(Boosey & Hawkes Chamber Music). 20 pieces in a wide variety of styles from folk to tango. Includes principal cello melody part at an intermediate level, easy cello part for beginners, guitar chords, plus a choice of piano accompaniment or a more advanced cello accompaniment (teacher's part). CD includes audio backing and full performance tracks. Contents include: Carolan's Air * Drowsie Maggie * Makin' Whoopie * Paragon Rag * The Flower of the Quern * Pastime with good company * Blackberry Blossom * We three kings of Orient are * La Cucaracha * and more!

Dr. Suzuki questioned why all vocalists vocalize every day to improve their voices, but instrumentalists do not do so every day with their instruments. He believes that on any instrument, one needs to practice to make a more beautiful tone. First he talks about playing a beautiful resonant tone with the bow while plucking the string with a finger. When a pizzicato is played, the resonance goes on for a long time. Students should listen to that resonance and play the same kind of clear beautiful sound. He talks about how to make a difference in the tone by using a different bow speed, how to practice to find the resonance point, how to change the weight of the arm on the bow to produce a different kind of tone, and how to change tone color. This book includes all of Dr. Suzuki's basic ideas about tone.

Written as a companion to the wildly popular fiddle book, this method opens up the world of fiddling to the beginning/intermediate cellist. Finally fiddlers, violists and cellists can jam together! Unlike many books for violas and cellos which simply transpose the tunes, the authors went to considerable effort arranging the tunes to be both playable and true to the original melody and key. Variations to the tunes are included illustrating how they can serve as a basis for improvisation. Ensemble skills are taught with chords and lyrics, basic music theory, and demonstrations of such skills as backup and lead playing in this playfully- illustrated book. A high quality, multi-instrumental CD for listening and play-along captures the excitement of the music. Like its fiddle counterpart, this method is destined to be a classic.

A beginning note-reading book designed for Suzuki-trained violoncello students who have learned to play using an aural approach, or for traditionally taught students who need extra note reading practice.

This is a collection of twelve sacred pieces from the classical repertory, arranged for cello solo with piano accompaniment. All time favorites like the Pachelbel Kanon, Jesu, Joy of Man's Desiring and Ave Maria are included. the cello part is intermediate level, never going higher than G on the A string. This is a very valuable source of solos that can be used for weddings, memorial services and worship gatherings.

Traditional dance music from England, Ireland and Scotland. A flexible format and extra optional parts makes these ideal for solos, duets, or a larger folk band. The Complete edition includes a violin part, keyboard accompaniment with optional violin accompaniment, easy violin and guitar.

Destined to become a classic, this method provides the beginner with the elements needed to become a proficient fiddler. Based on many years of teaching experience, the author introduces the concepts and techniques that yields solid results. This method encourages creativity in the student by including variations to the tunes and illustrating how they can serve as a basis for improvisation. to assist in the development of ensemble skills, chords and lyrics, basic music theory, and demonstrations of such skills as backup and lead playing are included in this profusely- illustrated book. A CD for listening and play-along captures the excitement of the music and aids instruction. This book is beneficial for both fiddle students and classical Suzuki violin students.

This new edition contains all the scales and arpeggios required for ABRSM's Grades 15 Cello exams. Contains all scales and arpeggios for the revised syllabus from 2012, with bowing patterns and suggested fingering, and a helpful introduction including advice on preparing for the exam.

Private studio teachers, school string programs and Suzuki teachers preparing for recitals will welcome these tasteful piano accompaniments for the violin, viola and cello editions of Volume 1of Brian Wicklund's American Fiddle Method. Acknowledged as the most widely used fiddle method in the country, Wicklund became aware of the increasing demand for a parallel piano accompaniment series and engaged his friend Bob Walser to take on the task of writing it.Collaborating closely with Wicklund, Walser was encouraged to adhere to the chord progressions suggested in the original books, but given leeway to add interesting variations in rhythm and harmony. the result is a book of arrangements that welcomes pianists to the jamming circle. Piano playing teachers, parents and siblings can now join in the fun, and fiddle tunes can be featured in concerts and recitals with the support of an accompanist. In addition, principals of accompaniment learned by playing these arrangements can be applied to accompanying other tunes, the voice or other instruments.The American Fiddle Method itself provides the beginner with the elements needed to become a proficient fiddler. Based on many years of teaching experience, the author introduces concepts and techniques that yield solid results. This method encourages creativity in the student by including variations of the tunes to illustrate how they can serve as a basis for improvisation.