In 1958, Edward Teller, father of the H-bomb, unveiled his plan to detonate six nuclear bombs off the Alaskan coast to create a new harbor. However, the plan was blocked by a handful of Eskimos and biologists who succeeded in preventing massive nuclear devastation potentially far greater than that of the Chernobyl blast. The Firecracker Boys is a story of the U.S. government's arrogance and deception, and the brave people who fought against it-launching America's environmental movement. As one of Alaska's most prominent authors, Dan O'Neill brings to these pages his love of Alaska's landscape, his skill as a nature and science writer, and his determination to expose one of the most shocking chapters of the Nuclear Age.

A love match hotter than the Fourth of July… Wild West Boys, Book 2 Construction worker Willow Gregory entered the annual Miss Firecracker beauty contest on a dare and shocked everyone by winning. After a year of tiara-wearing good behavior, she’s ready to cut loose—but waking up naked in a sexy stranger’s bed with no memory of the havoc she wreaked the night before wasn’t part of the plan. Bartender Blake West thinks he could possibly be the only man alive who could say no to a drunken, horny, beauty queen—a sexpot who ends up trashing his buddy’s bar during a fight. Despite how hot she fires his blood, he demands she work off the damages in the bar…or face jail time. Working in close quarters is an explosive combination they can’t resist. But their agreement for a no-heartstrings-attached affair hits a snag when they realize the spark between them might be strong enough to burn for a lifetime…

Expelled for cheating at her private school, seventeen-year-old Astrid, who lives in a rocket ship parked in her backyard, must attend public school where she learns some lessons about family, friendship, and romance.

A giant spider and several other odd creatures from the earlier books in the Hamlet Chronicles return as the small Vermont town celebrates a grammar school graduation, Miss Earth's wedding, and the Fourth of July.

Some girls say no. Some boys don't listen. When Grace meets Ian, she's afraid. Afraid he'll reject her like the rest of the school, like her own family. After she accuses Zac, the town golden boy, of rape, everyone turns against her. Ian wouldn't be the first to call her a slut and a liar. Except Ian doesn't reject her. He's the one person who looks past the taunts and the names and the tough-girl act to see the real Grace. He's the one who gives her the courage to fight back. He's also Zac's best friend. "A bold and necessary look at an important, and very real, topic. Everyone should read this book." - Jennifer Brown, author of Thousand Words and Hate List A gut-wrenching, powerful love story told from alternating points of view by the acclaimed author of Send.

Chronicles the work of geologist Dave Hopkins, whose research solved the mystery of the existence of Beringia, the Bering Land Bridge.

Including 183 color and black-and-white images of vintage photos and packaging, plus values for American firecracker collectibles, this is the first book to focus on US firecrackers. Many pyrobilia guides cover Chinese firecrackers, but the US's history is just as colorful, from fireworks' inception into American celebrations as a replacement for dangerous celebratory gun and cannon fire, until the final federal ban with the Child Protection Act of 1966. Fireworks made the 4th of July the best holiday ever, for generations of boys especially. Beginning with a brief history of the firecracker and how it came to America, the book details the types the US produced a wide array, from Cherry Bombs and Silver Salutes to Ash Cans and Torpedoes. Also covered are how the US Industrial Revolution impacted fireworks, as well as the innovations throughout the American industry, from its successes to the factory disasters."

From the winner of the NYPL Young Lions Fiction Award, CLMP Firecracker Award, and Bard Fiction Prize, and finalist for the NBCC John Leonard Prize, an astonishing debut novel about family, sexuality, and capitalist systems of control, following three adopted brothers who live above a mosque in Staten Island with their imam father In 1990, three boys are born, unrelated but intertwined by circumstance: Dayo, Iseul, and Youssef. They are adopted as infants and share a bedroom perched atop a mosque in one of Staten Island’s most diverse and underserved neighborhoods. The three boys are an inseparable trio, but conspicuous: Dayo is of Nigerian origin, Iseul is Korean, and Youssef indeterminately Middle Eastern. Youssef shares everything with his brothers, except for one secret: he sees a hallucinatory double, an imaginary friend who seems absolutely real, a shapeshifting familiar he calls Brother. Brother persists as a companion into Youssef’s adult life, supporting him but also stealing his memories and shaking his grip on the world. The boys’ adoptive father, Imam Salim, is known in the community for his stirring and radical sermons, but at home he often keeps himself to himself, spending his evenings in his study with whiskey-laced coffee, reading poetry or writing letters to his former compatriots back in Saudi Arabia. Like Youssef, he too has secrets, including the cause of his failing health and the truth about what happened to the boys’ parents. When, years later, Imam Salim’s path takes him back to Saudi Arabia, the boys, now adults, will be forced to follow. There they will be captivated by an opulent, almost futuristic world, a linear city that seems to offer a more sustainable modernity than that of the West. But this conversion has come at a great cost, and Youssef and Brother too will have to decide if they should change to survive, or try to mount a defense of their deeply-held beliefs. Stylistically brilliant, intellectually acute, and deft in its treatment of complex themes, Brother Alive is a remarkable debut by a hugely talented writer that questions the nature of belief and explores the possibility of reunion for those who are broken.

In an era of rising nationalism and geopolitical instability, Megan Fernandes’s Good Boys offers a complex portrait of messy feminist rage, negotiations with race and travel, and existential dread in the Anthropocene. The collection follows a restless, nervy, cosmically abandoned speaker failing at the aspirational markers of adulthood as she flips from city to city, from enchantment to disgust, always reemerging—just barely—on the trains and bridges and bar stools of New York City. A child of the Indian Ocean diaspora, Fernandes enacts the humor and devastation of what it means to exist as a body of contradictions. Her interpretations are muddied. Her feminism is accusatory, messy. Her homelands are theoretical and rootless. The poet converses with goats and throws a fit at a tarot reading; she loves the intimacy of strangers during turbulent plane rides and has dark fantasies about the “hydrogen fruit” of nuclear fallout. Ultimately, these poems possess an affection for the doomed: false beloveds, the hounded earth, civilizations intent on their own ruin. Fernandes skillfully interrogates where to put our fury and, more importantly, where to direct our mercy.

The Manhattan Project—the World War II race to produce an atomic bomb—transformed the entire country in myriad ways, but it did not affect each region equally. Acting on an enduring perception of the American West as an “empty” place, the U.S. government located a disproportionate number of nuclear facilities—particularly the ones most likely to spread pollution—in western states. The Manhattan Project manufactured plutonium at Hanford, Washington; designed and assembled bombs at Los Alamos, New Mexico; and detonated the world’s first atomic bomb at Alamagordo, New Mexico, on June 16, 1945. In the years that followed the war, the U.S. Atomic Energy Commission selected additional western sites for its work. Many westerners initially welcomed the atom. Like federal officials, they, too, regarded their region as “empty,” or underdeveloped. Facilities to make, test, and base atomic weapons, sites to store nuclear waste, and even nuclear power plants were regarded as assets. By the 1960s and 1970s, however, regional attitudes began to change. At a variety of locales, ranging from Eskimo Alaska to Mormon Utah, westerners devoted themselves to resisting the atom and its effects on their environments and communities. Just as the atomic age had dawned in the American West, so its artificial sun began to set there. The Atomic West brings together contributions from several disciplines to explore the impact on the West of the development of atomic power from wartime secrecy and initial postwar enthusiasm to public doubts and protest in the 1970s and 1980s. An impressive example of the benefits of interdisciplinary studies on complex topics, The Atomic West advances our understanding of both regional history and the history of science, and does so with human communities as a significant focal point. The book will be of special interest to students and experts on the American West, environmental history, and the history of science and technology.