The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

In 2007, Christopher Hitchens, Richard Dawkins, Sam Harris, and Daniel Dennett filmed a landmark discussion about modern atheism. The video went viral. Now in print for the first time, the transcript of their conversation is illuminated by new essays from three of the original participants and an introduction by Stephen Fry. At the dawn of the new atheist movement, the thinkers who became known as “the four horsemen,” the heralds of religion's unraveling—Christopher Hitchens, Richard Dawkins, Sam Harris, and Daniel Dennett—sat down together over cocktails. What followed was a rigorous, pathbreaking, and enthralling exchange, which has been viewed millions of times since it was first posted on YouTube. This is intellectual inquiry at its best: exhilarating, funny, and unpredictable, sincere and probing, reminding us just how varied and colorful the threads of modern atheism are. Here is the transcript of that conversation, in print for the first time, augmented by material from the living participants: Dawkins, Harris, and Dennett. These new essays, introduced by Stephen Fry, mark the evolution of their thinking and highlight particularly resonant aspects of this epic exchange. Each man contends with the most fundamental questions of human existence while challenging the others to articulate their own stance on God and religion, cultural criticism, spirituality, debate with people of faith, and the components of a truly ethical life. Praise for The Four Horsemen “This bracing exchange of ideas crackles with energy. It’s fascinating to watch four first-class minds explore a rugged intellectual terrain. . . . The text affords a different, more reflective way of processing the truly vital exchange of ideas. . . . I commend the book to those seeking an honest reckoning with their religion—and those curious about how the world looks from a rigorously naturalistic and atheistic point of view.”—Pittsburgh Post-Gazette “The full, electrifying transcript of the one and only conversation between the quartet of luminaries dubbed the ‘four horsemen’ of the New Atheism, which took place in Washington, D.C., in 2007. Among the vast range of ideas and questions they discuss: Is it ever possible to win a war of ideas? Is spirituality the preserve of the religious? And, are there any truths you would rather not know?”—The Bookseller (UK) (starred review)

They came to earth--Pestilence, War, Famine, Death--four horsemen riding their screaming steeds, racing to the corners of the world. Four horsemen with the power to destroy all of humanity. They came to earth, and they came to end us all. When Pestilence, the first of the horsemen, comes for Sara Burn's town, one thing is certain: everyone she knows and loves is marked for death. Unless, of course, the angelic-looking horseman is stopped, which is exactly what Sara has in mind when she shoots the unholy beast off his steed. Too bad no one told her Pestilence can't be killed. Alive and furious, the horseman takes Sara prisoner, determined to make her suffer for impeding his mission. Despite her pleas, nothing and no one gets in the way of his orders to destroy humankind. Only, the longer Pestilence spends beside Sara's bravery and compassion, the more he seems to understand her, and understand humanity. And the longer Sara travels with Pestilence and his plague, the more uncertain she grows about his true feelings toward her...and hers toward him. Sara might still be able to save the world, but she'll have to sacrifice her heart in the process.

In a series of revolts starting in 1820, four military officers rode forth on horseback from obscure European towns to bring political freedom and a constitution to Spain, Naples, and Russia; and national independence to the Greeks. The men who launched these exploits from Andalusia to the snowy fields of Ukraine--Colonel Rafael del Riego, General Guglielmo Pepe, General Alexandros Ypsilanti, and Colonel Sergei Muraviev-Apostol--all hoped to overturn the old order. Over the next six years, their revolutions ended in failure. The men who led them became martyrs. In The Four Horsemen, the late, eminent historian Richard Stites offers a compelling narrative history of these four revolutions. Stites sets the stories side by side, allowing him to compare events and movements and so illuminate such topics as the transfer of ideas and peoples across frontiers, the formation of an international community of revolutionaries, and the appropriation of Christian symbols and language for secular purposes. He shows how expressive behavior and artifacts of all kinds--art, popular festivities, propaganda, and religion--worked their way to various degrees into all the revolutionary movements and regimes. And he documents as well the corruption, abandonment of liberal values, and outright betrayal of the revolution that emerged in Spain and Naples; the clash of ambitions and ideas that wracked the unity of the Decembrists' cause; and civil war that erupted in the midst of the Greek struggle for independence. Richard Stites was one of the most imaginative and broad-ranging historians working in the United States. This book is his last work, a classic example of his dazzling knowledge and idiosyncratic yet accessible writing style. The culmination of an esteemed career, The Four Horsemen promises to enthrall anyone interested in nineteenth-century Europe and the history of revolutions.

As the last horseman carries out his mission to wipe out humanity, he meets the one woman who is immune to his abilities in this long-awaited enemies-to-lovers romance.

The image of the four horsemen of the Apocalypse in Revelation 6:1-8 is one of the most vivid and powerful in all the writings of the prophets. Their presence speaks of a coming day of horror - the first four judgments of the tribulation. White, red, black, and pale, they will wreak destruction around the world. Prophecy expert Mark Hitchcock takes an in-depth look at the horsemen and shows how today's events point toward the prophecy about them. Signs all around us indicate that the four horsemen of the Apocalypse may be ready to mount up and gallop across the earth. T H U N D E R I N G H O O F B E AT S B R I N G WA R , FAMI N E , A N D P L A G U E The image of the four horsemen of the Apocalypse in Revelation 6:1–8 is one of the most vivid and powerful in all the writings of the prophets. Their presence speaks of a coming day of horror—the first four judgments of the Tribulation. White, red, black, and pale, they will wreak destruction around the world. Prophecy expert Mark Hitchcock takes an in-depth look at the horsemen and shows how today’s events point toward the prophecy about them. Signs all around us indicate that the four horsemen of the Apocalypse may be ready to mount up and gallop across the earth. “Mark Hitchcock packs a wealth of information on biblical prophecy into an excellent ‘quick read.’ I highly recommend Mark as a faithful guide to understanding current events in light of God’s wonderful plan of prophecy.” —TIM LAHAYE, author, educator, minister Story Behind the Book The four horsemen of the Apocalypse in Revelation 6:1–8 is one of the most vivid, powerful visions in all of the Scriptures. The apostle John saw a vision of four horses (white, red, black, and pale) galloping across the world in the end times, leaving unbelievable destruction in their wake. The chilling imagery of that vision has gripped believers for over two thousand years. The purpose of the book is to take an in-depth look at these four mysterious horsemen and show how their approach seems to be developing before our eyes, signaling the advent of that terrible seven years known as the Great Tribulation. The four horsemen are symbolic of great movements that will mark the onset of that climactic era in history.

A Frenchman, Marcelo Desnoyers, travels to Argentina in 1870 and marries the elder daughter of Julio Madariaga, the owner of a ranch. Eventually, Marcelo; his wife; and his children, Julio and Chichi, move back to France and live in a mansion in Paris. Julio turns out to be a spoiled lazy young man who avoids commitments and flirts with a married woman, Marguerite Laurier. Meanwhile, Madariaga's younger daughter has married a German man, Karl Hartrott, and the Hartrotts move back to Germany. The Desnoyers family and the Hartrott family are thus set against each other with the onset of the First World War. What will happen to the family now? Will there be any reconciliation or will the war destroy them all?

As the second horsemen brings war and destruction, he meets a young woman who he believes is destined to be his wife, but unfortunately for him she does everything she can to sabotage his plans.

They came to earth--Pestilence, War, Famine, Death--four horsemen riding their screaming steeds, racing to the corners of the world. Four horsemen with the power to destroy all of humanity. They came to earth, and they came to end us all. Ana da Silva always assumed she'd die young, but she never expected it to be at the hands of the haunting immortal who spared her life years ago. Famine. But if the horseman remembers her, he must not care, for when she comes face to face with him for the second time in her life, she's stabbed and left for dead. Only, she doesn't quite die. If there's one thing Famine is good at, it's cruelty. He can't forget the pain humanity has brought him, and he's ready to bring it back to them tenfold. But when Ana, a ghost from his past, corners him for what he did to her, she and her empty threats captivate him, and he decides to keep her around. In spite of themselves, Ana and Famine are drawn to each other. But at the end of the day, the two are enemies. Nothing changes that. Not one kind act, not two. And definitely not a few steamy nights. But enemies or reluctant lovers, if they don't stop themselves soon, heaven will.