Many words and expressions are viewed as 'taboo', such as those used to describe sex, our bodies and their functions, and those used to insult other people. This 2006 book provides a fascinating insight into taboo language and its role in everyday life. It looks at the ways we use language to be polite or impolite, politically correct or offensive, depending on whether we are 'sweet-talking', 'straight-talking' or being deliberately rude. Using a range of colourful examples, it shows how we use language playfully and figuratively in order to swear, to insult, and also to be politically correct, and what our motivations are for doing so. It goes on to examine the differences between institutionalized censorship and the ways individuals censor their own language. Lively and revealing, Forbidden Words will fascinate anyone who is interested in how and why we use and avoid taboos in daily conversation.

Description: This book is about a Black man's reading of Mark Twain's Adventures of Huckleberry Finn for the first time while in graduate school. The story captures his emotional experience with Twain's use of the racial epithet "nigger" more than 211 times throughout the book. The visceral response to hearing the word verbalized by whites with Twain's permission, regardless of irony or satire, is a central theme of this personal history/memoir. The situation is a seminar in Richmond, Virginia, the former capital of the Confederacy, where the Civil War is still being fought on many levels. The story is the complication of race as a topic of public discussion and the role the word nigger plays in postmodern society especially among Blacks and Hip-Hop music. The use of the word is a sign of evil both historically and culturally and cannot be flipped in a way that erases its history and meaning. It is also a reflection on language and culture. Endorsements: "Harris has written a courageous memoir that confronts the long debate over Mark Twain, The Adventures of Huckleberry Finn, and the use of the n-word. Marshaling critics from Hegel to bell hooks, and calling on a family history of resistance, Harris challenges his instructor and classmates, and in turn inspires his readers to redress the long history of American racism and white supremacy bound up with the epithet." --Mark Sanders, Professor of English, Emory University "Harris combines the passion and power of personal experience with a masterful display of historical and literary criticism, and the finished product is a book that goes beyond Twain's painfully derogatory stereotypes, racial epithets, and the persistent myths to expose race as the enduring and central dilemma of the American experience. In compelling terms, Harris helps us understand why our claims of 'a post-racial society' remain open to serious question and debate." --Lewis V. Baldwin, Professor of Religious Studies, Vanderbilt University "The Forbidden Word is an elegant, heartfelt rumination on America's crucible of race. Engaging, beautifully crafted, and analytically powerful, it masterfully employs Twain's Huck Finn as both a literal and figurative representation of the nation's never-ending racial drama. By blending the narrative voice of a memoirist and the sharp insights of a true scholar, Harris achieves a remarkable literary triumph." --Tim Wise, author of White Like Me: Reflections on Race from a Privileged Son

This book is about a Black man's experience of reading Mark Twain's classic Adventures of Huckleberry Finn for the first time while in graduate school. The story captures the author's emotional struggle with Twain's use of the racial epithet more than two hundred times in the text. Author James Henry Harris reports being relieved to come to the end of the semester of "encountering Twain's use of [the forbidden word] every week. . . . I was teetering on the brink of falling apart. . . . For the first time the class seemed to understand my painful struggle, and my plight as a Black man in class was a metaphor, a symbol of the past, present, and postmodern condition of American society." This is a courageous memoir that wrestles with the historic stain of racism and the ongoing impact of racist language in postmodern society. The book is about Harris's flashbacks, conversations, and dilemmas spawned by use of the epithet in a classroom setting where the author was the only Black person. His diary-like reflections reveal his skill as a keen reader of culture and literature. In these pages, Harris challenges his instructor and classmates and inspires readers to redress the long history of American racism and white supremacy bound up with the N-word. He reflects on how current Black artists and others use the word in a different way with the intention of empowering or claiming the term. But Harris is not convinced that even this usage does not further feed the word's racist roots. Healing racial division begins with understanding the deep impact our words can have to tear down or to heal. This book invites the reader into this important conversation.

Award-winning poetry in a bilingual edition, by Portugal's best-known living poet.

The New York Times bestseller now in paperback. One of the preeminent linguists of our time examines the realms of language that are considered shocking and taboo in order to understand what imbues curse words with such power--and why we love them so much. Profanity has always been a deliciously vibrant part of our lexicon, an integral part of being human. In fact, our ability to curse comes from a different part of the brain than other parts of speech--the urgency with which we say "f&*k!" is instead related to the instinct that tells us to flee from danger. Language evolves with time, and so does what we consider profane or unspeakable. Nine Nasty Words is a rollicking examination of profanity, explored from every angle: historical, sociological, political, linguistic. In a particularly coarse moment, when the public discourse is shaped in part by once-shocking words, nothing could be timelier.

In Moral Panics and the Copyright Wars, William Patry offers a lively, unflinching examination of the pitched battles over new technology, business models, and most of all, consumers. He lays bare how we got to where we are: a bloated, punitive legal regime that has strayed far from its modest, but important roots. A centrist and believer in appropriately balanced copyright laws, Patry concludes that the only laws we need are effective laws, laws that further the purpose of encouraging the creation of new works and learning.

About this Edition This 2021-2022 Digital Student Edition of Ayn Rand's Anthem was created for teachers and students receiving free novels from the Ayn Rand Institute, and includes a historic Q&A with Ayn Rand that cannot be found in any other edition of Anthem. In this Q&A from 1979, Rand responds to questions about Anthem sent to her by a high school classroom. About Anthem Anthem is Ayn Rand’s “hymn to man’s ego.” It is the story of one man’s rebellion against a totalitarian, collectivist society. Equality 7-2521 is a young man who yearns to understand “the Science of Things.” But he lives in a bleak, dystopian future where independent thought is a crime and where science and technology have regressed to primitive levels. All expressions of individualism have been suppressed in the world of Anthem; personal possessions are nonexistent, individual preferences are condemned as sinful and romantic love is forbidden. Obedience to the collective is so deeply ingrained that the very word “I” has been erased from the language. In pursuit of his quest for knowledge, Equality 7-2521 struggles to answer the questions that burn within him — questions that ultimately lead him to uncover the mystery behind his society’s downfall and to find the key to a future of freedom and progress. Anthem anticipates the theme of Rand’s first best seller, The Fountainhead, which she stated as “individualism versus collectivism, not in politics, but in man’s soul.”

A New York Times bestseller—over one million copies sold! A National Book Award winner A Boston Globe-Horn Book Award winner Bestselling author Sherman Alexie tells the story of Junior, a budding cartoonist growing up on the Spokane Indian Reservation. Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot. Heartbreaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, which is based on the author's own experiences, coupled with poignant drawings by Ellen Forney that reflect the character's art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he was destined to live. With a forward by Markus Zusak, interviews with Sherman Alexie and Ellen Forney, and black-and-white interior art throughout, this edition is perfect for fans and collectors alike.

Latifa was born into an educated middle-class Afghan family in Kabul in 1980. She dreamed of one day of becoming a journalist, she was interested in fashion, movies and friends. Her father was in the import/export business and her mother was a doctor. Then in September 1996, Taliban soldiers seized power in Kabul. From that moment, Latifa, just 16 years old became a prisoner in her own home. Her school was closed. Her mother was banned from working. The simplest and most basic freedoms - walking down the street, looking out a window - were no longer hers. She was now forced to wear a chadri. My Forbidden Face provides a poignant and highly personal account of life under the Taliban regime. With painful honesty and clarity Latifa describes the way she watched her world falling apart, in the name of a fanatical interpretation of a faith that she could not comprehend. Her voice captures a lost innocence, but also echoes her determination to live in freedom and hope. Earlier this year, Latifa and her parents escaped Afghanistan with the help of a French-based Afghan resistance group.