Endorsements: ""Where are all the Catholic writers? is a popular question these days. In his beautifully realized new book The Fine Delight, Nicholas Ripatrazone offers an answer: they are among us, writing. With skill and care, he explores the artistry of three superb writers--Ron Hansen, Paul Mariani, and Andre Dubus--as well as several other contemporary Catholic authors. In the process he reveals . . . how reading can be sacramental, enabling us to discover God's presence in our modern world."" --James Martin, SJ, author of The Jesuit Guide to (Almost) Everything ""The Fine Delight is a text of scholarship and personal consideration of American literature that is marked by and built from postconciliar Catholic thought. Nicholas Ripatrazone has written a highly readable study of the work of writers whose beliefs vary widely, but who share a living engagement with the Word. This book itself is just such an engagement. It will inspire more informed and curious reading."" --Alice Elliott Dark, author of In the Gloaming: Stories ""Nicholas Ripatrazone offers an insightful interrogation into the theological and aesthetic strategies of contemporary Catholic writers--novelists, poets, and essayists writing in the last fifty years. Aware that the Catholic imagination is not static, he suggests helpful ways to understand how post-Vatican II writers situate their faith in light of their artistic vision. A timely book, Ripatrazone helps extend the critical and pastoral implications of a Catholic literary aesthetic."" --Mark Bosco, SJ, author of Graham Greene's Catholic Imagination About the Contributor(s): Nick Ripatrazone is the author of three books: Oblations (prose poems, 2011), This Is Not About Birds (poems, 2012), and This Darksome Burn (novella, 2013). His writing has received honors from Esquire, The Kenyon Review, and ESPN: The Magazine. He teaches literature at Rutgers University.

Reader's Delight

Painting prolifically for nearly three decades, artist Christopher St. Leger has created a luminescent body of work that exhibits an artist's evolving mastery of light and mood. The resulting collection is a journey through places that somehow exist in both familiarity and ambiguity.Warm watercolor and oil vignettes that extract wonder from the mundane; that summon majesty from the ordinary. Beautiful moments that reveal the tension in the ostensibly serene; that miraculously invoke the ephemeral to stand still. St. Leger's work also displays an artist's thoughtful command of craft and persistent preoccupation with dimension and place. Each image is a study of technical dimensions - the measurable extent of how something is defined in relation to physical space, but also existential dimensions - the unspoken depth of the moment at hand. And each image is a philosophical survey of place - a personal voyage through the everyday places that exist around us, but also a deeply personal journey seeking to understand his own place in the world. More so, by surveying St. Leger's entirety of work, we come to understand how joyful and essential he has deemed the act of painting. We discover a self-taught artist deeply loyal to his creative calling and stringently dedicated to practicing his craft. Highlighted in the following pages is the result of that dedication. A collection that not only reveals St. Leger's impressive creative and technical evolutions, but also his subtle internal evolutions that resonate deeply with those who engage with his work.

Exhibition catalog. Includes bibliographical references and index.

From bestselling author of The Book of Delights and award-winning poet, a book of lyrical mini-essays celebrating the everyday that will inspire readers to rediscover the joys in the world around us. In Ross Gay’s new collection of small, daily wonders, again written over the course of a year, one of America’s most original voices continues his ongoing investigation of delight. For Gay, what delights us is what connects us, what gives us meaning, from the joy of hearing a nostalgic song blasting from a passing car to the pleasure of refusing the “nefarious” scannable QR code menus, from the tiny dog he fell hard for to his mother baking a dozen kinds of cookies for her grandchildren. As always, Gay revels in the natural world—sweet potatoes being harvested, a hummingbird carousing in the beebalm, a sunflower growing out of a wall around the cemetery, the shared bounty from a neighbor’s fig tree—and the trillion mysterious ways this glorious earth delights us. The Book of (More) Delights is a volume to savor and share.

“Mango is as delightful as her middle name indicates, and middle-grade readers will easily recognize their own experiences in her friendship struggles.” —Booklist (starred review) What happens when your BFF becomes your EFF . . . EX-Friend-Forever? When seventh-grader Mango Delight Fuller accidentally breaks her BFF Brooklyn’s new cell phone, her life falls apart. She loses her friends and her spot on the track team, and even costs her father his job as a chef. But Brooklyn’s planned revenge—sneakily signing up Mango to audition for the school musical—backfires when Mango not only wins the lead role, but becomes a YouTube sensation and attracts the attention of the school’s queen bee, Hailey Jo. Hailey Jo is from a VERY wealthy family, and expects everyone to do her bidding. Soon Mango finds herself forced to make tough choices about the kind of friend she wants to have . . . and, just as important, the kind of friend she wants to be.

An appealing guide to 33 neglected gems in children's literature by the author of A Reader's Delight.

‘An exquisitely-written, generous, funny, thoughtful book about the everyday joys of being alive. I love it.’ Dolly Alderton ‘J. B. Priestley is one of our literary icons of the 20th Century and it is time that we all became re-acquainted with his genius.’ Dame Judi Dench

From tabloid exposes of child prostitution to the grisly tales of Jack the Ripper, narratives of sexual danger pulsated through Victorian London. Expertly blending social history and cultural criticism, Judith Walkowitz shows how these narratives reveal the complex dramas of power, politics, and sexuality that were being played out in late nineteenth-century Britain, and how they influenced the language of politics, journalism, and fiction. Victorian London was a world where long-standing traditions of class and gender were challenged by a range of public spectacles, mass media scandals, new commercial spaces, and a proliferation of new sexual categories and identities. In the midst of this changing culture, women of many classes challenged the traditional privileges of elite males and asserted their presence in the public domain. An important catalyst in this conflict, argues Walkowitz, was W. T. Stead's widely read 1885 article about child prostitution. Capitalizing on the uproar caused by the piece and the volatile political climate of the time, women spoke of sexual danger, articulating their own grievances against men, inserting themselves into the public discussion of sex to an unprecedented extent, and gaining new entree to public spaces and journalistic practices. The ultimate manifestation of class anxiety and gender antagonism came in 1888 with the tabloid tales of Jack the Ripper. In between, there were quotidien stories of sexual possibility and urban adventure, and Walkowitz examines them all, showing how women were not simply figures in the imaginary landscape of male spectators, but also central actors in the stories of metropolotin life that reverberated in courtrooms, learned journals, drawing rooms, street corners, and in the letters columns of the daily press. A model of cultural history, this ambitious book will stimulate and enlighten readers across a broad range of interests.