On Mexico's Day of the Dead, the skeletons rattle and roll in their biggest party ever.

Mexico’s Day of the Dead fascinates U.S readers, whether for its joyful celebration of an unusual tradition or because it simply feels like home. San Vicente lets children join the celebration as they watch the skeletons rock, rattle, and roll those long old bones as they get ready for the biggest event of their social calendar. A short and fun essay, directed toward young readers, will explain this important Mexican holiday. The works of Mexico City artist Luis San Vicente have been exhibited in Mexico, Venezuela, Europe, and the United States. He has won UNESCO’s prestigious NOMA Encouragement Concours Prize for Illustration, and UNESCO honored his work (1997, 1998, and 1999) in their prestigious Youth and Children’s Catalog of Illustrations.

Funny Bones tells the story of how the amusing calaveras—skeletons performing various everyday or festive activities—came to be. They are the creation of Mexican artist José Guadalupe (Lupe) Posada (1852–1913). In a country that was not known for freedom of speech, he first drew political cartoons, much to the amusement of the local population but not the politicians. He continued to draw cartoons throughout much of his life, but he is best known today for his calavera drawings. They have become synonymous with Mexico’s Día de los Muertos (Day of the Dead) festival. Juxtaposing his own art with that of Lupe’s, author Duncan Tonatiuh brings to light the remarkable life and work of a man whose art is beloved by many but whose name has remained in obscurity. The book includes an author’s note, bibliography, glossary, and index.

“Traverses Texas, finding evidence of the hard boiled, sultry, and disreputable throughout the state . . . Think of the book as a sort of criminal travelogue.” —Booklist If everything is bigger in Texas, then that includes the boldness of the criminals who call the state home. From large urban centers to the Cajun Gulf coast, there is big money to be made running guns, drugs, and catering to the greedy and disillusioned. Each distinctive region can claim its own special brand of outlaw. In Lone Star Noir, you’ll find stories by James Crumley, Joe R. Lansdale, Claudia Smith, Ito Romo, Luis Alberto Urrea, David Corbett, George Wier, Sarah Cortez, Jesse Sublett, Dean James, Tim Tingle, Milton T. Burton, Lisa Sandlin, Jessica Powers, and Bobby Byrd. “This isn’t J.R. Ewing’s Lone Star State. This is the Texas of chicken shit bingo, Enron scamsters, and a feeling that what happens in Mexico stays in Mexico . . . So what defines Texas noir? Who knows, but you better pray that blood doesn’t stain your belt buckle.” —The Austin Chronicle

From October 31 to November 2, people in Mexico celebrate the festival of el Dia de Los Muertos, the Day of the Dead. This photodocumentary follows Pablo and his family as they prepare to honor the memory of Pablo's grandmother. Ancona's "photographs catch the affirmation of life that fills the Mexican festival arising from both Aztec and Christian customs honoring the dead....Joyful."--Chicago Tribune. "This intriguing book makes an excellent offering during the Halloween season."--School Library Journal. Also available in a Spanish Language edition, Pablo Recuerda.

Each October, as the Day of the Dead draws near, Mexican marketsoverflow with decorated breads, fanciful paper cutouts, andwhimsical toy skulls and skeletons. To honor deceased relatives,Mexicans decorate graves and erect home altars. Drawing on a richarray of historical and ethnographic evidence, this volume revealsthe origin and changing character of this celebrated holiday. Itexplores the emergence of the Day of the Dead as a symbol ofMexican and Mexican-American national identity. Skulls to the Living, Bread to the Dead poses a serious challengeto the widespread stereotype of the morbid Mexican, unafraid ofdeath, and obsessed with dying. In fact, the Day of the Dead, asshown here, is a powerful affirmation of life and creativity.Beautifully illustrated, this book is essential for anyoneinterested in Mexican culture, art, and folklore, as well ascontemporary globalization and identity formation.

More effectively meet the diverse literacy needs of the growing Latino population by learning how to evaluate and select quality Latino children's literature. Latinos are the fastest growing and largest ethnic minority in the United States. The number of Latino children is at a historic high. As a result, librarians and teachers in the United States must know how to meet the informational, cultural, and traditional literacy needs of this student demographic group. An ideal way to overcome this challenge is by providing culturally accurate and authentic children's literature that represents the diversity of the Latino cultures. Much more than simply a topical bibliography, this book details both historical and current practices in educating Latino children; explains why having quality Latino children's literature in classrooms and libraries is necessary for the ethnic identity development of Latino children; and offers a historical overview of Latino children's literature in America. Web resources of interest to educators working with Latino children are also included.

Ha llegado ya noviembre y con eso el día de muertos. Los vivos ponen ofrendas: Los muertos vienen de viaje. a Festejar todos juntos hasta que el gallito cante.

Bee stings on the backside! That was just the beginning. Tim was about to enter a world of the past, with bullying boys, stones and Indian spirits of long ago. But they were real spirits, real stones, very real memories… In this powerful family saga, author Tim Tingle tells the story of his family’s move from Oklahoma Choctaw country to Pasadena, TX. Spanning 50 years, Saltypie describes the problems encountered by his Choctaw grandmother—from her orphan days at an Indian boarding school to hardships encountered in her new home on the Gulf Coast. Tingle says, “Stories of modern Indian families rarely grace the printed page. Long before I began writing, I knew this story must be told.” Seen through the innocent eyes of a young boy, Saltypie — a 2011 Skipping Stones honor book, WordCraft Circle 2012 Children's Literature Award-winner, and winner of the 2011 Paterson Prize for Books for Young People in the category of Grades 4-6 — is the story of one family’s efforts to honor the past while struggling to gain a foothold in modern America. Tim Tingle, a member of the Choctaw Nation of Oklahoma, is a sought-after storyteller for folklore festivals, library conferences, and schools across America. At the request of Choctaw Chief Pyle, Tim tells a story to the tribe every year before Pyle’s State of the Nation Address at the Choctaw Labor Day Gathering. Tim’s previous and often reprinted books from Cinco Puntos Press—Walking the Choctaw Road and Crossing Bok Chitto—received numerous awards, but what makes Tim the proudest is the recognition he receives from the American Indian communities. Karen Clarkson, a Choctaw tribal member, is a self-taught artist who specializes in portraits of Native Americans. She did not start painting until after her children had left home; she has since been widely acclaimed as a Native American painter. She lives in San Leandro, California.

The true story of Selavi ("that is life"), a small boy who finds himself homeless on the streets of Haiti. He finds other street children who share their food and a place to sleep. Together they proclaim a message of hope through murals and radio programs. Now in paper, this beautifully illustrated story is supplemented with photographs of Haitian children working and playing together, plus an essay by Edwidge Danticat. Included in the 2005 ALA Notable Children's Book List and the Texas Bluebonnet Award Master List. Youme Landowne is an artist and activist who has worked with communities in Kenya, Japan, Haiti, and Cuba to make art that honors personal and cultural wisdom. She makes her home in Brooklyn, New York, and rides her bike everywhere.