Offers an illustrated study that asks how the art produced about the U.S.-Mexico border reflects political and economic transformations occurring world-wide.

NAMED A TOP 10 BOOK OF 2018 BY NPR and THE WASHINGTON POST WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN CURRENT INTEREST FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE NONFICTION AWARD The instant New York Times bestseller, "A must-read for anyone who thinks 'build a wall' is the answer to anything." --Esquire For Francisco Cantú, the border is in the blood: his mother, a park ranger and daughter of a Mexican immigrant, raised him in the scrublands of the Southwest. Driven to understand the hard realities of the landscape he loves, Cantú joins the Border Patrol. He and his partners learn to track other humans under blistering sun and through frigid nights. They haul in the dead and deliver to detention those they find alive. Plagued by a growing awareness of his complicity in a dehumanizing enterprise, he abandons the Patrol for civilian life. But when an immigrant friend travels to Mexico to visit his dying mother and does not return, Cantú discovers that the border has migrated with him, and now he must know the full extent of the violence it wreaks, on both sides of the line.

This extraordinary story of courage and faith is based on the actual experiences of three girls who fled from the repressive life of Moore River Native Settlement, following along the rabbit-proof fence back to their homelands. Assimilationist policy dictated that these girls be taken from their kin and their homes in order to be made white. Settlement life was unbearable with its chains and padlocks, barred windows, hard cold beds, and horrible food. Solitary confinement was doled out as regular punishment. The girls were not even allowed to speak their language. Of all the journeys made since white people set foot on Australian soil, the journey made by these girls born of Aboriginal mothers and white fathers speaks something to everyone.

Emmy Pérez’s poetry collection With the River on Our Face flows through the Southwest and the Texas borderlands to the river’s mouth in the Rio Grande Valley/El Valle. The poems celebrate the land, communities, and ecology of the borderlands through lyric and narrative utterances, auditory and visual texture, chant, and litany that merge and diverge like the iconic river in this long-awaited collection. Pérez reveals the strengths and nuances of a universe where no word is “foreign.” Her fast-moving, evocative words illuminate the prayers, gasps, touches, and gritos born of everyday discoveries and events. Multiple forms of reference enrich the poems in the form of mantra: ecologist’s field notes, geopolitical and ecofeminist observations, wildlife catalogs, trivia, and vigil chants. “What is it to love / within viewing distance of night / vision goggles and guns?” is a question central to many of these poems. The collection creates a poetic confluence of the personal, political, and global forces affecting border lives. Whether alluding to El Valle as a place where toxins now cross borders more easily than people or wildlife, or to increased militarization, immigrant seizures, and twenty-first-century wall-building, Pérez’s voice is intimate and urgent. She laments, “We cannot tattoo roses / On the wall / Can’t tattoo Gloria Anzaldúa’s roses / On the wall”; yet, she also reaffirms Anzaldúa’s notions of hope through resilience and conocimiento. With the River on Our Face drips deep like water, turning into amistad—an inquisition into human relationships with planet and self.

Dylan's mum thinks he's on the school Geography trip. Dylan's teacher thinks he's at home with the flu. In fact he's 30,000 feet up in the air on the way to Brazil. When Dylan's farm is snatched away by a huge global company, he can't just sit back and watch. But the journey to rescue his home takes him deep into the heart of the Amazon. With Floyd, a friend he's not sure of, and Lucia, a street kid armed with a thesaurus and a Great Dane puppy, he uncovers dark and dangerous secrets, and learns some surprising truths. 'Wow! What a book! It's riveting, it's moving, it's topical, it's superb! ... superb writing, brilliant characters, a glorious adventure and the warmest of heart. Amazing!' Malachy Doyle 'Emma Rea has written a beautifully researched adventure which encompasses the Welsh countryside and the Amazon. The unfolding friendship between Welsh Dylan and Brazilian Lucia is fabulous, and the clever plot sweeps along like a boat in a current.' Sue Wallman 'When nature-loving Dylan, 12, discovers his family farm in Wales (beautifully evoked) is being bought by a conglomerate based in Brazil, he plans to go there secretly to plead for the purchase to be abandoned ...This is the kind of adventure everyone likes to imagine when young, about being ingenious and brave and outwitting adults.' Nicolette Jones, Sunday Times Children's Book of the Week ' My Name is River... is a fantastically original adventure about a boy whose idyllic Welsh home is bought by an evil corporation. Desperate to save it, he travels from Birmingham to Brazil with his best friend. Rea's flight of imagination has two sympathetic heroes risking everything while lying their heads off. Packed with ecological indignation, it is both funny and timely.' Amanda Craig, New Statesman

A vivacious memoir of life along the Detroit River, from the prize-winning reporter, novelist, and CBC broadcaster Paul Vasey.

A well-crafted tale of secrets and evil lurking under the surface in the Mississippi river town of Pilotville, Louisiana, during the great flood of 1927.

"Commissioner Sanders should have known better than to go on vacation. He is just a few days from his offices in British West Africa when he receives word from his second in command that trouble, always at a simmer in this jungle outpost, is about to come to a boil. He rushes home, arriving just in time for a meeting of the chiefs of his territory, who have been misled by an ambitious agitator named Bosambo into thinking that Sanders is dead. Sanders's return staves off rebellion, but Bosambo's power grab is not over yet. To keep the province from erupting into all-out tribal warfare, Sanders must outsmart the most brilliant chieftain in Africa. In these rip-roaring adventures, the heroic commissioner contends with malaria, ju-ju, and the whims of government officials safely ensconced in their London offices."--fantastic fiction.com.