FOREMOST among the alchemists of the Hellenized world, the "divine" Zosimos practiced a sacred art in which metaphysical and metallurgical realities were fundamentally intertwined. Rather than being an exclusive product of Alexandrian syncretism, however, the dual spiritual and material emphasis of this alchemy reveals much deeper roots than expected: roots which extend deep into the religious cultures of the Ancient Near East. Through the methods of "cultural biography" and "thick description," Becoming Gold guides the reader deep into the temple culture of Roman Egypt, where the role of scribal priest intersects explicitly with the metallurgical craft traditions. Going beyond generalizations, Grimes explores the metal-coloring techniques developed in Egyptian polychromic statuary, as well as the rituals of statue animation performed by the priests of the House of Life. In this light, Zosimos is increasingly revealed as a scribal priest responsible for preserving and translating ancient Egyptian metallurgical recipes; a high-ranking goldsmith who oversaw temple statue makers. Against the wider backdrop of late antique religion and philosophy, Grimes also details the fascinating connections between alchemy, theurgy, and gnosticism. Here, Zosimos's spiritual attitudes are explored through the daimonic versus astrological influences upon alchemical operations; meditative practices using mirrors of electrum to attain divine gnosis; and the overarching imperative to transform the bonds of embodiment into vehicles for divinity. Zosimos reveals an alchemy in which spiritual and material realities are ultimately nondual; in which metals becomes living bodies for divine spirits; and in which the immortal soul--luminous and golden--radiates through its material forms.

Alchemy, the Noble Art, conjures up scenes of mysterious, dimly lit laboratories populated with bearded old men stirring cauldrons. Though the history of alchemy is intricately linked to the history of chemistry, alchemy has nonetheless often been dismissed as the realm of myth and magic, or fraud and pseudoscience. And while its themes and ideas persist in some expected and unexpected places, from the Philosopher's (or Sorcerer's) Stone of Harry Potter to the self-help mantra of transformation, there has not been a serious, accessible, and up-to-date look at the complete history and influence of alchemy until now.

The Ancient Hidden Art of Alchemie, Containing the right and perfect means To make the Philosophers Stone Aurum Potabile, with other Excellent Experiments, Divided lnto Twelve Gates. Sir George Ripley (c. 1415-1490) was an English Augustinian canon, author, and alchemist.

Explores the origins and practices of early alchemy • Examines the oldest surviving alchemical texts, the original purpose of the “Royal Art,” and the first alchemists, showing how women dominated early alchemy • Looks at the historical setting for the first alchemists, with detailed accounts of their apparatus, recipes, chemical processes, and the ingredients they used • Reveals how changing the color of materials was more important in early alchemy than transmuting base metals into gold Investigating the origins of alchemy and the legend of the Philosopher’s Stone, Tobias Churton explores the oldest surviving alchemical texts, the original purpose of the “Royal Art,” and the first alchemists themselves. He reveals the theories and philosophies behind the art and how early apparatus and methods were employed by alchemists through the ages. Showing how women dominated early alchemy, Churton looks at the first known alchemist, the Jewess Maria the Prophetess, inventor of the bain marie, still in use worldwide today. He also looks at early alchemist Cleopatra (not the well-known Egyptian queen) and 3rd–4th century Egyptian female artisan Theosebeia, who had a guild of adepts working under her. He examines in depth the work of Zosimos of Panopolis and shows how Zosimos’s historic work inspired the medieval view of alchemy as an initiatory path whose stages follow the transmutation of base metals into gold. Exploring the latest research on early practices in Upper Egypt, the author discusses the political and industrial realities facing the first alchemists. He examines the late antique “Stockholm” and “Leiden” papyri, which offer detailed knowledge of the first known Greco-Egyptian chemical recipes for gold and silver dyes for metal and stone, and purple dyes for wool. He emphasizes how changing color in early alchemy was misinterpreted to imply transmutation of one metal into another. He reveals how the alchemical secrets for working with the “living statues” of the Egyptian temples was jealously guarded by the priesthood and how secrecy helped to reinforce beliefs that alchemical knowledge came from forbidden, celestial sources. He also investigates the mysterious relation between alchemy, spiritual gnosis, Hermeticism, and the Book of Enoch. Revealing the hidden legacy of the early alchemists, Churton shows how their secret workings provided a transmission line for ancient heretical doctrines to survive into the Renaissance and beyond.

A 400-year history of the development of alchemy in England that brings to light the evolution of the practice. In medieval and early modern Europe, the practice of alchemy promised extraordinary physical transformations. Who would not be amazed to see base metals turned into silver and gold, hard iron into soft water, and deadly poison into elixirs that could heal the human body? To defend such claims, alchemists turned to the past, scouring ancient books for evidence of a lost alchemical heritage and seeking to translate their secret language and obscure imagery into replicable, practical effects. Tracing the development of alchemy in England over four hundred years, from the beginning of the fourteenth century to the end of the seventeenth, Jennifer M. Rampling illuminates the role of alchemical reading and experimental practice in the broader context of national and scientific history. Using new manuscript sources, she shows how practitioners like George Ripley, John Dee, and Edward Kelley, as well as many previously unknown alchemists, devised new practical approaches to alchemy while seeking the support of English monarchs. By reconstructing their alchemical ideas, practices, and disputes, Rampling reveals how English alchemy was continually reinvented over the space of four centuries, resulting in changes to the science itself. In so doing, The Experimental Fire bridges the intellectual history of chemistry and the wider worlds of early modern patronage, medicine, and science.

A unique approach to the history of science using do-it-yourself experiments along with brief historical profiles to demonstrate how the ancient alchemists stumbled upon the science of chemistry. Be the alchemist! Explore the legend of alchemy with the science of chemistry. Enjoy over twenty hands-on demonstrations of alchemical reactions. In this exploration of the ancient art of alchemy, three veteran chemists show that the alchemists' quest involved real science and they recount fascinating stories of the sages who performed these strange experiments. Why waste more words on this weird deviation in the evolution of chemistry? As the authors show, the writings of medieval alchemists may seem like the ravings of brain-addled fools, but there is more to the story than that. Recent scholarship has shown that some seemingly nonsensical mysticism is, in fact, decipherable code, and Western European alchemists functioned from a firmer theoretical foundation than previously thought. They had a guiding principle, based on experience: separate and purify materials by fire and reconstitute them into products, including, of course, gold and the universal elixir, the Philosophers' stone. Their efforts were not in vain: by trial, by error, by design, and by persistence, the alchemists discovered acids, alkalis, alcohols, salts, and exquisite, powerful, and vibrant reactions--which can be reproduced using common products, minerals, metals, and salts. So gather your vats and stoke your fires! Get ready to make burning waters, peacocks' tails, Philosophers' stone, and, of course, gold!

This volume brings into being the field of Byzantine intellectual history. Shifting focus from the cultural, social, and economic study of Byzantium to the life and evolution of ideas in their context, it provides an authoritative history of intellectual endeavors from Late Antiquity to the fifteenth century. At its heart lie the transmission, transformation, and shifts of Hellenic, Christian, and Byzantine ideas and concepts as exemplified in diverse aspects of intellectual life, from philosophy, theology, and rhetoric to astrology, astronomy, and politics. Case studies introduce the major players in Byzantine intellectual life, and particular emphasis is placed on the reception of ancient thought and its significance for secular as well as religious modes of thinking and acting. New insights are offered regarding controversial, understudied, or promising topics of research, such as philosophy and medical thought in Byzantium, and intellectual exchanges with the Arab world.

The first book to explore the importance of alchemy and its links to the occult in the period between 1320 and 1400. Alchemists didn't just try to turn metals into gold: they studied planetary influences on metals and people, refined plants and minerals in the search for medicines. This book illustrates how this branch of thought became more popular as the practical and theoretical knowledge of alchemists spread throughout England.

>

Alchemy-the word itself conjures up images of charlatans mixing potions and concocting remedies during the Middle Ages in a futile quest to transform lead into gold. But the roots of alchemy can be traced back more than 2,500 years to locales as disparate as Egypt, India, and China, and it was considered serious science until as recently as the 16th century. In this highly regarded volume first published in 1888, Arthur E. Waite examines the lives and works of more than fifty alchemists, from the year 850 through the end of the 18th century. Readers will learn about such renowned figures as Thomas Aquinas, Roger Bacon, and Pope John XXII, and decide for themselves whether alchemy was the true precursor to modern chemistry or a pseudo-science populated by quacks. American-born British author ARTHUR EDWARD WAITE (1857-1942) was co-creator of the famous 1910 Rider-Waite Tarot deck. Among his numerous books are Book of Ceremonial Magic, Devil Worship in France, and New Encyclopedia of Freemasonry.