Two children face the terrors of a house that wants them dead Can Jason and Sally survive the evil spirits in the house on Cherry Street until their parents return? Jason looks for clues to the house’s mysterious history—especially the “accidental” fall that killed Bobby, the ghost who still fears his terrifying nanny and whose body was never found. Maybe if Jason and his sister can right the wrongs of the past, the house will no longer be haunted. But that means they’ll have to go back inside . . . The Final Nightmare is the concluding book of the chilling House on Cherry Street trilogy from prolific wife-and-husband coauthors Lynn Harnett and Rodman Philbrick, the Newbery Honor Award–winning author of Freak the Mighty.

Jason and Sally are alone in the house on Cherry Street. The house wants to hurt them and it knows just how to do it.

Winner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction​ ​Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards​ “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body. Women Make Horror explores narrative and experimental cinema; short, anthology, and feature filmmaking; and offers case studies of North American, Latin American, European, East Asian, and Australian filmmakers, films, and festivals. With this book we can transform how we think about women filmmakers and genre.

THE INSTANT NEW YORK TIMES BESTSELLER VOTED GOODREADS CHOICE AWARD BEST HORROR NOVEL OF 2021 A Good Morning America Buzz Pick “The horror master…puts his unique spin on slasher movie tropes.”-USA Today A can't-miss summer read, selected by The New York Times, Oprah Daily, Time, USA Today, The Philadelphia Inquirer, CNN, LitHub, BookRiot, Bustle, Popsugar and the New York Public Library In horror movies, the final girls are the ones left standing when the credits roll. They made it through the worst night of their lives…but what happens after? Like his bestselling novel The Southern Book Club’s Guide to Slaying Vampires, Grady Hendrix’s latest is a fast-paced, frightening, and wickedly humorous thriller. From chain saws to summer camp slayers, The Final Girl Support Group pays tribute to and slyly subverts our most popular horror films—movies like The Texas Chainsaw Massacre, A Nightmare on Elm Street, and Scream. Lynnette Tarkington is a real-life final girl who survived a massacre. For more than a decade, she’s been meeting with five other final girls and their therapist in a support group for those who survived the unthinkable, working to put their lives back together. Then one woman misses a meeting, and their worst fears are realized—someone knows about the group and is determined to rip their lives apart again, piece by piece. But the thing about final girls is that no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.

Wes Craven's A Nightmare on Elm Street is one of the most inventive American films of the 1980s. Its sleeper success bred a series of film sequels and a syndicated television program while its villain, Freddy Krueger, became a Hollywood horror icon for the ages. In the four decades since its release, Craven's creation and subsequent franchise has become firmly established as a pop culture institution and a celebrated symbol of American cinema. This book takes readers on an engrossing journey through the history, production and themes of the Nightmare on Elm Street film series and its spin-off TV show, Freddy's Nightmares. It reveals new stories about the franchise's history and dives into some of the themes and ideas that tend to be overlooked. The book has a foreword by production designer Mick Strawn and exclusive interviews with cast and crew, including legendary Freddy Krueger actor Robert Englund; directors Jack Sholder, Chuck Russell, Mick Garris, Tom McLoughlin, Lisa Gottlieb, and William Malone; cinematographers Jacques Haitkin, Roy H. Wagner, and Steven Fierberg; and many more.

The character Freddy Krueger is featured here in seven grotesque tales by authors including Nancy A. Collins, Bentley Little and Tom Elliot.

Don’t miss this twisted tale from the pages of the game-changing event “Batman: Knightfall”! Thirty years after Bruce Wayne was broken and failed to take back the mantle of the Bat, Jean-Paul Valley, now known as Saint Batman, has turned Gotham into the city of his dreams. In his new order, killing has become commonplace and criminals live in constant fear-all in the name of justice. But just when all seems lost, a new hope for Gotham City rises…the son of Bane!

The Robotech Masters' war against Earth has become even more desperate: the Protoculture Matrix is now degenerating, transforming into the Flower of Life, which is sure to draw the savage, merciless Invid across the galaxy. Meanwhile, Dana Sterling, half-alien commander of an elite Hovertank unit, is waging a desperate personal war to uncover the meaning of her strange Visions, and the secrets of her alien heritage. Humans lock in mortal combat with the Masters' clone hordes in a clash of tremendous war machines. Zor Prime, reincarnation of the discoverer of Protoculture, struggles to regain his lost memories and unlock his tormented past. As the apocalyptic war comes to the final, decisive battle, Dana Sterling realizes to her horror that . . . EVEN VICTORY SPELLS UTTER DISASTER!!

It's a step into the future. Dreams can be recorded and played back as a form of entertainment on the DreamBox. To create one thrilling DreamBox program, dreams have been teased out of the preserved brains of Freddy Krueger's past victims. This program is being tested on a group of teenagers who not only experience the dreams of Freddy's former victims, but also begin having their own dangerous nightmares. One of the kids has made a pirate copy of the program and is creating free access to it via the Internet. That would mean the evil influence of Freddy Krueger would go global.