This study is on the figure אשה זדה and נכד׳ה, also commonly called the 'Strange Woman' in Proverbs 1-9. It is an attempt to understand the meaning which defines her, and the origin and development of her motif. The first part argues against defining her as a sexual predator, but as an ethnic foreigner according to the lexical studies of זד and נכד. It traces her origin within the Hebrew scripture, the legal documents and especially to the DtrH's portrayal of foreign women/wives. Hence, it distinguishes the two motifs: the motif of the adulteress and the motif of the foreign woman; the latter, which symbolizes the temptation to apostasy. The study will then go on to explain how the writer of Proverbs 1-9 employs this motif of the foreign woman in his poetic composition. The second part tracks the development of this motif through the subsequent Jewish Wisdom literature and observes how it changes and loses the 'foreignness' of her original motif in Eccl. 7:26; 4Q184; LXX Proverbs; Hebrew Ben Sira; Greek Ben Sira; and finally disappears in Wisdom of Solomon. It proffers to understand this gradual transformation against a background of social and religious change.

The volume presents a collection of papers read during three workshops held in Leipzig (2016), Jerusalem (2017), and Vienna (2018). International scholars from different disciplines and methodological approaches explored gender-specific constructions of foreignness/strangeness in the Old Testament, Egypt, and Mesopotamia from their particular perspectives. They showed that when combined, strangeness/foreignness and gender can take on very different forms. Various processes of the "othering" of women are of importance, which differ from the "othering" of men. The contributions investigate specific questions, individual female figures and individual phenomena as model cases. The basic question was when, where, how and for what purpose the categories of foreignness and gender were connected and activated in literary tradition. The collection is a preliminary and basic work for further study of gender-specific concepts of foreignness/strangeness in the ancient Mediterranean cultures of the first millennium BCE.

Sadia Shepard Grew Up Just Outside Of Boston, In A Home Where Cultures Intertwined&Mdash;Her Father A White American Protestant And Her Mother, A Muslim From Pakistan. One Day, When She Was Thirteen, She Learned That Nana, Her Beloved Maternal Grandmother, Was Not A Muslim Like The Rest Of Her Pakistani Family But Had Begun Her Life As Rachel Jacobs, A Member Of A Tiny Jewish Community In India That Believes It Is Descended From One Of The Lost Tribes Of Israel, Shipwrecked In India Over Two Thousand Years Ago. Before Nana Died, Sadia Promised Her Grandmother That She Would Return To Her Birthplace To Learn About The Life And The Faith That Nana Had Left Behind. Armed With A Suitcase Of Camera Equipment, Sadia Arrives In Bombay, Where She Finds Herself Struggling To Document The Bene Israel&Rsquo;S Unique Traditions And Make Sense Of Her Complicated Cultural Inheritance. In The Course Of Her Remarkable Journey She Unearths Long-Buried Family Secrets, Learns That Love Is Sometimes Found In Unusual Places, And Is Forced To Examine What It Means To Both Lose And Seek A Homeland.

An anthology of personal writings in which twenty-nine women who have lived in Turkey over the last forty years chronicle their experiences and share their impressions of the country.

Now with a new Preface and Afterword by the author “Outstanding . . . [Isobel Coleman] takes us into remote villages and urban bureaucracies to find the brave men and women working to create change in the Middle East.”—Los Angeles Times In this timely and important book, Isobel Coleman shows how Muslim women and men across the Middle East are working within Islam to fight for women’s rights in a growing movement of Islamic feminism. Journeying through Saudi Arabia, Iraq, Iran, Afghanistan, and Pakistan, Coleman introduces the reader to influential Islamic feminist thinkers and successful grassroots activists working to create economic, political, and educational opportunities for women. Their advocacy for women’s rights based on more progressive interpretations of Islam are critical to bridging the conflict between those championing reform and those seeking to oppress women in the name of religious tradition. Socially, culturally, economically, and politically, the future of the region depends on finding ways to accommodate human rights, and in particular women’s rights, with Islamic law. These reformers—and thousands of others—are the people leading the way forward. Featuring new material that addresses how the Arab uprisings and other recent events have affected the social and political landscape of the region, Paradise Beneath Her Feet offers a message of hope: Change is coming to the Middle East—and more often than not, it is being led by women. Praise for Paradise Beneath Her Feet “Clearly written, deeply moving, and wonderfully enlightening.”—Reza Aslan, author of No god but God “[An] engrossing portrait of real Muslim women that reveals how Islamic feminists . . . are working with and within the culture, rather than against it . . . to forge ‘a legitimate Islamic alternative to the current repressive system.’ Coleman doesn’t diminish the enormity of the struggle, but she argues convincingly that it might yet rewrite Islam’s future.”—Publishers Weekly (starred review) “A nuanced view of Islam’s role in public life that is cautiously hopeful.”—The Economist “Eye-opening . . . Deeply religious, profoundly determined and modern in every way, these are twenty-first-century women bent on change. Hear them roar and see a future being born before our eyes.”—Booklist

BANG! BANG! BANG! went the guns of the Tin-Pot Foreign General BANG! BANG! BANG! went the guns of the Old Iron Woman Raymond Briggs's visceral take on the Falklands War is uncompromising in its dark and moving satire of the build-up and aftermath of the conflict. This controversial book's infamous stars - General Leopoldo Galtieri and Margaret Thatcher - are depicted as robotic caricatures with a pointless blood lust. Now available as an eBook for the first time.

Recounts the daring exploits and experiences of female foreign correspondents.

Many of the women whose names are known to history from Classical Athens were metics or immigrants, linked in the literature with assumptions of being ‘sexually exploitable.’ Despite recent scholarship on women in Athens beyond notions of the ‘citizen wife’ and the ‘common prostitute,’ the scholarship on women, both citizen and foreign, is focused almost exclusively on women in the reproductive and sexual economy of the city. This book examines the position of metic women in Classical Athens, to understand the social and economic role of metic women in the city, beyond the sexual labor market. This book contributes to two important aspects of the history of life in 5th century Athens: it explores our knowledge of metics, a little-researched group, and contributes to the study if women in antiquity, which has traditionally divided women socially between citizen-wives and everyone else. This tradition has wrongly situated metic women, because they could not legally be wives, as some variety of whores. Author Rebecca Kennedy critiques the traditional approach to the study of women through an examination of primary literature on non-citizen women in the Classical period. She then constructs new approaches to the study of metic women in Classical Athens that fit the evidence and open up further paths for exploration. This leading-edge volume advances the study of women beyond their sexual status and breaks down the ideological constraints that both Victorians and feminist scholars reacting to them have historically relied upon throughout the study of women in antiquity.