Brief biographies, stills, and film synopses and credits help chronicle the careers of the Hollywood stars who became America's Singing Sweethearts.

Jeanette MacDonald and Nelson Eddy were an unlikely pair to make movie history. Their sparks ignited a nation, creating some of the greatest musicals of the Golden Age of Hollywood--films that continue to enchant and inspire. This revised edition contains a complete discography, biographies and historical overviews, and 590 photos.

"Sweethearts" is the true story of one of Hollywood's greatest cover-ups: the love affair between Jeanette MacDonald and Nelson Eddy. Known as 'America's Singing Sweethearts' of the 1930s and 40s, they made eight box office hits together for Metro-Goldwyn-Mayer and became the most popular singing team in movie history. Rumor had it that they hated each other off-screen but the truth was that they were secretly engaged in the summer of 1935 while filming their famous "Mountie" movie, "Rose Marie." Interference by studio boss Louis B. Mayer triggered a series of tragic events that caused them to self-destruct their film careers, health and ultimately their lives. The author was a close friend of MacDonald's older sister (actress Blossom Rock) plus had access to a wealth of unpublished letters, eyewitness accounts, diary entries, love letters and the unfinished memoirs of both Jeanette MacDonald and Isabel Eddy, Nelson's mother. Rich also interviewed over 200 co-stars, co-workers, family and friends. Included among her more famous sources were MGM stars Rise Stevens and Miliza Korjus, opera stars Rose Bampton, Helen Jepson and Theodor Uppman, MGM co-workers William Tuttle and Fred Phillips, and U.S. Senate Chaplain Richard Halverson who, in his youth, was MacDonald's butler/chauffeur. This is a completely rewritten and updated version of the 1994 edition, including an additional chapter, new information in every chapter, more photos and over 50 pages of source notes. "Sweethearts" was a selection of the Entertainment Book Club and the #1 Best Seller on Booksurge.com for 4 weeks in March 2002. Reviews: "Offers considerable proof they may have been secret lovers for years." Robert Osborne "Sweethearts" is one of the finest books about Metro-Goldwyn-Mayer and Hollywood during the Golden Era. It is a bittersweet love story of a famous couple whose musical duets on the silver screen thrilled a generation of moviegoers. They were a once-in-a-lifetime experience. With the knowledge, thanks to Miss Rich, that the actors were in love off the screen, gives their films a heartbeat. Included are love letters, notes from diaries, and observations of those who kept their secret. You will enjoy every word of "Sweethearts" and you will find a new meaning when viewing their musicals. Then you'll read it a second time." -Jane Ellen Wayne, Author, The Golden Guys of MGM "The star-crossed love affair of the century....The account is anything but sugar-coated. Ms. Rich's book certainly contains much to raise the eyebrows. She names names and pulls no punches. Still, this is not a sensational expose; one comes away feeling sorry for the protagonists, and wishing that their story could have had a happier resolution....Scrupulously documented...give[s] credibility to an amazing story." Rob Ray, "Past Times" "Rich affords a long, exciting, revealing look at two of the most important screen personalities of the 1930s. Vital reading to anyone interested in film history, Hollywood, or popular culture." Mike Tribby, "Booklist" "A surprisingly interesting look at two people so wrapped up in make-believe that they began taking it seriously." Harry Bowman, "Dallas Morning News"

Jeanette MacDonald, the movie musical's first superstar, was an American original whose onscreen radiance mirrored a beguiling real-life personality. Based in large part on the author's exclusive access to MacDonald's private papers, including her unpublished memoir, this vivid, often touching biography transports us to a time when lavish musical films were major cultural events and a worldwide public eagerly awaited each new chance to fall under the singer's spell. Edward Baron Turk shows how MacDonald brilliantly earned her Hollywood nickname of "Iron Butterfly," and why she deserves a privileged position in the history of music and motion pictures. What made MacDonald a woman for our times, readers will discover, was her uncommon courage: Onscreen, the actress portrayed strong charcters in pursuit of deep emotional fulfillment, often in defiance of social orthodoxy, while offscreen she personified energy, discipline, and practical intellect. Drawing on interviews with individuals who knew her and on MacDonald's own words, Turk brings to life the intricate relations between the star and her legendary costars Maurice Chevalier, Clark Gable, and, above all, baritone Nelson Eddy. He reveals the deep crushes she inspired in movie giants Ernst Lubitsch and Louis B. Mayer and the extraordinary love story she shared with her husband of twenty-seven years, actor Gene Raymond. More than simply another star biography, however, this is a chronicle of American music from 1920s Broadway to 1960s television, in which Turk details MacDonald's fearless efforts to break down distinctions between High Art and mass-consumed entertainment. Hollywood Diva will attract fans of opera and concert music as much as enthusiasts of the great Hollywood musicals. It is first-rate cultural and film history.

Irresistible and authoritative, The Movie Musical! is an in-depth look at the singing, dancing, happy-making world of Hollywood musicals, beautifully illustrated in color and black-and-white--an essential text for anyone who's ever laughed, cried, or sung along at the movies. Leading film historian Jeanine Basinger reveals, with her trademark wit and zest, the whole story of the Hollywood musical--in the most telling, most incisive, most detailed, most gorgeously illustrated book of her long and remarkable career. From Fred Astaire, whom she adores, to La La Land, which she deplores, Basinger examines a dazzling array of stars, strategies, talents, and innovations in the history of musical cinema. Whether analyzing a classic Gene Kelly routine, relishing a Nelson-Jeanette operetta, or touting a dynamic hip hop number (in the underrated Idlewild), she is a canny and charismatic guide to the many ways that song and dance have been seen--and heard--on film. With extensive portraits of everyone from Al Jolson, the Jazz Singer; to Doris Day, whose iconic sunniness has overshadowed her dramatic talents; from Deanna Durbin, that lovable teen-star of the '30s and '40s; to Shirley T. and Judy G.; from Bing to Frank to Elvis; from Ann Miller to Ann-Margret; from Disney to Chicago . . . focusing on many beloved, iconic films (Top Hat; Singin' in the Rain; Meet Me in St. Louis; The Sound of Music) as well as unduly obscure gems (Eddie Cantor's Whoopee!; Murder at the Vanities; Sun Valley Serenade; One from the Heart), this book is astute, informative, and pure pleasure to read.

The Girl of the Golden West is a theatrical play written, produced and directed by David Belasco, set in the California Gold Rush. The four-act melodrama opened at the old Belasco Theatre in New York on November 14, 1905 and ran for 224 performances. Blanche Bates originated the role of The Girl, Robert C. Hilliard played Dick Johnson, and Frank Keenan played Jack Rance. Bates was joined by Charles Millward and Cuyler Hastings for two-week Broadway runs in 1907 and 1908.[1] William Furst composed the play's incidental music. The play toured throughout the US for several years.

This work explores cinema-going in the 1930s, when it was a favourite leisure activity. Kuhn discovers how cinema provided a much-appreciated touch of glamour, and examines the influences of screen heroes and heroines.