Alfred Felton - The will and estate of Alfred Felton - The art bequest - The collections today with suggestions for filling important gaps - Exhibitions of Felton acquisitions, 1938 - Members of the Felton Bequests' Committee, 1904-61 - Overseas expert advisers to the Felton Bequests' Committee.

Foreign Currency Volatility and the Market for French Modernist Art examines how the collapse of the French franc in the decades following the First World War impacted the supply and demand dynamics of the market for French modernist art.

In South Africa, with its highly contested and changing understandings of national identity, its National Gallery is no less a contested space. A History of the Iziko South African National Gallery considers questions of artistic and cultural identity, from the late 19th century to the present day. It explores how the gallery has understood its function and its public, as a ‘national’ gallery from 1930 and, before that, the chief gallery of the Cape Colony. This question is investigated through a study of the gallery’s administration, collection and exhibition practices over the last 150 years. What is understood by and expected of a national gallery varies considerably worldwide. Should it regard itself as part of a broad international cultural discourse, or should it be representative of a specifically national – or even regional – identity? The gallery is a microcosm of the greater debate: how the South African nation relates to the larger world and how, if at all, it understands the concept of a shared culture. In the last 20 years, Museum Studies have become a major part of the field of Cultural Studies. There is a vast literature on what might be called the ‘history’ museum, but far less on the art museum or gallery. To date, there has been no large-scale historical inquiry into the Iziko SANG, the country’s national gallery. The absence of such a history marks a serious gap in the literature, which this study aims to fill.

An account of an exhibition that brought the Australian public face- to-face for the first time with the experimental art that had been developing in Europe during the early decades of the 20th century. The 1939 Herald Exhibition was the first 'blockbuster' exhibition to come to Australia.

Includes entries for maps and atlases.

A cumulative list of works represented by Library of Congress printed cards.