The Foundation of Australia’s Capital Cities is the story of how the places chosen for Australia’s seven colonial capitals came to shape their unique urban character and built environments. Tony Webster traces the effects of each city’s geologically diverse coastal or riverine landform and the local natural materials that were available for construction, highlighting how the geology and original landforms resulted in development patterns that have persisted today.

The Origins of Australia's Capital Cities is a comprehensive survey, well illustrated with maps and plans, which aims to answer two questions. First, why Australia's eight capital cities are situated where they are, and second, how they were established. Pairs of chapters on each of the State capitals - Sydney, Hobart, Perth, Adelaide, Melbourne and Brisbane - are accompanied by studies of Canberra as the federal capital and Darwin as a territorial capital. A capital is the administrative centre of a political entity, and in Australia, unlike many overseas countries, a uniquely high proportion of the population resides in the capitals. Companion chapters examine the causes of initial European settlement in each area, and reasons for the actual establishment of each capital city. Attention is given to such topics as planning and layout, the basis of growth, potential rivals, the social nature of the cities and the nature of their spread. While there have been no other volume covering all the capitals to seek answers to the same basic questions. This will therefore be an invaluable source book, and provide a stimulus to further enquiry in the social history of Australia. An introduction by the editor pulls together the general strands which link the chapters, and highlights the ways in which the Australian experience contrasts with the urban experience overseas.

The Foundation of Australia's Capital Cities is the story of how the places chosen for Australia's seven colonial capitals came to shape their unique urban character and built environments. Tony Webster traces the effects of each city's geologically diverse coastal or riverine landform and the local natural materials that were available for construction, highlighting how the geology and original landforms resulted in development patterns that have persisted today.

This is a book about the power of the arts to enhance city images, urban economies and communities. Anchored in academic discussion of the Cultural Industries - what they are, how they have emerged, why they matter and how they should be theorized - the book offers a series of case studies drawn from five countries: Australia, Singapore, Spain, the UK and the US to examine how the arts contribute to sustainable urban regeneration.

This book describes William Dawes’ life and professional achievements. William Dawes was a British Marine serving as the official astronomer on board the First Fleet making the 1787–1788 voyage from Britain to the new colony of New South Wales. Between 1788 and 1791, Dawes established not one but two observatories within a kilometre of Sydney’s present-day city centre, a full seven decades before the construction of Sydney’s historical Observatory at Dawes’ Point, today a stone’s throw from the Sydney Harbour Bridge. In this comprehensive biography, the authors discuss William Dawes’ life and his considerable impact—as astronomer, engineer, surveyor, ordnance officer and intellectual centre point—on the early colony in New South Wales (in essence, his impact on the earliest history of Sydney as a settlement) and, subsequently, on the British colonies of Sierra Leone on the West African coast and Antigua in the West Indies. Dawes’ life and professional achievements are closely linked to the earliest history of Sydney as a British settlement. He is often considered a man of high morals, and as such his interactions with the local populations in New South Wales, Sierra Leone and Antigua were mostly deemed respectful and above reproach. He is seen a truly enlightened individual, far ahead of his time. The authors of this book have a significant track record of successful and engaging communication of complex concepts in physics and astronomy with experts and non-experts alike. This biography touches on numerous aspects related to 18th century maritime navigation (“sailing on the stars”), societal relationships, the exploration of newly discovered lands, as well as the early history of Sydney and New South Wales, and the colonial histories of Sierra Leone and the West Indies. As such, this book will appeal to a wide range of readers, from scholars in the history of science and maritime navigation, to history enthusiasts ranging from local historians on Australia’s eastern seaboard to members of the public with a keen interest in British colonial history.

This account of European settlement in the modern state of Victoria, Australia, spans developments from the first convict camp established in 1803 on the Bass Strait to the contemporary separation of the district from New South Wales. Aborigines, whalers, adventurers, squatters, speculators, and immigrants figure into this history of Victoria before the gold rush. The stories of such key leaders as John Baton and John Pascoe Fawkner offer insight into the founding of Melbourne, the economic depression and recovery of the 19th century, and the social progress of the 20th century. Details are drawn from primary sources including correspondence between officials in Melbourne, Sydney, and London and newspapers from Batman, Swanston, the Port Phillip Association, and La Trobe.

Canberra’s dual status as national capital and local city dramatically affected the rise of a unique contemporary arts scene. This complex story, informed by rich archival material and interviews, details the triumph of local arts practice and community over the insistent cultural nation-building of Australia’s capital. It exposes local arts as a vital force in Canberra’s development and uncovers the influence of women in the growth of its visual arts culture. A broad illumination of the city-wide development of arts and culture from the 1920s to 2001 is combined with the story of Bitumen River Gallery and its successor Canberra Contemporary Art Space from 1978 to 2001. This history traces the growth of the arts from a community-led endeavour, through a period of responses to social and cultural needs, and ultimately to a humanising local practice that transcended national and international boundaries.

In Wetlands and Western Cultures: Denigration to Conservation, Rod Giblett examines the portrayal of wetlands in Western culture and argues for their conservation. Giblett’s analysis of the wetland motif in literature and the arts, including in Beowulf and the writings of Tolkien and Thoreau, demonstrates two approaches to wetlands—their denigration as dead waters or their commendation as living waters with a potent cultural history.