“This novel about Sarah Bernhardt, the iconic French actress, is both a riveting portrait of the artist as a passionate young woman and a luscious historical novel full of period detail.”—Melanie Benjamin, New York Times bestselling author of Mistress of the Ritz and The Aviator’s Wife From her beginnings as the daughter of a courtesan to her extraordinary transformation into the most celebrated actress of her era, Sarah Bernhardt is brought to life by an internationally bestselling author praised for his historical novels featuring famous women. Sarah’s highly dramatic life starts when she returns to Paris after her convent schooling and is confronted by her mother’s demand to follow in the family trade as a courtesan. To escape this fate, Sarah pursues a career onstage at the esteemed Comédie-Française, until her rebellious acting style leads to her scandalous dismissal. Only nineteen years old and unemployed, Sarah is forced to submit to her mother’s wishes. But her seductive ease as a courtesan comes to an abrupt end when she discovers she is pregnant. Unwilling to give up her child, Sarah defies social condemnation and is cast adrift, penniless and alone. With her striking beauty and innovative performances in a bohemian theater, Sarah catapults to unexpected success; suddenly, audiences clamor to see this controversial young actress. But her world is torn asunder by the brutal 1870 siege of Paris. Sarah refuses to abandon the ravaged city, nursing wounded soldiers and risking her life. Her return to the Comédie and her tempestuous affair with her leading man plunge Sarah into a fierce quest for independence. Undeterred, she risks everything to become France’s most acclaimed actress, enthralling audiences with her shocking portrayals of female and male characters. Sarah’s daring talent and outrageous London engagement pave her path to worldwide celebrity, with sold-out tours in Europe and America. Told in her own voice, this is Sarah Bernhardt’s incandescent story—a fascinating, intimate account of a woman whose unrivaled talent and indomitable spirit has enshrined her in history as the Divine Sarah.

Featuring a range of large-scale, public and more intimate portraits of actresses, The First Actresses provides a vivid spectacle of femininity, fashion and theatricality from Nell Gwyn to Sarah Siddons. Ranging from oil paint to porcelain, these portraits illustrate the enduring popularity of portraits of women performers. Crucially the book seeks to reassess the traditional association between actress and'prostitute', and the moral ambiguity of women playing male roles. Portraiture became an important vehicle for the expression of concerns about female sexuality, social status, decorum, gender and celebrity. The authors also chart the commercialisation of the spectacle of the actress, as well as the connections between the eighteenth-century 'star system' and modern celebrity culture. Organised thematically, sections include: 'Painting Acresses' Lives', 'Nell Gwyn and Covent Garden Goddesses', 'Divas, Dancing and the Rage for Music: Painting Women in Musical Performance', 'Beauty, Ageing and the Body Politic of the Eighteenth-Century Actress' and 'Star Systems'. Illustrated with remarkable paintings by major artists of the period, a fascinating and lucid text reveals the many ways in which women performers enabled artistic innovation and creativity, provoked intellectual debate and contributed to the popularity and visibility of the theatre. Accompanies an exhibition at the National Portrait Gallery, London, 20 October 2011 - 8 January 2012

The End centers on five friends in Rio de Janeiro who, nearing the end of their lives, are left with memories—of parties, marriages, divorces, fixations, inhibitions, bad decisions—and the physical indignities of aging. Alvaro lives alone and spends his time going from doctor to doctor and bemoaning the evils of his ex-wife. Silvio is a junkie who can’t give up the excesses of sex and drugs even in his old age. Ribeiro is an athletic beach bum enjoying a prolonged sex life thanks to Viagra. Neto is the square member of the group, a faithful husband until his last days. And Ciro is the Don Juan envied by all—but the first to die, struck down by cancer. For all of them, successful careers, personal revelations, and Zen serenity are out of the question, blocked by a seemingly insurmountable wall of frustrations. Orbiting around them are a priest questioning his vocation and a cast of complicated women, neglected and embattled by these self-involved men. Edgy and wise, this tragicomic debut delves into taboo subjects—death, infidelity, impotence, the difficulties of marriage—with unsentimental honesty, and brings Rio and these characters to life in full color.

The Actress: Hollywood Acting and the Female Star investigates the contemporary film actress both as an artist and as an ideological construct. Divided into two sections, The Actress first examines the major issues in studying film acting, stardom, and the Hollywood actress. Combining theories of screen acting and of film stardom, The Actress presents a synthesis of methodologies and offers the student and scholar a new approach to these two subjects of study.

This book describes how and why women were permitted to act on the public stage after 1660 in England.

Longlisted for the 2020 Women's Prize for Fiction One of Time's 100 Must-Read Books of 2020 “A critique, a confession, a love letter—and another brilliant novel from Anne Enright.” —Ron Charles, Washington Post Katherine O’Dell is an Irish theater legend. Every moment of her life is a performance, with her daughter, Norah, standing in the wings. With age, alcohol, and dimming stardom, however, Katherine’s grip on reality grows fitful. Fueled by a proud and long-simmering rage, she commits a bizarre crime. As Norah’s role gradually changes to Katherine’s protector, caregiver, and finally legacy-keeper, she revisits her mother’s life of fiercely kept secrets; and Norah confronts in turn the secrets of her own sexual and emotional coming-of-age. With virtuosic storytelling, Actress weaves together two generations of women with difficult sexual histories, touching a raw and timely nerve.

The year was 1896, the woman was Alice Guy-Blaché, and the film was The Cabbage Fairy. It was less than a minute long. Guy-Blaché, the first female director, made hundreds of movies during her career. Thousands of women with passion and commitment to storytelling followed in her footsteps. Working in all aspects of the movie industry, they collaborated with others to create memorable images on the screen. This book pays tribute to the spirit, ambition, grit and talent of these filmmakers and artists. With more than 1200 women featured in the book, you will find names that everyone knows and loves—the movie legends. But you will also discover hundreds and hundreds of women whose names are unknown to you: actresses, directors, stuntwomen, screenwriters, composers, animators, editors, producers, cinematographers and on and on. Stunning photographs capture and document the women who worked their magic in the movie business. Perfect for anyone who enjoys the movies, this photo-treasury of women and film is not to be missed.

“This novel about Sarah Bernhardt, the iconic French actress, is both a riveting portrait of the artist as a passionate young woman and a luscious historical novel full of period detail.”—Melanie Benjamin, New York Times bestselling author of Mistress of the Ritz and The Aviator’s Wife From her beginnings as the daughter of a courtesan to her extraordinary transformation into the most celebrated actress of her era, Sarah Bernhardt is brought to life by an internationally bestselling author praised for his historical novels featuring famous women. Sarah’s highly dramatic life starts when she returns to Paris after her convent schooling and is confronted by her mother’s demand to follow in the family trade as a courtesan. To escape this fate, Sarah pursues a career onstage at the esteemed Comédie-Française, until her rebellious acting style leads to her scandalous dismissal. Only nineteen years old and unemployed, Sarah is forced to submit to her mother’s wishes. But her seductive ease as a courtesan comes to an abrupt end when she discovers she is pregnant. Unwilling to give up her child, Sarah defies social condemnation and is cast adrift, penniless and alone. With her striking beauty and innovative performances in a bohemian theater, Sarah catapults to unexpected success; suddenly, audiences clamor to see this controversial young actress. But her world is torn asunder by the brutal 1870 siege of Paris. Sarah refuses to abandon the ravaged city, nursing wounded soldiers and risking her life. Her return to the Comédie and her tempestuous affair with her leading man plunge Sarah into a fierce quest for independence. Undeterred, she risks everything to become France’s most acclaimed actress, enthralling audiences with her shocking portrayals of female and male characters. Sarah’s daring talent and outrageous London engagement pave her path to worldwide celebrity, with sold-out tours in Europe and America. Told in her own voice, this is Sarah Bernhardt’s incandescent story—a fascinating, intimate account of a woman whose unrivaled talent and indomitable spirit has enshrined her in history as the Divine Sarah.

Meet Selma of the Rin-Run Royals, a clever little girl who is spoiled to the core. One day Selma stumbles upon a band of colorful marionettes, and gets more than she bargained for. The remarkable Squickerwonkers of the fabulous Squickershow are about to teach Selma that she’ll not always get her way. Evangeline Lilly is best known for her work as an actress, but her foremost passion has always been writing. This book is her first published work. Beautifully illustrated by Johnny Fraser-Allen, this eccentric and visually stunning cautionary tale will appeal to adults and children alike.

'Every day, thousands of women enter acting classes where most of them will receive some variation on the Stanislavsky-based training that has now been taught in the U.S. for nearly ninety years. Yet relatively little feminist consideration has been given to the experience of the student actress: What happens to women in Method actor training?' An Actress Prepares is the first book to interrogate Method acting from a specifically feminist perspective. Rose Malague addresses "the Method" not only with much-needed critical distance, but also the crucial insider's view of a trained actor. Case studies examine the preeminent American teachers who popularized and transformed elements of Stanislavsky’s System within the U.S.—Strasberg, Adler, Meisner, and Hagen— by analyzing and comparing their related but distinctly different approaches. This book confronts the sexism that still exists in actor training and exposes the gender biases embedded within the Method itself. Its in-depth examination of these Stanislavskian techniques seeks to reclaim Method acting from its patriarchal practices and to empower women who act. 'I've been waiting for someone to write this book for years: a thorough-going analysis and reconsideration of American approaches to Stanislavsky from a feminist perspective ... lively, intelligent, and engaging.' – Phillip Zarrilli, University of Exeter 'Theatre people of any gender will be transformed by Rose Malague’s eye-opening study An Actress Prepares... This book will be useful to all scholars and practitioners determined to make gender equity central to how they hone their craft and their thinking.' – Jill Dolan, Princeton University