This memoir by Vladimir Pecherin (or Petcherine) (1807-85) is a story of the life of a rebel against any form of despotism. Shortly after his appointment as Professor of Classics at Moscow University, Pecherin fled from Russia in 1836 to pursue radical politics in Europe. He was the first Russian political emigrant. In 1840, he suddenly and unexpectedly converted to Catholicism and entered the Redemptorist Order as a monk. After 20 years of service as a missionary, he parted ways with the Redemptorists and for the last 23 years of his life served as a chaplain at the Mater Hospital in Dublin. Pecherin wrote the memoir during his time in Dublin.His controversial memoir, poignantly critical of the Russian government and the Catholic Church of his time, was only published for the first time in Russia a hundred years after his death. It contains a vivid account of his adventures in Europe, mainly in Belgium, after leaving Russia, and his struggle against poverty. He was an exceptionally fine writer and talented poet.In this first translation of Pecherin's memoir into English the reader finds an engaging story of the individual who could have been a character in a novel by Dostoevsky, torn from his Russian soil.

When, two generations later, Lenin returned to Russia after decades in Europe and made this vision a reality, his actions built on the foundation laid by his nineteenth-century predecessors.

Utopia's Discontents provides the first synthetic treatment of the Russian revolutionary emigration before the Revolution. It argues that neighborhoods created by Russian exiles became sites of revolutionary experimentation that offered their residents a taste of their anticipated utopian future.

The authors of The Red Web examine the shifting role of Russian expatriates throughout history, and their complicated, unbreakable relationship with the mother country--be it antagonistic or far too chummy. The history of Russian espionage is soaked in blood, from a spontaneous pistol shot that killed a secret policeman in Romania in 1924 to the attempt to poison an exiled KGB colonel in Salisbury, England, in 2017. Russian émigrés have found themselves continually at the center of the mayhem. Russians began leaving the country in big numbers in the late nineteenth century, fleeing pogroms, tsarist secret police persecution, and the Revolution, then Stalin and the KGB--and creating the third-largest diaspora in the world. The exodus created a rare opportunity for the Kremlin. Moscow's masters and spymasters fostered networks of spies, many of whom were emigrants driven from Russia. By the 1930s and 1940s, dozens of spies were in New York City gathering information for Moscow. But the story did not end with the collapse of the Soviet Union. Some émigrés have turned into assets of the resurgent Russian nationalist state, while others have taken up the dissident challenge once more--at their personal peril. From Trotsky to Litvinenko, The Compatriots is the gripping history of Russian score-settling around the world.

An examination of the popular music culture of the post-Bolshevik Russian emigration and the impact made by this group on American culture and politics. Performing Tsarist Russia in New York begins with a rich account of the musical evenings that took place in the Russian émigré enclave of Harlem in the 1920s and weaves through the world of Manhattan’s Russian restaurants, Tin Pan Alley industry, Broadway productions, 1939 World’s Fair, Soviet music distributors, postwar Russian parish musical life, and Cold War radio programming to close with today’s Russian ball scene, exploring how the idea of Russia Abroad has taken shape through various spheres of music production in New York over the course of a century. Engaging in an analysis of musical styles, performance practice, sheet music cover art, the discourses surrounding this music, and the sonic, somatic, and social realms of dance, author Natalie K. Zelensky demonstrates the central role played by music in shaping and maintaining the Russian émigré diaspora over multiple generations as well as the fundamental paradox underlying this process: that music’s sustaining power in this case rests on its proclivity to foster collective narratives of an idealized prerevolutionary Russia while often evolving stylistically to remain relevant to its makers, listeners, and dancers. By combining archival research with fieldwork and interviews with Russian émigrés of various generations and emigration waves, Zelensky presents a close historical and ethnographic examination of music’s potential as an aesthetic, discursive, and social space through which diasporans can engage with an idea of a mythologized homeland, and, in turn, the vital role played by music in the organization, development, and reception of Russia Abroad.

This book examines the overlooked topic of the influence of anti-Bolshevik, anti-Semitic Russian exiles on Nazism. White émigrés contributed politically, financially, militarily, and ideologically to National Socialism. This work refutes the notion that Nazism developed as a peculiarly German phenomenon: it arose primarily from the cooperation between völkisch (nationalist/racist) Germans and vengeful White émigrés. From 1920–1923, Adolf Hitler collaborated with a conspiratorial far right German-White émigré organization, Aufbau (Reconstruction). Aufbau allied with Nazis to overthrow the German government and Bolshevik rule through terrorism and military-paramilitary schemes. This organization's warnings of the monstrous 'Jewish Bolshevik' peril helped to inspire Hitler to launch an invasion of the Soviet Union and to initiate the mass murder of European Jews. This book uses extensive archival materials from Germany and Russia, including recently declassified documents, and will prove invaluable reading for anyone interested in the international roots of National Socialism.

A quarter of a century ago, glasnost opened the door for a new look at Russian émigré culture unimpeded by the sterile concepts of Cold War cultural politics. Easier access to archives and a comprehensive approach to culture as a multi-faceted phenomenon, not restricted to single phenomena or individuals, have since contributed to a better understanding of the processes within the émigré community, of its links with the lost home country, and of the interaction with the cultural life of the countries of adoption. This volume offers a collection of critical articles that resulted from the international interdisciplinary symposium which was held at Saarland University in November 2011 as part of a one-week festival, “Russian Music in Exile”. Scholars from around the world contributed essays reflecting current perspectives on Russian émigré culture, shedding new light on cultural diplomacy, literature, art, and music, and covering essentially the whole 20th century, from pre-revolutionary movements to the present. The interdisciplinary approach of the volume shows that émigré networks were not confined to a particular segment of culture, but united composers, artists, critics, and even diplomats. On the whole, the contributions to this volume document the fascinating diversity, the internal contradictions, as well as the impact that the largest and most durable émigré movement of the 20th century had on European cultural life.

In the wake of the Russian Revolution and the ensuing civil war, approximately one-and-a-half million Russians fled their country. Many settled in Prague, where they were welcomed and supported by the newly formed Czechoslovak Republic. This book presents the first full account of Prague's Russian emigre community from 1918 to 1938, when the Nazi invasion scattered the inhabitants yet again. Russia Abroad examines the life of this vibrant community, its activity, achievement, and importance. Catherine Andreyev and Ivan Savicky explore the reasons that Czechoslovakia embraced the Russian immigrants, the evolution of the Russian community, and why the original idea of supporting Russian emigres and creating an academic centre of progressive Russians had to be modified in the light of national and international politics. The story they tell not only illuminates aspects of Russian life and culture of the period but also offers insights into later diasporas in the twentieth and twenty-first centuries.

Vlasov and the Russian Liberation Movement deals with the attempt by Soviet citizens to create a Russian anti-Stalinist liberation movement during the Second World War. These Soviet citizens were mainly prisoners-of-war, forced labourers or part of the population of the occupied territories of the USSR. The Liberation Movement was encouraged by German officers who disagreed with Nazi policy towards the USSR, as their experience showed that treating the population as 'subhumans' (Untermensch) merely increased resistance to Nazi occupation. Throughout the development of the Liberation Movement there existed a divergence of aims between the Russian members who wished to form an army and a political movement which would effect change within the USSR, and its German supporters who merely wished to alter the type of propaganda directed towards the population of the USSR. Catherine Andreyev provides an account of the evolution of the Russian Liberation Movement and examines the motivation of the titular leader of the movement, Lieutenant-General Andrey Andreyevich Vlasov. The main focus of the book is the ideology of the Liberation Movement, the importance of which lies in the fact that it represented the first grass-roots opposition movement within the Soviet Union since the end of the Civil War in 1922. The programme of the Movement reflects issues which would have been raised by citizens in the 1930s had they been free to do so. Catherine Andreyev examines influences on the programme, and the ideas expressed are placed within the context of the pre-war Soviet and Russian émigré society.

Author of The Fountainhead and Atlas Shrugged, Ayn Rand (1905–1982) is one of the most widely read philosophers of the twentieth century. Yet, despite the sale of over thirty million copies of her works, there have been few serious scholarly examinations of her thought. Ayn Rand: The Russian Radical provides a comprehensive analysis of the intellectual roots and philosophy of this controversial thinker. It has been nearly twenty years since the original publication of Chris Sciabarra’s Ayn Rand: The Russian Radical. Those years have witnessed an explosive increase in Rand sightings across the social landscape: in books on philosophy, politics, and culture; in film and literature; and in contemporary American politics, from the rise of the Tea Party to recent presidential campaigns. During this time Sciabarra continued to work toward the reclamation of the dialectical method in the service of a radical libertarian politics, culminating in his book Total Freedom: Toward a Dialectical Libertarianism (Penn State, 2000). In this new edition of Ayn Rand, Chris Sciabarra adds two chapters that present in-depth analysis of the most complete transcripts to date documenting Rand’s education at Petrograd State University. A new preface places the book in the context of Sciabarra’s own research and the recent expansion of interest in Rand’s philosophy. Finally, this edition includes a postscript that answers a recent critic of Sciabarra’s historical work on Rand. Shoshana Milgram, Rand’s biographer, has tried to cast doubt on Rand’s own recollections of having studied with the famous Russian philosopher N. O. Lossky. Sciabarra shows that Milgram’s analysis fails to cast doubt on Rand’s recollections—or on Sciabarra’s historical thesis.