In this book, J. C. Heesterman attempts to understand the origins and nature of Vedic sacrifice—the complex compound of ritual practices that stood at the center of ancient Indian religion. Paying close attention to anomalous elements within both the Vedic ritual texts, the brahmanas, and the ritual manuals, the srautasutras, Heesterman reconstructs the ideal sacrifice as consisting of four moments: killing, destruction, feasting, and contest. He shows that Vedic sacrifice all but exclusively stressed the offering in the fire—the element of destruction—at the expense of the other elements. Notably, the contest was radically eliminated. At the same time sacrifice was withdrawn from society to become the sole concern of the individual sacrificer. The ritual turns in on the individual as "self-sacrificer" who realizes through the internalized knowledge of the ritual the immortal Self. At this point the sacrificial cult of the fire recedes behind doctrine of the atman's transcendence and unity with the cosmic principle, the brahman. Based on his intensive analysis Heesterman argues that Vedic sacrifice was primarily concerned with the broken world of the warrior and sacrificer. This world, already broken in itself by the violence of the sacrificial contest, was definitively broken up and replaced with the ritrualism of the single, unopposed sacrificer. However, the basic problem of sacrifice—the riddle of life and death—keeps breaking too surface in the form of incongruities, contradictions, tensions, and oppositions that have perplexed both the ancient ritual theorists and the modern scholar.

This play by one of India's foremost playwrights and actors is based on a story from the Mahabharata which tellingly illuminates universal themes - alienation, loneliness, love, family, hatred - through the daily lives and concerns of a whole community of individuals.

Into the Vortex of Fire (HB) By: James H. Lamason with Gerard E. Mayers “It is… the stories of the men who were there, those who came back and those who never would, that form the backbone of this work. Author Jim Lamason, long a friend, and collaborator Gerry Mayers (co-author of our book of human interest stories of the Irish in the Civil War) tell the story of one man from New Jersey and his comrades who sweated, toiled, and bled at Gettysburg. This book is a fitting tribute to the sons of New Jersey whose lives were forever changed in the fields that we now know as the Gettysburg National Military Park.” - Scott Mingus, Sr.

Among the many religious acts condemned in the Hebrew Bible, child sacrifice stands out as particularly horrifying. The idea that any group of people would willingly sacrifice their own children to their god(s) is so contrary to modern moral sensibilities that it is difficult to imagine that such a practice could have ever existed. Nonetheless, the existence of biblical condemnation of these rites attests to the fact that some ancient Israelites in fact did sacrifice their children. Indeed, a close reading of the evidence—biblical, archaeological, epigraphic, etc.—indicates that there are at least three different types of Israelite child sacrifice, each with its own history, purpose, and function. In addition to examining the historical reality of Israelite child sacrifice, Dewrell’s study also explores the biblical rhetoric condemning the practice. While nearly every tradition preserved in the Hebrew Bible rejects child sacrifice as abominable to Yahweh, the rhetorical strategies employed by the biblical writers vary to a surprising degree. Thus, even in arguing against the practice of child sacrifice, the biblical writers themselves often disagreed concerning why Yahweh condemned the rites and why they came to exist in the first place.

Rudi Mackenzie has won the battle that expelled the enemy from the new High Kingdom of Montival. Now he must free the people who live in the state once known as Idaho from occupation by the legions of the Church Universal and Triumphant and pursue them to their lair over the mountains. There he will finally confront the forces behind the Church—the Powers of the Void. Yet even a victory will not end the conflict forever. The Powers of the Void are malevolent and infinitely patient, and the struggle is one that involves the entire world. They threaten not only Rudi in the present, but also the future represented by his children, Órlaith and John. Rudi knows this. And as his heir Princess Órlaith grows up in the shadow of her famous father, she also realizes that the enemy will do anything to see that she does not live to fulfill her parents’ dream….

Descriptions of animal sacrifice in Homer offer detailed accounts of this attempt at communication between man and gods. Hitch explores the structural and thematic importance of animal sacrifice as an expression of the quarrel between Akhilleus and Agamemnon through the differing perspectives of the primary narrative and character speech.

Living and working among the Tz'utujil Maya people of Santiago Atitlán in highland Guatemala for some fifteen years, Vincent Stanzione has observed, photographed, and participated in their ritual and ceremonial life, which he describes with unique authority in this account of the continuities in Mayan culture from pre-Columbian times to the present. "This book represents both a confirmation and an innovation in the scholarship and field work about the religious imagination and rites of passage of Maya peoples. I know of no book that is as able to a) link the pre-Hispanic, colonial and contemporary religious practices of these peoples into a coherent narrative, b) combine anthropological/religious studies theory with linguistics and ongoing field work as creatively and c) illuminate the debate between models of 'syncretism' and 'transculturation' about a contemporary ritual cycle as Stanzione's beautifully illustrated work."--David Carrasco, Harvard University

This elegantly written book introduces a new perspective on Indic religious history by rethinking the role of mantra in Vedic ritual. In Bringing the Gods to Mind, Laurie Patton takes a new look at mantra as "performed poetry" and in five case studies draws a portrait of early Indian sacrifice that moves beyond the well-worn categories of "magic" and "magico-religious" thought in Vedic sacrifice. Treating Vedic mantra as a sophisticated form of artistic composition, she develops the idea of metonymy, or associational thought, as a major motivator for the use of mantra in sacrificial performance. Filling a long-standing gap in our understanding, her book provides a history of the Indian interpretive imagination and a study of the mental creativity and hermeneutic sophistication of Vedic religion.

This introduction to the imaginative world of the Mexica (or Aztec) explores sacrifice in the richly textured life of 16th-century Mexico. Kay Almere Read describes a universe in which every object was timed by a given lifespan and in which sacrifice was the mechanism by which time functioned. This book makes a convincing case for what sacrifice meant religiously and for how it came to be that human sacrifice of staggering proportions could be accepted, matter-of-factly, by the Mexica people.