The debut pamphlet by Rachel Piercey, 2008 winner of the prestigious Newdigate Prize, previously won by Oscar Wilde, James Fenton and Andrew Motion. 'Piercey's oscillations between lover's ecstasy and love poet's objectivity are so deft that her analytical lens becomes as much a fascination as the amorous perspective which it focuses. [...] Wright's drawings are exuberant throughout, by turns cartoonish and painterly, playful and simple in the manner of Quentin Blake.' - Andrew Wynn Owen, the Oxonian Review. A charming collection of love poems by Rachel Piercey, containing her unique reflections on love, heartbreak and relationships. Romantic but never sentimental, Piercey brings her characteristic emotional and linguistic clarity to her treatment of this universal human experience and across the twelve poems builds up a nuanced study of love, passion, heartache and bitterness. The poems are illustrated with line drawings which complement the text and offers the reader a way into the poems via Wright's personal response.

Edited with an introduction by an internationally recognized scholar, this nine-volume set represents the most exhaustive collection of essential critical writings in the field, from studies of the classic works to the history of their reception. Bringing together the articles that have shaped modern classical studies, the set covers Greek literature in all its genres--including history, poetry, prose, oratory, and philosophy--from the 6th century BC through the Byzantine era. Since the study of Greek literature encompasses the roots of all major modern humanities disciplines, the collection also includes seminal articles exploring the Greek influence on their development. Each volume concludes with a list of recommendations for further reading. This collection is an important resource for students and scholars of comparative literature, English, history, philosophy, theater, and rhetoric as well as the classics.

First published in 1994. Lyric Texts and Lyric Consciousness presents a model for studying the history of lyric as a genre. Professor Miller drawls a distinction between the work of the Greek lyrists and the more condensed, personal poetry that we associate with lyric. He then confronts the theoretical issues and presents sophisticated, Bakhtinian reading of the development of lyric form from its origins in archaic Greece to the more individualist style of Augustan Rome. This book will appeal to classicists and since English translation of passes from ancient authors are provided, to those who specialise in comparative literature.

It won't take you long to see why Jane Tyson Clement's short stories have become perennial favorites for adults and children alike. Written with a measured beauty that recalls Tolstoy and Tolkien, these tales are rich in allegorical symbolism and evocation of mood. They are infused throughout with the thrill of expectancy, a sense that something new is on the way, and a certainty that God is seeking us, just as we seek him. In an age where cleverness often counts more than substance, Clement's stories offer a break from all the noise.

Stephen Guy-Bray argues that early modern authors used renditions of Theocritan and Virgilian pastoral, as well as epic poetry, for the exploration and the allusive presentation of homoerotic and homosocial themes.

A fresh exploration into the provocative lyric poetry of Catullus that underscores the reader/poem/poet relationship.