In late 19th-century Paris, the writer Hubert is shocked to discover that Icarus, the protagonist of the new novel he's working on, has vanished. Looking for him among the manuscripts of his rivals does not solve the mystery, so a detective is hired to find the runaway character.

The Flight of Icarus is Raymond Queneau's only novel written in the form of a play: seventy-four short scenes, complete with stage directions. Consciously parodying Pirandello and Robbe-Grillet, it begins with a novelist's discovery that his principal character, Icarus by name, has vanished. This in turn, sets off a rash of other such disappearances.

This book provides a detailed analysis of the institutional transformations brought about by the financial crisis, focusing on the institution-building course of Europe and the Constitution-bending course in several Member States. It discusses the seemingly contradictory interplay between national and European institutions and the law resulting from the crisis, arguing that the anti-crisis exceptionality constitutes the matrix of the new normality of the reformed European economic governance. The author carries out a critical analysis of the new economic governance and its case-law with regular reference to relevant political episodes, key economic figures and to the hitherto lax modes and rules. The author also offers deep insights into the Greek adjustment programme and the crisis-related Greek and Portuguese constitutional case-law, presented in comparison with the German and French case-law. The book concludes with a critical overview of the profound mutations in the role of national Constitutions, instigated by the new European economic governance, and the emergence of a democratically deficient meta-constitutional mode of functioning of both the European institutions and national Constitutions.

On a windy afternoon in early spring Rory MacLean fell to earth in Anissari, a village surrounded by white mountains in an ancient corner of Crete. MacLean's mother had died only a few months earlier and he had been engulfed by grief. But an old desire had also taken hold to build and fly an aeroplane. And so he set off to the land where Daedalus and Icarus had made their maiden flight and settled in to days of eating lamb and drinking wine with his Cretan neighbours and, with their help, attempting to build a Woodhopper from scratch and make it fly.

Taking risks and exploring the unknown are as vital to human beings as our need for air, for growth, for affirmation that we exist for something. These 19 stories reach deep into humanity’s compulsion for the rush of new experiences. But gently, because it’s not only records we might shatter. When does adventure turn to recklessness? What happens when we toe the edge above the void and face the big silence, where we might see God -- and die without warning? The Icarus Syndrome seeks to capture our push for more and hold it to the light, lofty and free, for as long as we dare tempt the downward slip. Both are possible; only one is assured.

Understanding Myths and Legends contains 27 stories from different countries around the World, ranging from Perseus and Medusa from Ancient Greece to an Indian legend on how the Peacock got his glorious feathers. These exciting stories are full of fearsome monsters, brave heroes and magical happenings, and will appeal to both girls and boys. Understanding Myths and Legends is a flexible resource that can be used to support topic work in history and RE or used as part of a unit of work in literacy. The stories and activities are ideal for use in guided reading sessions. To enable teachers to make the most of each story, they are accompanied by: background information to enable teachers to place the story confidently in context; differentiated reading tasks, using a variety of question styles, to help improve children's reading and comprehension skills; speaking and listening activities to deepen children's insight into the stories and encourage engagement; cross-curricular follow-up ideas, enabling you to extend the story further. Myths and legends are not only excellent stories. They also help children to gain a true understanding of life in ancient times and improve their understanding of other people, cultures and places, making them an essential part of the primary curriculum.

In The Icarus Deception, Seth Godin's most inspiring book, he challenges readers to find the courage to treat their work as a form of art Everyone knows that Icarus's father made him wings and told him not to fly too close to the sun; he ignored the warning and plunged to his doom. The lesson: Play it safe. Listen to the experts. It was the perfect propaganda for the industrial economy. What boss wouldn't want employees to believe that obedience and conformity are the keys to success? But we tend to forget that Icarus was also warned not to fly too low, because seawater would ruin the lift in his wings. Flying too low is even more dangerous than flying too high, because it feels deceptively safe. The safety zone has moved. Conformity no longer leads to comfort. But the good news is that creativity is scarce and more valuable than ever. So is choosing to do something unpredictable and brave: Make art. Being an artist isn't a genetic disposition or a specific talent. It's an attitude we can all adopt. It's a hunger to seize new ground, make connections, and work without a map. If you do those things you're an artist, no matter what it says on your business card. Godin shows us how it's possible and convinces us why it's essential. 'If Seth Godin didn't exist, we'd need to invent him' Fast Company 'Seth Godin is a demigod on the web, a bestselling author, highly sought-after lecturer, successful entrepreneur, respected pundit and high-profile blogger' Forbes Seth Godin is the author of thirteen international bestsellers that have changed the way people think about marketing, the ways ideas spread, leadership and change including Permission Marketing, Purple Cow, All Marketers are Liars, The Dip and Tribes. He is the CEO of Squidoo.com and a very popular lecturer. His blog, www.sethgodin.typepad.com, is the most influential business blog in the world, and consistently one of the 100 most popular blogs on any subject..

"On a chance commission to study medieval fortresses, Kevin Andrews found himself travelling, in the late forties, through Greece in the turmoil of a bloody civil war. His ... book is neither about fortresses nor about politics. Instead it reads like a novel and provides perhaps the first, certainly the most vivid, candid and memorable picture of modern Greek peasant life..."--Book jacket.

Earth's survivors cling to life on an unforgiving, distant planet, next to the sun! Three generations after the crash of the colony ship Icarus, Iapyx is barely hanging on: one of thirteen cities suspended halfway down deep chasms. The sun on the diamond lands above will kill a man in less than five minutes. The ticktock monsters in the fog forest below are a little slower -- but quite a bit smarter. An electromagnetic wash has disabled the computers, the radios, even the lightbulbs. It's the steam and clockwork age reborn: a careful society, rationed and stratified. Which suits Simon Daud just fine. Simon likes the rules, and knows his place -- in the shadow of his older brother, Isaac. All he wants is to earn his wings as an ornithopter pilot and get to work in the flight bays. But on his final test flight, something goes wrong. Isaac is killed. Simon is burned; his body will never be the same. Neither will his world. Not everything in Iapyx is quite as it seems, and through his rehabilitation Simon falls into the middle of a conspiracy that will bring everything he's ever known to the ground. Down in the fog forest, monsters await -- but so does the truth . . . if Simon can survive long enough to find it.