Having turned phone sex into the subject of an astonishing national bestseller in Vox, Baker now outdoes himself with an outrageously arousing, acrobatically stylish "X-rated sci-fi fantasy that leaves Vox seeming more like mere fiber-optic foreplay" (Seattle Times). "Sparkling."--San Francisco Chronicle.

Emmett has a wife and two children, a cat, and a duck, and he wants to know what life is about. Every day he gets up before dawn, makes a cup of coffee in the dark, lights a fire with one wooden match, and thinks. What Emmett thinks about is the subject of this wise and closely observed novel, which covers vast distances while moving no further than Emmett’s hearth and home. Nicholson Baker’s extraordinary ability to describe and celebrate life in all its rich ordinariness has never been so beautifully achieved.

Lauded by Vanity Fair as "the best writer of our generation," Nicholson Baker has earned a complex and controversial reputation among contemporary American authors. In addition to being celebrated as a prose miniaturist for such works as The Mezzanine and Room Temperature, Baker is known for highly erotic works such as Vox and The Fermata. In Understanding Nicholson Baker, Arthur Saltzman engages these provocative fictions as well as Baker's nonfiction to show how his seemingly disparate works derive from and demonstrate an unremitting zeal for explicit detail, along with descriptive obsessiveness and linguistic virtuosity.

Visit the House of Holes, where the motto is PLEASURE FIRST, and discover a solution to every sexual problem, insight into every sexual intrigue, or play out your greatest sexual fantasy. Men can begin with a 'good, friendly penis scrub', take the magic sperm sniff test, or visit the Porndecahedron. Greedy women can visit the Hall of the Penises, shy women can order a partner with a 'voluntary head detachment', curious couples can investigate each other further with a 'cross crotchal interplasmic transfer'. But ladies, watch out for the Pearloiner, who might just steal from you what you cherish most …

NATIONAL BESTSELLER Vox is a novel that remaps the territory of sex—sex solitary and telephonic, lyrical and profane, comfortable and dangerous. It is an erotic classic that places Nicholson Baker firmly in the first rank of major American writers.

A National Book Critics Circle Award–winner elevates the ordinary events that occur to a man on his lunch hour into “a constant delight” of a novel (The Boston Globe). In this startling, witty, and inexhaustibly inventive novel, New York Times–bestselling author Nicholson Baker uses a one-story escalator ride as the occasion for a dazzling reappraisal of everyday objects and rituals. From the humble milk carton to the act of tying one’s shoes, The Mezzanine at once defamiliarizes the familiar world and endows it with loopy and euphoric poetry. Baker’s accounts of the ordinary become extraordinary through his sharp storytelling and his unconventional, conversational style. At first glance, The Mezzanine appears to be a book about nothing. In reality, it is a brilliant celebration of things, simultaneously demonstrating the value of reflection and the importance of everyday human experiences. “A very funny book . . . Its 135 pages probably contain more insight into life as we live it today than anything currently on the best-seller list.” —The New York Times “Captures the spirit of American corporate life and invests it with a passion and sympathy that is entirely unexpected.” —The Seattle Times “Among the year’s best.” —The Boston Globe “Baker writes with appealing charm . . . [He] clowns and shows off . . . rambles and pounces hard; he says acute things, extravagant things, terribly funny things.” —Los Angeles Times Book Review “Wonderfully readable, in fact gripping, with surprising bursts of recognition, humor and wonder.” —The Washington Post Book World

The ostensible purpose of a library is to preserve the printed word. But for fifty years our country’s libraries–including the Library of Congress–have been doing just the opposite, destroying hundreds of thousands of historic newspapers and replacing them with microfilm copies that are difficult to read, lack all the color and quality of the original paper and illustrations, and deteriorate with age. With meticulous detective work and Baker’s well-known explanatory power, Double Fold reveals a secret history of microfilm lobbyists, former CIA agents, and warehouses where priceless archives are destroyed with a machine called a guillotine. Baker argues passionately for preservation, even cashing in his own retirement account to save one important archive–all twenty tons of it. Written the brilliant narrative style that Nicholson Baker fans have come to expect, Double Fold is a persuasive and often devastating book that may turn out to be The Jungle of the American library system.

From a New York Times–bestselling and National Book Critics Award–winning author comes a “small masterpiece” of fatherhood, childhood, and bottle-feeding (Publishers Weekly). In a novel Entertainment Weekly called “intensely funny and moving,” Nicholson Baker takes the reader on an intellectual odyssey over the course of the twenty minutes it takes a new father to give his baby daughter her bottle. Through inspired moments of mental flight, Mike’s thoughts on his newfound parenthood lead him back to his own childhood and to reflections on the objects of his youth. From glass peanut butter jars to French horns, from typography to courtship, Baker reveals “some of the tenderest, most delicate interaction between husband and wife, adult and infant, in modern fiction” (Los Angeles Times). “Sparkling . . . frequently hilarious . . . This is a big novel unfolding . . . so subtly that one is scarcely aware of its magnitude until the last page.” —The Boston Globe “A delightful book . . . Every page provokes the shock, or at least the smile, of recognition.” —The Washington Post “A major cosmic drama . . . It is a delightful book . . . a real charmer, a breath of fresh air, a show-stopping coloratura aria made of the quirks of memory and the quiddities of daily life.” —The Sacramento Union “[A] small masterpiece by an extraordinarily gifted . . . writer.” —Publishers Weekly

“A love letter to the book as a physical object, a source of intellectual ardor, and a form of emotional salvation” (Salon)—and a nod to U and I, Nicholson Baker’s classic memoir about John Updike—from an award-winning author called “wonderfully bright” by The New York Times Book Review. Nearly twenty-five years ago, Nicholson Baker wrote U and I, the fretful and handwringing—but also groundbreaking—tale of his literary relationship with John Updike. U and I inspired a whole sub-genre of engaging writing about reading, but what no story of this type has ever done is tell its tale from the moment of conception, that moment when you realize that there is writer out there in the world that you must read. B & Me is that story, the story of J.C. Hallman discovering and reading Nicholson Baker…and discovering himself in the process. Our relationship to books in the digital age, the role of art in an increasingly commodified world, the power great writing has to change us, these are at the core of Hallman’s investigation of Baker—questions he’s grappled with, values he’s come to doubt. But in reading Baker’s work, Hallman discovers the key to overcoming the malaise that had been plaguing him, through the books themselves and what he finds and contemplates in his attempts to understand them and their enigmatic author. B & Me is literary self-archaeology: an irreverent, incisive story of one reader’s desperate quest to restore passion to literature, and all the things he learns along the way. “A wide-ranging and idiosyncratic career survey for Nicholson Baker’s work, a love letter to the act of reading, and a commentary on the modern novel, this is a book that readers will absolutely adore” (Publishers Weekly, starred review).

Our supreme fabulist of the ordinary now turns his attention on a 9-year-old American girl and produces a novel as enchantingly idiosyncratic as any he has written. Nory Winslow wants to be a dentist or a designer of pop-up books. She likes telling stories and inventing dolls. She has nightmares about teeth, which may explain her career choice. She is going to school in England, where she is mocked for her accent and her friendship with an unpopular girl, and she has made it through the year without crying. Nicholson Baker follows Nory as she interacts with her parents and peers, thinks about God and death-watch beetles, and dreams of cows with pointed teeth. In this precocious child he gives us a heroine as canny and as whimsical as Lewis Carroll's Alice and evokes childhood in all its luminous weirdness.