From takeoff to landing, this anthology is about flying and the culture surrounding this precarious method of transportation. Includes contributions by Diane Ackerman, Margaret Atwood, Albert Goldbarth, Lee Martin, Marilyn Nelson, Naomi Shahib Nye, and a host of others.

The central collection by the poet, dramatist, and Nobel laureate Nelly Sachs, newly translated by Joshua Weiner (with Linda B. Parshall). So far out, in the open, cushioned in sleep. In flight from the land with love's heavy luggage. A butterfly-zone of dreams like an open parasol held up against the truth. Flight and Metamorphosis marks the culmination of Nelly Sachs’s development as a poet. Sachs, who was awarded the Nobel Prize in Literature in 1966, speaks from her own condition as a refugee from Nazi Germany—her loneliness while living in a small Stockholm flat with her elderly mother; her exile, her alienation, her feelings of romantic bereavement; and her search for the divine. Forced onto a journey of endless change, Sachs created her own path forward. From these sublime poems, she emerges as a visionary, one who harnesses language’s essential power to create and transform our world. Joshua Weiner’s translations (with Linda B. Parshall) are the first in more than half a century to elucidate Sachs’s enduring poetic power and relevance.

A lyrical celebration of the fascinating ways birds move through the air. This collection of captivating poems celebrates the distinctive movements of twelve birds in flight and the special words associated with those movements, from geese that skein and puffins that wheel, to crows that mob and starlings that murmurate. The evocative language conveys the beauty of these animals and describes how each one makes its own unmistakable way in the world. An informational sidebar complements each poem, describing the reasons behind the bird’s unique way of flying. Children will be captivated by the magnificence of these birds in flight.

Selected by Jos Charles as the winner of the 2021 Ballard Spahr Prize for Poetry, Return Flight is a lush reckoning: with inheritance, with body, with trauma, with desire—and with the many tendons in between. When Return Flight asks “what name / do you crown yourself,” Huang answers with many. Textured with mountains—a folkloric goddess-prison, Yushan, mother, men, self—and peppered with shapeshifting creatures, spirits, and gods, the landscape of Jennifer Huang’s poems is at once mystical and fleshy, a “myth a mess of myself.” Sensuously, Huang depicts each of these not as things to claim but as topographies to behold and hold. Here, too, is another kind of mythology. Set to the music of “beating hearts / through objects passed down,” the poems travel through generations—among Taiwan, China, and America—cataloging familial wounds and beloved stories. A grandfather’s smile shining through rain, baby bok choy in a child’s bowl, a slap felt decades later—the result is a map of a present-day life, reflected through the past. Return Flight is a thrumming debut that teaches us how history harrows and heals, often with the same hand; how touch can mean “purple” and “blue” as much as it means intimacy; and how one might find a path toward joy not by leaving the past in the past, but by “[keeping a] hand on these memories, / to feel them to their ends.”

When Second World War Spitfire pilot John Gillespie Magee penned his poem ‘High Flight’, little did he know that his words would inspire legions of aspiring aviators who had a similar wish to fly their ‘eager craft through footless halls of air’. Founded on years of detailed research, Roger Cole’s book High Flight tells John Magee’s extraordinary story, describing hitherto-unknown details of his short life, and providing insight into the inspiration for the poems that have found a unique place in history. Born of an English mother and American father in Nanking in China, Magee grew up and was educated in different parts of the world, proving to be a highly accomplished student. Through his experiences, he developed principles that made him determined to defend the rights of those he loved and respected. Exhilarated by flight and finding unique language in poetry, John was able to use words to express the emotions and sentiments of all who fly in a manner that is acknowledged and applauded throughout the world. The outbreak of war in Europe violated his beliefs, and, determined to fight for freedom, John left America and joined the Royal Canadian Air Force, qualifying as a pilot and traveling to England to fight Nazism. Tragically, John would lose his life, aged 19 years, in an accident, so never know how his words would serve posterity. Roger Cole’s High Flight traces the path of John Magee’s achievement, revealing an incredible story of human endeavor, vision, determination and self-sacrifice.

Flies are the most ubiquitous of insects: buzzing, minuscule, and seemingly insignificant, they've been both plagues and minor annoyances for millennia. Rather than ignore these incredibly mundane and seemingly insignificant creatures, poets spanning centuries--from the seventeenth to the twentieth--and continents--from North America to Asia--have found that these ordinary bugs in fact illuminate deep spiritual mysteries. In this revelatory book, Robert Hudson considers seven poets, each of whom wrote a provocative poem about a fly. These poets--all mystics in their own way--ponder the simple fly and come to astounding conclusions. Considering Emily Dickinson, William Blake, and several other poets, The Poet and the Fly brings together the poetry, the flies, and the poets' own lives to explore the imaginative, and often prophetic, insights that come from the startling combination of poetry and flies. Ultimately, the message each poet offers to us through the fly is as relevant today as it was in their own time: the miracle of existence, the gift of mortality, the power of the imagination, the need for compassion, the existence of the soul, the mystery of everything around us, and the sacramental, grace-giving power of story.

In her debut poetry collection, Jasmine Elizabeth Smith takes inspiration from Oklahoma Black history. In the wake of the Tulsa Race Massacre of 1921, Jim Waters makes the difficult decision to leave behind his lover, Beatrice Vernadene Chapel, who as a Black woman must navigate the dangerous climate that produced the Jim Crow South and Red Summer. As Beatrice and Jim write letters to one another and hold imagined conversations with blues musicians Ida B. Cox, Robert Johnson, Charlie Patton, Ethel Waters, and the ghosts of Greenwood, the couple interrogates themes of blues epistemology, Black feminism, fraught attachments, and the way in which Black Americans have often changed their geographical regions with the hope of improving their conditions. The poetry collection South Flight is a eulogy, a blues, an unabashed love letter, and ragtime to the history of resistance, migration, and community in Black Oklahoma.

This anthology of more than 100 poems on aviation written from 1869-2000 were chosen from the world's largest private international collection. This collection has great gift appeal, and outstanding academic application.

For us time only rolls one way; There is no going back. Nothing that you or I can do Will stop it rolling on its track. Patricia Mortenson is a reserved person who rarely shares her thoughts. In her debut collection, Mortenson offers short poems that lyrically and sometimes humorously share unsolicited advice; uncomfortable observations; reflections on health, sweetness, and light; unpopular opinions; and random thoughts that touch on not just her life, but also her family and the outside world. While leading others on a journey inward, Mortenson encourages all of us to take a few moments to examine our own paths through life filled with joys, sorrows, and unique experiences that help us decide who we are and what we project into the world on a daily basis. Flying is a volume of introspective poetry that examines the intricacies of life through the eyes of a senior who has experienced much in life.