minor, "Night" (RV439); Concerto No. 3 in D, "The Goldfinch" (RV428); Concerto No. 4 in G (RV435); Concerto No. 5 in F (RV434); and Concerto No. 6 in G (RV437).

One of the most popular of all violin concerti, this baroque masterpiece of "program" music was composed as a musical illustration of four sonnets. Painstakingly researched by baroque authority Dr. Eleanor Selfridge-Field, this miniature score edition offers a modern, authoritative, and up-to-date edition that incorporates Vivaldi's Italian descriptive notes directly in the music.

Authoritative Breitkopf & Hartel editions of Piano Concerto No. 1 in E-flat Major and Piano Concerto No. 2 in A major. Unabridged. "

The four seasons were composed by Antonio Vivaldi, an Italian composer. These are four violin concertos that give musical expression to the seasons of the year. It was published as 'Il cimento dell'armonia e dell'inventione' ("The contest between Harmony and Invention"). The compositions were a revolution in musical concepts, each concerti included sonnets(poems possibly written by Vivaldi), and in his work he demonstrated musical representation of singing birds, buzzing flies, barking dogs, storms, landscapes, and warm winter fires. The Four Seasons: Violin Concerto No. 1 in E major, RV 269 'La primavera' ("Spring") I. Allegro II. Largo III. Danza pastorale Violin Concerto No. 2 in G minor, RV 315 'L'estate' ("Summer") I. Allegro non molto II. Adagio e piano - Presto e forte III. Presto Violin Concerto No. 3 in F major, RV 293 'L'autunno' ("Autumn") I. Allegro II. Adagio molto III. Allegro Violin Concerto No. 4 in F minor, RV 297 'L'inverno' ("Winter") I. Allegro non molto II. Largo III. Allegro These four violin concertos have been arranged for the piano. The sonnets are included before each concerto, and I hope you enjoy getting to know the perfect harmony between music and poetry.

Cadence explores the many ways in which the component parts of a classical composition achieve a sense of ending. The book examines cadential practice in a wide variety of musical styles in the eighteenth and nineteenth centuries, including works by well-known composers such as Bach, Mozart, Beethoven, Schubert, Chopin, and Brahms.

Cadence is a comprehensive examination of how formal units in European art music of the tonal era achieve closure. The book brings together the author's decades-long investigations into cadence, a compositional device that is readily experienced both by musicians and non-musicians, but one that has proven intractable to clear and precise theoretical formulation. Rooted in Caplin's broader theory of formal functions, the book first develops concepts of cadence for music of the high classical style and then extends these ideas to gauge cadential practice in earlier and later style periods. Throughout the study, various manifestations of cadence are defined in terms of their morphology (their harmonic and melodic profiles) as well as their function (the specific formal contexts in which they are deployed). Cadence introduces a host of theoretical concepts illustrated by copious musical examples, all of which contain extensive analytical annotations of harmony, melody and form. Though the book is addressed primarily to music theorists, the many issues of compositional practice raised in this study will resonate with the interests of composers, historians, and performers alike.

This clear, accessible approach to the standard repertoire offers professional and amateur musicians practical advice for performing the music of Bach, Handel, Vivaldi, Telemann, and other composers of the Baroque era.

Depicts the story of how Antonio Vivaldi composed and wrote his famous Four Seasons concertos and the accompanying sonnets.