The end of the Cold War announced a new world order. Liberal democracy prevailed, ideological conflict abated, and world politics set off for the promised land of a secular, cosmopolitan, market-friendly end of history. Or so it seemed. Thirty years later, this unipolar worldview-- premised on shared values, open markets, open borders and abstract social justice--lies in tatters. What happened? David Martin Jones examines the progressive ideas behind liberal Western practice since the end of the twentieth century, at home and abroad. This mentality, he argues, took an excessively long view of the future and a short view of the past, abandoning politics in favour of ideas, and failing to address or understand rejection of liberal norms by non-Western 'others'. He explores the inevitable consequences of this liberal hubris: political and economic confusion, with the chaotic results we have seen. Finally, he advocates a return to more sceptical political thinking-- with prudent statecraft abroad, and defence of political order at home--in order to rescue the West from its widely advertised demise. History's Fools is a timely account of the failed project to shape the world in the West's image, and an incisive call for a return to 'true' politics.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

An artificial life-form escapes onto the Internet, causing disasters far worse than those created by any virus, eventually getting into our missile launch programs and threatening to destroy humanity.

Silent film director D.W. Griffith is the subject of this study. Only a small group of his more than 500 films are subject to analysis. The creative output of Griffiths from 'Professional Jealousy' (1907) to 'The Struggle' (1931) is explored.

In the first section of this work, ten scholars examine E.W. Godwin's life and career, discussing his diverse contributions as a design reformer. The second section presents a fully annotated selection of over 150 items that represent the formation and flowering of Godwin's oeuvre.

I have found occasion in several instances, to differ with some of the well known Shakespearean scholars; but it must always be remembered that I speak from the viewpoint of the actor, for whom, and for whom alone the plays were written. I have not entered the literary dissecting room, nor invaded the realm of psychology. The line of demarcation between humor and imbecility, folly and insanity, I leave to the professional alienist. I have taken the characters as they appear in the plays and as I conceive the author intended them, with due reference to their relation to the other characters. - Preface.