This detailed historical reference covers every known flag representing the Confederate State of Carolina and its role in the Civil War. Many flags have represented the state of South Carolina over its long history. After years of locating, measuring, and determining the historical significance of more than one hundred flags displayed during the War Between the States, historian Glenn Dedmondt presents the most detailed and comprehensive look at South Carolina’s Civil War-era flags. Included in this volume are: the Lone Star and Palmetto Flag, the first Southern flag hoisted over Fort Sumter; the Charleston Depot battle flag, and the naval Jack, flown only on a ship of war when in port. Through these banners and the stories that surround them, Dedmondt relates the story of South Carolina’s Civil War years.

The definitive history of South Carolina's Confederate flag controversy and 2005 finalist for Popular Culture Book of the Year from ForeWord Magazine.

A tribute to the valiant men who fought under these flags. The Flags of Civil War North Carolina is the history of secession of North Carolina told through the banners that flew over its government, cavalry, and navy. From the flags of the Guilford Greys to the Buncombe Riflemen, this collection is a fascinating portrait of the state's ill-fated battle for independence. Glenn Dedmondt is a member of the Sons of Confederate Veterans. He is the author of The Flags of Civil War Alabama and The Flags of Civil War South Carolina, also published by Pelican.

In recent years, the Confederate flag has become as much a news item as a Civil War relic. Intense public debates have erupted over Confederate flags flying atop state capitols, being incorporated into state flags, waving from dormitory windows, or adorning the T-shirts and jeans of public school children. To some, this piece of cloth is a symbol of white supremacy and enduring racial injustice; to others, it represents a rich Southern heritage and an essential link to a glorious past. Polarizing Americans, these flag wars reveal the profound--and still unhealed--schisms that have plagued the country since the Civil War. The Confederate Battle Flag is the first comprehensive history of this contested symbol. Transcending conventional partisanship, John Coski reveals the flag's origins as one of many banners unfurled on the battlefields of the Civil War. He shows how it emerged as the preeminent representation of the Confederacy and was transformed into a cultural icon from Reconstruction on, becoming an aggressively racist symbol only after World War II and during the Civil Rights movement. We gain unique insight into the fine line between the flag's use as a historical emblem and as an invocation of the Confederate nation and all it stood for. Pursuing the flag's conflicting meanings, Coski suggests how this provocative artifact, which has been viewed with pride, fear, anger, nostalgia, and disgust, might ultimately provide Americans with the common ground of a shared and complex history.

In the updated edition of his sweeping narrative on southern history, David Goldfield brings this extensive study into the present with a timely assessment of the unresolved issues surrounding the Civil War's sesquicentennial commemoration. Traversing a hundred and fifty years of memory, Goldfield confronts the remnants of the American Civil War that survive in the hearts of many of the South's residents and in the national news headlines of battle flags, racial injustice, and religious conflicts. Goldfield candidly discusses how and why white southern men fashioned the myths of the Lost Cause and Redemption out of the Civil War and Reconstruction, and how they shaped a religion to canonize the heroes and deify the events of those fateful years. He also recounts how groups of blacks and white women eventually crafted a different, more inclusive version of southern history and how that new vision competed with more traditional perspectives. The battle for southern history, and for the South, continues—in museums, public spaces, books, state legislatures, and the minds of southerners. Given the region's growing economic power and political influence, understanding this war takes on national significance. Through an analysis of ideas of history and memory, religion, race, and gender, Still Fighting the Civil War provides us with a better understanding of the South and one another.

NATIONAL BESTSELLER • A Pulitzer Prize-winning war correspondent takes us on an explosive adventure into the soul of the unvanquished South, where Civil War reenactors, battlefield visitors, and fans of history resurrect the ghosts of the Lost Cause through ritual and remembrance. "The freshest book about divisiveness in America that I have read in some time. This splendid commemoration of the war and its legacy ... is an eyes–open, humorously no–nonsense survey of complicated Americans." —The New York Times Book Review For all who remain intrigued by the legacy of the Civil War—reenactors, battlefield visitors, Confederate descendants and other Southerners, history fans, students of current racial conflicts, and more—this ten-state adventure is part travelogue, part social commentary and always good-humored. When prize-winning war correspondent Tony Horwitz leaves the battlefields of Bosnia and the Middle East for a peaceful corner of the Blue Ridge Mountains, he thinks he's put war zones behind him. But awakened one morning by the crackle of musket fire, Horwitz starts filing front-line dispatches again this time from a war close to home, and to his own heart. Propelled by his boyhood passion for the Civil War, Horwitz embarks on a search for places and people still held in thrall by America's greatest conflict. In Virginia, Horwitz joins a band of 'hardcore' reenactors who crash-diet to achieve the hollow-eyed look of starved Confederates; in Kentucky, he witnesses Klan rallies and calls for race war sparked by the killing of a white man who brandishes a rebel flag; at Andersonville, he finds that the prison's commander, executed as a war criminal, is now exalted as a martyr and hero; and in the book's climax, Horwitz takes a marathon trek from Antietam to Gettysburg to Appomattox in the company of Robert Lee Hodge, an eccentric pilgrim who dubs their odyssey the 'Civil Wargasm.' Written with Horwitz's signature blend of humor, history, and hard-nosed journalism, Confederates in the Attic brings alive old battlefields and the new 'classrooms, courts, country bars' where the past and the present collide, often in explosive ways.

Photographs, illustrations, and text describe the Union flags of the Civil War and their significance.

Civil War Flags of Tennessee provides information on all known Confederate and Union flags of the state and showcases the Civil War flag collection of the Tennessee State Museum. This volume is organized into three parts. Part 1 includes interpretive essays by scholars such as Greg Biggs, Robert B. Bradley, Howard Michael Madaus, and Fonda Ghiardi Thomsen that address how flags were used in the Civil War, their general history, their makers, and preservation issues, among other themes. Part 2 is a catalogue of Tennessee Confederate flags. Part 3 is a catalogue of Tennessee Union flags. The catalogues present a collection of some 200 identified, extant Civil War flags and another 300 flags that are known through secondary and archival sources, all of which are exhaustively documented. Appendices follow the two catalogue sections and include detailed information on several Confederate and Union flags associated with the states of Mississippi, North Carolina, and Indiana that are also contained in the Tennessee State Museum collection. Complete with nearly 300 color illustrations and meticulous notes on textiles and preservation efforts, this volume is much more than an encyclopedic log of Tennessee-related Civil War flags. Stephen Cox and his team also weave the history behind the flags throughout the catalogues, including the stories of the women who stitched them, the regiments that bore them, and the soldiers and bearers who served under them and carried them. Civil War Flags of Tennessee is an eloquent hybrid between guidebook and chronicle, and the scholar, the Civil War enthusiast, and the general reader will all enjoy what can be found in its pages. Unprecedented in its variety and depth, Cox's work fills an important historiographical void within the greater context of the American Civil War. This text demonstrates the importance of Tennessee state heritage and the value of public history, reminding readers that each generation has the honor and responsibility of learning from and preserving the history that has shaped us all--and in doing so, honoring the lives of the soldiers and civilians who sacrificed and persevered.

For forty years, Charles Whilden lived a life noteworthy for failure. Then, in a remarkable chain of events, this aging, epileptic desk clerk from Charleston found himself plunged into the brutal battlefields of the Wilderness (May 57, 1864) and Spotsylvania Court House (May 820, 1864). In an astonishing act of bravery, he wrapped the flag around his body and led a charge that won critical ground for the Confederates, changing the course of one of the war's most significant battles. Gordon C. Rhea combines his deep knowledge of Civil War history with original sources, such as a treasure trove of letters written by Charles Whilden, to tell the story of this unusual life. Growing up in a prominent family that had fallen on hard times, Charles received a good education, and his letters reveal flashes of intelligence. But he failed at the practice of law in his home state and in his endeavors elsewhere, including copper speculation, real estate ventures, and farming. After the attack on Fort Sumter, Charles returned to Charleston to enlist in Confederate service, only to be turned down until the rebellion was on its last legs. Even then he saw only a few weeks of combat. But in that time, he discovered a bravery within himself that nothing in his former existence suggested he had.