This book is an attempt to understand the causes, nature and consequences of gender-based violence in public spaces. It provides a framework that locates gender based violence within the politics and dynamics of public space, and helps us to understand the commonality between these diverse forms of violence, ranging from sexual harassment, sexual assault, moral policing, 'honour' killing, acid throwing, witch hunting, parading naked, tonsuring, rape and homicide. The writers unpack and examine the idea of a 'public' space: although by and large a notional space, they begin by identifying it as the geographical space between the home and the workplace and then, go beyond this to look at the violation faced by homeless women and girls who live on the streets, as well as those who work in public spaces in the unorganised sector. Published by Zubaan.

In which the writings of the authors Thom Yorke and Stanley Donwood are gathered together. This commonplace book includes faxes, notes, fledgling lyrics, sketches, lists of all kinds and scribblings towards nirvana, as were sent between the two authors during the period 1999 to 2000 during the creation of the Radiohead albums Kid A and Amnesiac. This is a document of the creative process and a mirror to the fears, portents and fantasies invoked by the world as its citizens faced a brave new millennium.

A California prosecutor and leading authority on the crime of stalking draws on key experiences from her own career to provide a revealing look at the nature of the crime, the underappreciated dangers of stalking, the behavior and characteristics of stalkers, and the legal weapons she has developed to battle stalking and protect victims.

How—haunted by the idea that their suburban homes were under siege—the second generation of suburban residents expanded spatial control and cultural authority through a strategy of productive victimization. The explosive growth of American suburbs following World War II promised not only a new place to live but a new way of life, one away from the crime and crowds of the city. Yet, by the 1970s, the expected security of suburban life gave way to a sense of endangerment. Perceived, and sometimes material, threats from burglars, kidnappers, mallrats, toxic waste, and even the occult challenged assumptions about safe streets, pristine parks, and the sanctity of the home itself. In Neighborhood of Fear, Kyle Riismandel examines how suburbanites responded to this crisis by attempting to take control of the landscape and reaffirm their cultural authority. An increasing sense of criminal and environmental threats, Riismandel explains, coincided with the rise of cable television, VCRs, Dungeons & Dragons, and video games, rendering the suburban household susceptible to moral corruption and physical danger. Terrified in almost equal measure by heavy metal music, the Love Canal disaster, and the supposed kidnapping epidemic implied by the abduction of Adam Walsh, residents installed alarm systems, patrolled neighborhoods, built gated communities, cried "Not in my backyard!," and set strict boundaries on behavior within their homes. Riismandel explains how this movement toward self-protection reaffirmed the primacy of suburban family values and expanded their parochial power while further marginalizing cities and communities of color, a process that facilitated and was facilitated by the politics of the Reagan revolution and New Right. A novel look at how Americans imagined, traversed, and regulated suburban space in the last quarter of the twentieth century, Neighborhood of Fear shows how the preferences of the suburban middle class became central to the cultural values of the nation and fueled the continued growth of suburban political power.

Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies. The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an age ago - but so much remains the same.

The amusement park on the pier burned ten days ago. The blackened skeleton of the House of Horrors is a grim reminder of summer's dreams turned to nightmares, of a young life cut short. Julie Etler and her friends had been looking forward to one final summer of freedom before college and the responsibilities of adulthood. Now Julie is dead. Or is she? Her voice is on Devin Graham’s answering machine. Her boyfriend, Tony, sees her walking on the moonlit beach. And something is haunting the ruins of the House of Night …

An erotic romance in a suspense vehicle on overdrive. . .sizzles! --Romantic Times Blood Will Tell When their adored foster mother is murdered, the D'Onofrio women come together to hunt for her killer. The law can only do so much and the three sisters are on their own--until three mysterious men get involved. . . Startled to find a brawny stranger at her mother's house, Nancy is even more surprised at the heat of passion that flares between them. Liam is intense and instantly protective. But is it wise to trust him with every secret? Her sister Nell has turned to Duncan, her new boss, for help. An expert on the dark side of cyberspace, he's so sexy it's scary. All Nell has to do is say the hardest word of all: yes. What about the youngest of the D'Onofrios, wild and willful Vivi? She's on the verge of falling in love with Jack, who's all about fierce vigilance. . . The sisters embrace the ultimate in passion as danger stalks them all. Unknown and unseen, the killer is very, very near. . . "McKenna expertly stokes the fires of romantic tension." --Publishers Weekly Praise for the novels of Shannon McKenna. . . "Pulse-pounding suspense. . .searing sex and raw emotions." --Romantic Times "McKenna blasts readers with a highly charged, action-adventure romance." --Booklist

A psychopath terrorizes a man and a woman who are left terrified and trapped on the fortieth floor of a deserted office building, with elevator service completely cut off and the security guards murdered. Reissue.

An imaginative, radically new interpretation of the twenty-first-century fate of democracy by a distinguished scholar.

In her new earth-shattering poetry collection, Kimberly boldly confronts identity, history, politics, and language at the intersections of colonialism, intergenerational trauma, and conflict. The poems are both visually stunning and form-defying, breathing life into language that is delightfully haunting and becomes the "ghosts in the stalks". The poems' etymological focus and brave willingness to return to the source of trauma redefines and re-appropriates what it means to return to one's roots and forces the dead past into a painful present.