A PASSIONATE, PAGE-TURNING TALE OF COERCIVE CONTROL AND FEMALE SOLIDARITY, FOR FANS OF THREE WOMEN AND ACTS OF DESPERATION. 'This is the book I have always needed, it is F*****G BRILLIANT and everyone should read it' Nikita Gill 'A beautiful, biting page-turner' Irish Times ********** I believe every word you say. That was always my mistake. Bright, promising Emma is entangled in a toxic romance with her old professor - and she's losing control. Cruel, charming Tom is idolized by his students and peers - confident he holds all the cards. In their small Oxford home, he manipulates and undermines her every thought and act. Soon, he will push her to the limit and she must decide: to remain quiet and submit, or to take her revenge. Written in verse and charged with passion and anger, The Poet is a portrait of a deeply dysfunctional relationship, exploring coercive control, class and privilege. It is also a page-turning tale of female solidarity and survival. 'Brisk, disturbing and very satisfying' Daily Mail

The Poet's Novel provides a unique entrance to the prose and poetry of many remarkable modern and contemporary poets including: Etel Adnan, Renee Gladman, Langston Hughes, Kevin Killian, Alice Notley, Leslie Scalapino, Jack Spicer, and Jean Toomer, whose approaches to the novel defy conventions of plot, character, setting and action. The contributors, all poets in their own right like, Brian Blanchfield, Brandon Brown, Mónica de la Torre, Cedar Sigo, and C.D. Wright bring a variety of insights, approaches, and writing styles to the subject with creative and often surprising results.

A fictionalized biography of Kim Pyongyon, a 19th Century South Korean singing poet who had to bear the sins of his fathers. The family was disgraced by a grandfather who surrendered in a war, they were stripped of their privileges and Kim had to make a living as a troubadour.

Addressing all readers who value the beauty of language, Anna Balakian examines the work of five twentieth-century poets--Yeats, Valry, Rilke, Stevens, and Guilln--to show how the linguistic richness of the symbolist tradition continued well into the modern period. These writers, all of whom learned the poetry of language from Mallarm, compensated for the disappearance of metaphysical inclinations in early twentieth-century poetry by instituting a poetic fiction. Balakian finds the immersion of the "I" and its altered reflection in the work of art to be a common feature of their poetry, and explores how they replaced the conventional meaning of signifiers grown stale, such as the abused word "poet," which became musician, artist, dancer, acrobat, mime, tapestry weaver, rider of the earth and the skies. In the works of these poets, the symbol evolved into a selective system of communication that identified implicitly the realms of human dilemma in regard to time, space, place, and reality in an indifferent universe. Balakian explains how the poets made language posit the major problems of existence and survival through metaphors of transition and, with the polysemy of their discourse, spoke to each reader on his or her terms. Like a serial musical composition, this literary interpretation interweaves leitmotifs from one writer to another, creating a basic cohesion while revealing variations and transformations in their poetry. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

FROM THE #1 BESTSELLING AUTHOR OF THE HARRY BOSCH AND LINCOLN LAWYER SERIES An electrifying standalone thriller that breaks all the rules! With an introduction by Stephen King. Death is reporter Jack McEvoy's beat: his calling, his obsession. But this time, death brings McEvoy the story he never wanted to write--and the mystery he desperately needs to solve. A serial killer of unprecedented savagery and cunning is at large. His targets: homicide cops, each haunted by a murder case he couldn't crack. The killer's calling card: a quotation from the works of Edgar Allan Poe. His latest victim is McEvoy's own brother. And his last...may be McEvoy himself.

Winner or finalist in the 'Best Books' National Book Award Poetry Anthology of the Year; Benjamin Franklin Audio Book of the Year; Foreword Magazine Audio Book of the Year; and the Bill Fisher Award for Best New Fiction. Over 750 pages of poetry spanning from 4,000 BC up to the present day and including a broad cross-section of global poetry. Footnotes for each poem specify each poem's form, define unusual or archaic words, and include notes about interpretation. Multiple indexes, including an index by subject, simplify finding exactly the right poem for any situation. The poems were specifically selected to appeal to readers new to poetry, but even experienced poetry readers will find new and enjoyable poems. The poems from the book are also available on audio CD.

Poetry. GOD WAS RIGHT collects poems that take the form of arguments, essays, and letters. The title poem argues that God was right to make us love cats (and then watch them die); another categorizes the way women like to be kissed; one proposes a sex ed that takes into account persuasion and pleasure; another argues men should write bad poetry; a letter tries to make friendship about love; a five-paragraph essay tries to disarm heartbreak via analysis; etc. These poems/essays are hyperbolic attempts to write something adequate to a feeling.

Papa Is a Poet: is a picture book about the famous American poet Robert Frost, imagined through the eyes of his daughter Lesley. When Robert Frost was a child, his family thought he would grow up to be a baseball player. Instead, he became a poet. His life on a farm in New Hampshire inspired him to write "poetry that talked," and today he is famous for his vivid descriptions of the rural life he loved so much. There was a time, though, when Frost had to struggle to get his poetry published. Told from the point of view of Lesley, Robert Frost's oldest daughter, this is the story of how a lover of language found his voice.

Worried that his wife Veronica will not return home from an art class, Julian imagines his stepdaughter Daniela's future without her mother and tells her an improvisional bedtime story.

Poetry. Women's Studies. In TENDER DATA Monica McClure breaks down and breaks into various identities, each of them hashtagged in the discourses of their time and place, whether macha or chiflada, couture or fast fashion, acephale or technocrat: "I want to be so skinny people ask if I'm dying." Down the blood-red lanes of gender-making, class warfare, and vexed relationships goes the unstable subject, hailed yet hailing back. Nobody comes out looking good. The slippery self, surveilled yet ready with her mask, performs a peep show booth opens wide, yet somehow the dancer isn't there. She's in character. She's "cut off the head to let the humors hose through." "McClure may be the poster-girl for a new generation of poets: irreverent, well- read, sexy, even dirty, snarky, but ultimately fighting an earnest battle against reductiveness and easy answers to the complex problems of the Internet age: 'Every citizen of this world is on trial / I'm learning to speak legalese / as I stroll through civil law like / a gamine through a sample sale.'" Craig Morgan Teicher for NPR Books "Quick-witted and bold, McClure's full-length debut enters the culturally constructed arenas of identity in order to resist and refuse them, arriving at consistently fresh takes on gender, race, and reproduction. McClure's debut is as smart as it is fun." Publisher's Weekly starred review "There is constantly a lot of chatter about television shows serving as the voice of a certain group of New York women, whether it's Girls or the far superior Broad City; people want women our age to fit inside a package, to be knowable. Monica McClure's book is the best and least knowable package I've found for experiencing life as a young woman in New York." Allison Grimaldi- Donahue, Queen Mob's Teahouse "Among the many ways McClure's poem sheds power is its powerful vulnerability which at times stages an amplified synthetic speaker and at others splits apart that speaker into its component discourses." Joyelle McSweeney"