Over one-hundred photos and details about the first homes and early homeowners in Silver Lake, Ohio along with information on how Silver Lake was developed. The book also contains information on the development and demise of the original Silver Lake Country Club and golf course that was located on Silver Lake Blvd.

Containing walks and detailed maps from throughout the city, Secret Stairs highlights the charms and quirks of a unique feature of the Los Angeles landscape, and chronicles the geographical, architectural, and historical aspects of the city’s staircases, as well as of the neighborhoods in which the steps are located. From strolling through the classic La Loma neighborhood in Pasadena to walking the Sunset Junction Loop in Silver Lake, to taking the Beachwood Canyon hike through “Hollywoodland” to enjoying the magnificent ocean views from the Castellammare district in Pacific Palisades, Secret Stairs takes you on a tour of the staircases all across the City of Angels. The circular walks, rated for duration and difficulty, deliver tales of historic homes and their fascinating inhabitants, bits of unusual local trivia, and stories of the neighborhoods surrounding the stairs. That’s where William Faulkner was living when he wrote the screenplay for To Have and Have Not; that house was designed by Neutra; over there is a Schindler; that’s where Woody Guthrie lived, where Anais Nin died, and where Thelma Todd was murdered . . . Despite the fact that one of these staircases starred in an Oscar-winning short film—Laurel and Hardy’s The Music Box, from 1932—these civic treasures have been virtually unknown to most of the city’s residents and visitors. Now, Secret Stairs puts these hidden stairways back on the map, while introducing urban hikers to exciting new “trails” all around the city of Los Angeles.

Two Austrian-born designers have left their indelible mark on California?s residential architecture of the 1930s to 1960s: Richard Neutra (1892?1970) and Rudolph M. Schindler (1887?1953) combined modern form and inventive construction with new materials to create a truly modern vision of living that remains inspirational to the present day.00This new book features twenty famous and lesser known houses from that period, designed by the two pioneers and other architects that were influenced by Neutra?s and Schindler?s ideas. All are marked by highly economical use and outstanding quality of space, a minimalist aesthetic, and by their ideal adaption to climatic conditions. They are monuments of a period as well as timeless models for contemporary and future architecture.00The images by photographer David Schreyer show the buildings in their present state as a commodity of highest quality that can be, and should be, altered to meet today?s changed demands to a living space. Andreas Nierhaus?s texts, based on interviews, explore the relationship of the present inhabitants to their homes and what they mean to them. Together, the authors offer uniquely intimate insights into a sophisticated way of life still too little known outside California.

In prehistoric times, the Santa Cruz River in what is now southern Arizona saw many ebbs, flows, and floods. It flowed on the surface, meandered across the floodplain, and occasionally carved deep channels or arroyos into valley fill. Groundwater was never far from the surface, in places outcropping to feed marshlands or ciénegas. In these wet places, arroyos would heal quickly as the river channel revegetated, the thriving vegetation trapped sediment, and the channel refilled. As readers of Requiem for the Santa Cruz learn, these aridland geomorphic processes also took place in the valley as Tucson grew from mud-walled village to modern metropolis, with one exception: historical water development and channel changes proceeded hand in glove, each taking turns reacting to the other, eventually lowering the water table and killing a unique habitat that can no longer recover or be restored. Authored by an esteemed group of scientists, Requiem for the Santa Cruz thoroughly documents this river—the premier example of historic arroyo cutting during the late nineteenth and early twentieth centuries, when large floodflows cut down through unconsolidated valley fill to form deep channels in the major valleys of the American Southwest. Each chapter provides a unique opportunity to chronicle the arroyo legacy, evaluate its causes, and consider its aftermath. Using more than a collective century of observations and collections, the authors reconstruct the circumstances of the river’s entrenchment and the groundwater mining that ultimately killed the marshlands, a veritable mesquite forest, and a birdwatcher's paradise. Today, communities everywhere face this conundrum: do we manage ephemeral rivers through urban areas for flood control, or do we attempt to restore them to some previous state of perennial naturalness? Requiem for the Santa Cruz carefully explores the legacies of channel change, groundwater depletion, flood control, and nascent attempts at river restoration to give a long-term perspective on management of rivers in arid lands. Tied together by authors who have committed their life’s work to the study of aridland rivers, this book offers a touching and scientifically grounded requiem for the Santa Cruz and every southwestern river.

Hundreds of cottages and cabins, mansions and houses line the shores of Lake Minnetonka, one of Minnesota's most beautiful lakes and site of the state's most coveted properties. Legendary Homes of Lake Minnetonka invites readers into thirty of these dwellings-built by families like the Washburns, Pillsburys, and Daytons. Evocative words and stunning color photographs guide readers through these beautifully designed and furnished homes. Portrayed in elegant detail are interiors of renovated Victorian cottages and rustic cabins, as well as those of houses designed by modernist masters like William Lescaze and Philip Johnson. Photographer Karen Melvin takes viewers through the front door, showing living rooms furnished with Mies van der Rohe couches and chairs designed by Frank Lloyd Wright and walls adorned with works by Robert Motherwell and Damien Hirst. Author Bette Jones Hammel relates the homes' histories of ownership and details the many renovations they have seen over time, renovations that have attempted to retain the homes' character and extend their lifespan. For the best views of the exteriors of these homes, you would need a boat. To see the interiors, you would need an invitation. Hammel and Melvin have chosen the most interesting houses-both architecturally and historically-and painstakingly scouted out the best vantage points, both inside and out, to provide a personal tour of these spectacular homes.