This is a magisterial narrative of the most turbulent decade in Anglo-Irish history: a decade of unleashed passions that came close to destroying the parliamentary system and to causing civil war in the United Kingdom. It was also the decade of the cataclysmic Great War, of an officers' mutiny in an elite cavalry regiment of the British Army and of Irish armed rebellion. It was a time, argues Ronan Fanning, when violence and the threat of violence trumped democratic politics. This is a contentious view. Historians have wished to see the events of that decade as an aberration, as an eruption of irrational bloodletting. And they have have been reluctant to write about the triumph of physical force. Fanning argues that in fact violence worked, however much this offends our contemporary moral instincts. Without resistance from the Ulster Unionists and its very real threat of violence the state of Northern Ireland would never have come into being. The Home Rule party of constitutionalist nationalists failed, and were pushed aside by the revolutionary nationalists Sinn Fein. Bleakly realistic, ruthlessly analytical of the vacillation and indecision displayed by democratic politicians at Westminster faced with such revolutionary intransigence, Fatal Path is history as it was, not as we would wish it to be.

A twin girl learns a terrible family secret that will cause the demons lurking within her young mind to rise up and threaten her close-knit family. As a toxic element seeps into their lives they all, in their own way, struggle with feelings of distrust and helplessness. The Fatal Path is a tense Australian drama set against the magnificence of Sydney Harbour, the ski fields of America and the famous Bisley shooting centre in England. The twins are born to wealth and idyllic pursuits, but can they overcome a truth that threatens to tear their worlds apart and why does one seek the help of a psychiatrist? The family secret has triggered two powerful human weaknesses - the drive to hold power over another person and the need for revenge at whatever the cost. All is not as it seems in this intelligent psychological thriller from journalist/author Shirley LaPlanche and the chill of not knowing who to trust will hold you in its grip all the way to its shocking end.

Award-winning author Dashka Slater spins a tale of friendship, magic, and eternal life in The Book of Fatal Errors, an evocative and witty middle-grade fantasy. Rufus doesn’t just make mistakes – he makes fatal errors. Clumsy and awkward, he feels entrapped by his teasing classmates and their constant laughter. But now it is summer. Rufus is free. He roams the wildlands of his grandfather’s mysterious homestead, blissfully unaware of the danger up ahead. And there is much danger. Rufus and his snooty cousin Abigail soon become entangled in the tantalizing world of the feylings, mischievous fairly-like creatures desperate to find their way home. In helping the feylings, Rufus tumbles down a dark path rich with age-old secrets and difficult truths. Any move he makes might be his final fatal error. Or perhaps, his most spectacular beginning.

Kit stared at his fellow questors. “Is this it . . . the End of Everything?” It started with small, seemingly insignificant wrinkles in time: A busy bridge suddenly disappears, spilling cars into the sea. A beast from another realm roams modern streets. Napoleon’s army appears in 1930s Damascus ready for battle. But that’s only the beginning as entire realities collide and collapse. The questors are spread throughout the universe. Mina is stuck on a plain of solid ice, her only companion an angry cave lion. Tony and Gianni are monitoring the cataclysmic reversal of the cosmic expansion—but coming up short on answers. And Burleigh is languishing in a dreary underground dungeon—his only hope of survival the very man he tried to murder. Kit and Cass are back in the Stone Age trying to reach the Spirit Well. But an enormous yew tree has grown over the portal, effectively cutting off any chance of return. Unless someone can find a solution—and fast—all Creation will be destroyed in the universal apocalypse known as The End of Everything. In this final volume of the fantastic Bright Empires series, Stephen R. Lawhead brings this multi-stranded tale to a stunning and immensely satisfying conclusion. “In the sweeping style of George R. R. Martin and J. R. Tolkien, Lawhead has created a diverse universe and rich cast of characters. Multiple story lines weave to form a satisfying ending to this mythological speculative series.” —Library Journal