Two estranged sisters find that forgiveness never goes out of style when they inherit their mother’s vintage jackets, purses… and pearls of wisdom Estranged half-sisters Gabrielle Winslow and Lulu Quattro have only two things in common: mounds of debt and coils of unresolved enmity toward Bette Bradford, their controlling and imperious recently deceased mother. Gabrielle, the firstborn, was raised in relative luxury on Manhattan’s rarefied Upper East Side. Now, at fifty-five, her life as a Broadway costume designer married to a heralded Broadway producer has exploded in divorce. Lulu, who spent half her childhood under the tutelage of her working-class Brooklyn grandparents, is a grieving widow at forty-eight. With her two sons grown, her life feels reduced to her work at the Ditmas Park bakery owned by her late husband’s family. The two sisters arrive for the reading of their mother’s will, expecting to divide a sizable inheritance, pay off their debts, and then again turn their backs on each other. But to their shock, what they have been left is their mother’s secret walk-in closet jammed with high-end current and vintage designer clothes and accessories— most from Chanel. Contemplating the scale of their mother’s self-indulgence, the sisters can’t help but wonder if Lauren Weisberger had it wrong: because it seems, in fact, that the devil wore Chanel. But as they begin to explore their mother’s collection, meet and fall in love with her group of warm, wonderful friends, and magically find inspiring messages tucked away in her treasures — it seems as though their mother is advising Lulu and Gabrielle from the beyond — helping them rediscover themselves and restore their relationship with each other.

John C. Wright burst onto the SF scene with the Golden Age trilogy. His next project was the ambitious fantasy sequence, The Last Guardians of Everness. Wright's new fantasy is a tale about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does. The children begin to make sinister discoveries about themselves. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls where none had previously been; Colin is a psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe: and they should not be able to co-exist under the same laws of nature. Why is it that they can? The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings no more human than they are: pagan gods or fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger than this. The children must experiment with, and learn to control, their strange abilities in order to escape their captors. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

From the winner of the Nobel Prize in Literature and author of the Booker Prize–winning novel The Remains of the Day comes this stunning work of soaring imagination. Born in early twentieth-century Shanghai, Banks was orphaned at the age of nine after the separate disappearances of his parents. Now, more than twenty years later, he is a celebrated figure in London society; yet the investigative expertise that has garnered him fame has done little to illuminate the circumstances of his parents' alleged kidnappings. Banks travels to the seething, labyrinthine city of his memory in hopes of solving the mystery of his own painful past, only to find that war is ravaging Shanghai beyond recognition—and that his own recollections are proving as difficult to trust as the people around him. Masterful, suspenseful and psychologically acute, When We Were Orphans offers a profound meditation on the shifting quality of memory, and the possibility of avenging one’s past.

In 1893 New York, 13-year-old Maks, a newsboy, teams up with Willa, a homeless girl, to clear his older sister, Emma, from charges that she stole a watch from the brand-new Waldorf Hotel, where she works. Includes historical notes. Illustrations.

The thrilling second novel in the category-defying Silvers trilogy—melding X-Men and the novels of Blake Crouch—about six extraordinary people who become unwitting refugees on an unfamiliar Earth, and their epic quest to find out why. The end of the world was just the beginning for Hannah and Amanda Given. Saved from apocalypse by three mysterious beings, the sisters, along with four other refugees from their world, were each marked with a silver bracelet and transported to an entirely different Earth: a place where restaurants move through the air like flying saucers and the fabric of time is manipulated by common household appliances, as well as by their very own hands—and a place where terrifying new adversaries seem to be around every corner. Now, after six months in this alt-America and a tumultuous cross-country journey that landed them in New York City, the Silvers find themselves in more trouble than ever. Their new world is dying, and a clan of powerful time benders believes that killing them is the only way to stop it. To make matters worse, the U.S. government has sent its most ruthless covert spy agency to track and capture them. But the biggest threat of all comes from the three god-like beings who first saved them. They had a reason for bringing the Givens and their friends to this world. And when the Silvers learn the awful truth, nothing will ever be the same.

Jails, hospitals, and strip joints; the celebrations of straight-A report cards, graduations, and Congressional honors - as the children demonstrate their humor, hope, and resilience in trying to overcome their society's failure.

With Orphans, Ben Tanzer continues his ongoing literary survey of the twenty-first-century male psyche, yet does so with a newfound twist, contemporary themes set in a world that is anything but. In this dystopian tale of a future Chicago, workers are sent off to sell property on Mars to those who can afford to leave, leaving what's left to those who have little choice but to make do with what's left behind: burnt out neighborhoods, black helicopters policing the streets, flash mobs, the unemployed in their scruffy suits, robots taking the few jobs that remain, and clones who replace those workers who do find work so that a modicum of family stability can be maintained. It is a story about the impact of work on family. How work warps our best intentions. And how everything we think we know about ourselves looks different during a recession. This idea is writ large in the world of Orphans, where recession is all we know, work is only available to the lucky few, and this lucky few not only need to fear being replaced on the job, but in their homes and beds. It is also a story about drugs, surfing, punk music, lost youth, parenting, sex, pop culture as vernacular, and a conscious intersection of Death of a Salesman or Glengarry Glen Ross with the Martian Chronicles. Looking to the genre of science fiction has allowed Tanzer to produce something new and fresh, expanding both his literary horizons, and the potential market for his work. Tanzer also looks to the story of Bartleby the Scrivener with Orphans, and the question of what are we allowed as workers, and expected to be, or do, when work is fraught with desperation. Ultimately, Orphans is intended to be a contemporary story about manhood and what it means in today's world, told from the perspective of work and family, and how any of us manage the parameters that family and work produce; but it's a story told in a futuristic world, where our greatest fears are in fact already realized, because there isn't enough of anything, and we are all too easily replaced.

The son of a singer mother whose career forcibly separated her from her family and an influential father who runs an orphan work camp, Pak Jun Do rises to prominence using instinctive talents and eventually becomes a professional kidnapper and romantic rival to Kim Jong Il. By the author of Parasites Like Us.

From internationally bestselling author and celebrated actress Celia Imrie, an epic novel set against the backdrop of the sinking of the Titanic. Nice, France, 1911: After three years of marriage, Marcella Navratil has finally had enough. Her husband, Michael, an ambitious tailor, may have charmed her during their courtship, but their few years of marriage have revealed a cruel and controlling streak. The 21-year-old mother of two is determined to get a divorce. But while awaiting the Judges' decision on the custody of their children, Michael receives news that changes everything. Meanwhile fun-loving New York socialite Margaret Hays is touring Europe with some friends. Restless, she resolves to head home aboard the most celebrated steamer in the world. But as the ship sets sail for America, carrying two infants bearing false names, the paths of Marcella, Michael and Margaret cross and nothing will ever be the same again. Orphans of the Storm dives into the waters of the past to unearth a sweeping, epic tale of the sinking of the Titanic that radiates with humanity and hums with life.

The seemingly blind love of a wife for her husband as he conquers Wall Street, and her extraordinary, perhaps foolish, loyalty during his precipitous fall, is expertly explored in this “ripped-from-the-headlines story about love, ambition, and forgiveness” (PopSugar)—perfect for fans of the TV show Billions. Phoebe recognizes fire in Jake Pierce’s belly from the moment they meet as teenagers. After they marry and he creates a financial dynasty, she trusts him without hesitation—unaware his hunger for success hides a dark talent for deception. But when Phoebe learns her husband’s triumph and vast reach rests on an elaborate Ponzi scheme, her world unravels. While Jake is trapped in the web of his deceit, Phoebe is caught facing an unbearable choice. Her children refuse to see her if she remains at their father’s side, but abandoning him feels cruel and impossible. From penthouse to prison, with tragic consequences rippling well beyond Wall Street, Randy Susan Meyers’s latest novel exposes a woman struggling to survive and then redefine her life as her world crumbles. “An engrossing emotional journey” (Kirkus Reviews) and USA TODAY bestselling author Diane Chamberlain raves, “With all the suspense of a thriller, The Widow of Wall Street quickly pulled me into the story and didn’t let me go until the last page.”