Dinny Cherrell has been proposed to numerous times. But no one has ever come close to touching her independent spirit. That is, until she encounters Wilfred Desert. They had first met at Fleur and Michael Mont's wedding and the spark of attraction felt all those years before develops into a deep, all-consuming love. But Wilfred, made cynical by the war and a wanderer, is a complicated and tortured soul. When his past actions come back to haunt him, and the disapproval of Dinny's family work against them, their love is tested to the very limit...

Dinny Cherrell has been proposed to numerous times, but no one has ever come close to touching her independent spirit. That is, until she encounters Wilfred Desert. They had first met at Fleur and Michael Mont's wedding and the spark of attraction felt all those years before develops into a deep, all-consuming love. But Wilfred, a wanderer made cynical by the war, is a complicated and tortured soul. When his past actions come back to haunt him, and the disapproval of Dinny's family work against them, their love is tested to the very limit.

En engelsk familiesaga fra victoriatiden til 1. verdenskrig med forskellige familiemedlemmer som hovedpersoner

In Chancery is the second novel of the Forsyte Saga trilogy by John Galsworthy and was originally published in 1920, some fourteen years after The Man of Property. Like its predecessor it focuses on the personal affairs of a wealthy upper middle class English family.

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This book addresses the divide that exists between the reality of finance and the image it projects. A functioning financial system is an essential feature of a modern economy, providing it with money, credit, capital, and investments. Conversely, those who provide this essential service are neither respected nor trusted. The causes and consequences of this divide is explored using the British experience from 1800 to the present, drawing upon a mixture of factual evidence and contemporary fiction. Nothing of this scale has been attempted before and this is the product of 50 years of research.

John Galsworthy OM (1867-1933) was an English novelist and playwright. He is viewed as one of the first writers of the Edwardian era; challenging in his works some of the ideals of society depicted in the preceeding literature of Victorian England. He won the Nobel Prize for literature in 1932. Notable works include The Forsyte Saga (1906-1921) and its sequels, A Modern Comedy and End of the Chapter. From the Four Winds was Galsworthy's first published work in 1897, a collection of short stories. These, and several subsequent works, were published under the pen name John Sinjohn and it would not be until The Island Pharisees (1904) that he would begin publishing under his own name. His first play, The Silver Box (1906) became a success, and he followed it up with The Man of Property (1906), the first in the Forsyte trilogy. Along with other writers of the time such as Shaw his plays addressed the class system and social issues, two of the best known being Strife (1909) and The Skin Game (1920).

From the gothic fantasies of Walpole’s Otranto to post-modern takes on the country house by Kazuo Ishiguro and Ian McEwan, Phyllis Richardson guides us on a tour through buildings real and imagined to examine how authors’ personal experiences helped to shape the homes that have become icons of English literature. We encounter Jane Austen drinking ‘too much wine’ in the lavish ballroom of a Hampshire manor, discover how Virginia Woolf’s love of Talland House at St Ives is palpable in To the Lighthouse, and find Evelyn Waugh remembering Madresfield Court as he plots Charles Ryder’s return to Brideshead. Drawing on historical sources, biographies, letters, diaries and the novels themselves, House of Fiction opens the doors to these celebrated houses, while offering candid glimpses of the writers who brought them to life.