The true story of Selavi ("that is life"), a small boy who finds himself homeless on the streets of Haiti. He finds other street children who share their food and a place to sleep. Together they proclaim a message of hope through murals and radio programs. Now in paper, this beautifully illustrated story is supplemented with photographs of Haitian children working and playing together, plus an essay by Edwidge Danticat. Included in the 2005 ALA Notable Children's Book List and the Texas Bluebonnet Award Master List. Youme Landowne is an artist and activist who has worked with communities in Kenya, Japan, Haiti, and Cuba to make art that honors personal and cultural wisdom. She makes her home in Brooklyn, New York, and rides her bike everywhere.

The true story of Selavi (“that is life”), a small boy who finds himself homeless on the streets of Haiti. He finds other street children who share their food and a place to sleep. Together they proclaim a message of hope through murals and radio programs. Now in paper, this beautifully illustrated story is supplemented with photographs of Haitian children working and playing together, plus an essay by Edwidge Danticat. Included in the 2005 ALA Notable Children’s Book List and the Texas Bluebonnet Award Master List. Youme Landowne is an artist and activist who has worked with communities in Kenya, Japan, Haiti, and Cuba to make art that honors personal and cultural wisdom. She makes her home in Brooklyn, New York, and rides her bike everywhere.

Tells the story of a small homeless boy named Sâelavi and his street children friends and how, with the help of a group of dedicated people, they create a safe place for themselves and spread the word about their lives through murals and radio broadcasts.

How do people improvise political communities in the face of state collapse—and at what cost? Street Sovereigns explores the risks and rewards taken by young men on the margins of urban Haiti who broker relations with politicians, state agents, and NGO workers in order to secure representation, resources, and jobs for themselves and neighbors. Moving beyond mainstream analyses that understand these groups—known as baz (base)—as apolitical, criminal gangs, Chelsey Kivland argues that they more accurately express a novel mode of street politics that has resulted from the nexus of liberalizing orders of governance and development with longstanding practices of militant organizing in Haiti. Kivland demonstrates how the baz exemplifies an innovative and effective platform for intervening in the contemporary political order, while at the same time reproducing gendered and generational hierarchies and precipitating contests of leadership that exacerbate neighborhood insecurity. Still, through the continual effort to reconstitute a state that responds to the needs of the urban poor, this story offers a poignant lesson for political thought: one that counters prevailing conceptualizations of the state as that which should be flouted, escaped, or dismantled. The baz project reminds us that in the stead of a vitiated government and public sector the state resurfaces as the aspirational bedrock of the good society. "We make the state," as baz leaders say.

Haitian Creole (HC) is spoken by approximately 11,000,000 persons in Haiti and in diaspora communities in the United States and throughout the Caribbean. Thus, it is of great utility to Anglophone professionals engaged in various activities—medical, social, educational, welfare— in these regions. As the most widely spoken and best described creole language, a knowledge of its vocabulary is of interest and utility to scholars in a variety of disciplines. The English-Haitian Creole Bilingual Dictionary (EHCBD) aims to assist anglophone users in constructing written and oral discourse in HC; it also will aid HC speakers to translate from English to their language. As the most elaborate and extensive linguistic tool available, it contains about 30 000 individual entries, many of which have multiple senses and include subentries, multiword phrases or idioms. The distinguishing feature of the EHCBD is the inclusion of translated sentence-length illustrative examples that provide important information on usage.

Mali Under the Night Sky, a 2011 Skipping Stones honor book, is the true story of Laotian American artist Malichansouk Kouanchao, whose family was forced by civil war to flee Laos when she was five. Before the war began, Mali lived an idyllic life in a community where she felt safe and was much loved. But the coming war caused her family to flee to another country and a life that was less than ideal. What did she carry with her? She carried her memories. And they in turn carried her across the world, sharing where she is from and all that she loves with the people she meets. Terry Hong of the Smithsonian Asian Pacific American Program’s BOOK DRAGON, giving context to Youme’s remarkable book, said, “Today, December 7, marks the 69th anniversary of the attack on Pearl Harbor, ‘a date which will live in infamy,’… Seven decades later, infamy lives on, stealing childhoods, families, homes, lives. Now as another year comes to a close, we pray for peace … again and again … again and again … [Mali Under the Night Sky] is another hopeful, urgent prayer.” And the Midwest Book Review calls it “a soul-stirring picturebook about the difficulties faced by wartime refugees, and deserves the highest recommendation.” Youme Landowne is an energetic and joyful painter, book artist, and activist who thrives in the context of public art. Youme has lived in and learned from the United States, Kenya, Japan, Laos, Haiti, and Cuba. In all of these places, she has worked with communities and individuals to make art that honors personal and cultural wisdom, creating community murals, illustrating tiny books, and teaching poetry in schools.

"[Landowne and Horton] collaborate here to bring Horton's story of perseverance and hope to print, and the fluid black-and-white sequential panels tell it well. The horrors attendant on homelessness are not sugarcoated, and the language is as raw and gritty as one might expect. Powerful."—Kirkus Reviews On the subway, do ever notice that people are always looking, but they only see what they want to? Things can be sitting right in front of them and still they can’t see it. That’s your guide Anthony speaking. He’ll show you how he lives in the tunnels underneath the New York City subway system—that is, if you’ll let him. Which is exactly what Youme decided she would do one afternoon when she and Anthony began a conversation in the subway about art. It turns out that both Youme and Anthony Horton are artists. While part of Youme’s art is listening long and hard to the stories of the people she meets, part of Anthony’s is making art out of what most people won’t even look at. Thus began a unique collaboration and conversation between these two artists over the next year, which culminated in Anthony’s biography, the graphic novel Pitch Black. With art and words from both of them, they map out Anthony’s world—a tough one from many perspectives, startling and undoing from others, but from Anthony’s point of view, a life lived as art. Youme Landowne (known as Youme) is a painter and book artist who thrives in the context of public art. She studied cross-cultural communication through art at the New School for Social Research and Friends World College. She has interned in public schools and has been a student at the Friends World College at the Nairobi and Kyoto campuses. Youme has lived in and learned from the United States, Kenya, Japan, Haiti, Laos, and Cuba. She currently lives in Brooklyn, New York. Anthony Horton lived most of his life as a homeless artist, surviving and creating in the secret underground tributaries of the NYC subway system. On February 5, 2012 Anthony died in a fire in an abandoned subway room under the city. "Mr. Horton found solace in the blackness of the tunnels. He made the subway the subject of his canvases, the muse for a graphic novel that he co-wrote, and the place he called home for the better part of his adult life, even when he had other places to stay." —New York Times, Feb. 6, 2012

The inspiring true story of demonstrators standing up for the love of a library, from a New York Times bestselling illustrator In January 2011, in a moment that captured the hearts of people all over the world, thousands of Egypt's students, library workers, and demonstrators surrounded the great Library of Alexandria and joined hands, forming a human chain to protect the building. They chanted "We love you, Egypt!" as they stood together for the freedom the library represented. Illustrated with Susan L. Roth's stunning collages, this amazing true story demonstrates how the love of books and libraries can unite a country, even in the midst of turmoil.

This volume brings together contributions concerning the relationship between languages and the economy. Paying particular attention to the topic of “names in the economy” this collection opens this relationship to further fields of interest for the study of the role of language (and linguistics) in the economy and that of the economy in the development of languages.

Why has Haiti been plagued by so many woes? Why have multiple U.S. efforts to create a stable democracy in Haiti failed so spectacularly? Philippe Girard answers these and other questions, examining how colonialism and slavery have left a legacy of racial tension, both within Haiti and internationally; Haitians remain deeply suspicious of white foriegners' motives, many of whom doubt Hatians' ability to govern themselves. He also examines how Haiti's current political instability is merely a continuation of political strife that began during the War of Independence (1791-1804). Finally, Haiti: The Tumultuous History, Girard explores poverty's devastating impact on contemporary Haiti and argues that Haitians--particularly home-grown dictators--bear a big share of the responsibility for their nation's troubles.