This book contributes to the work of elucidating the new forms of fascism and authoritarianism that arise today in intimate relation with new mediatic and information technologies. It presents elements of the connection between capitalism and fascism and makes clear how fascism today uses the ambiguity of senses and meanings as its most efficient way of infiltrating our reality and thereby becoming unequivocal. The fascism of ambiguity is a fascism that grows the more the ambiguities and paradoxical dimensions of the contemporary situation become explicit. It departs from some lessons of history regarding both historical fascism and some of the main critical lines and thoughts produced in the beginning of the 20th Century. It shows what is new in today's form of fascism, discussing its connection to techno-mediatic capitalism, to the dynamics of emptying meanings and senses through a technique of rendering them ambiguous and exacerbated. It outlines some guiding thoughts regarding the question of ambiguity and metapolitics today and concludes by proposing two exercises of precision, through the lenses of poetry and music, as a way to resist and counter-act the fascist metapolitics of the ambiguity of meanings and senses.

This book contributes to the work of elucidating the new forms of fascism and authoritarianism that arise today in intimate relation with new mediatic and information technologies. It presents elements of the connection between capitalism and fascism and makes clear how fascism today uses the ambiguity of senses and meanings as its most efficient way of infiltrating our reality and thereby becoming unequivocal. The fascism of ambiguity is a fascism that grows the more the ambiguities and paradoxical dimensions of the contemporary situation become explicit. It departs from some lessons of history regarding both historical fascism and some of the main critical lines and thoughts produced in the beginning of the 20th Century. It shows what is new in today's form of fascism, discussing its connection to techno-mediatic capitalism, to the dynamics of emptying meanings and senses through a technique of rendering them ambiguous and exacerbated. It outlines some guiding thoughts regarding the question of ambiguity and metapolitics today and concludes by proposing two exercises of precision, through the lenses of poetry and music, as a way to resist and counter-act the fascist metapolitics of the ambiguity of meanings and senses.

Ambiguous Memory examines the role of memory in the building of a new national identity in reunified Germany. The author maintains that the contentious debates surrounding contemporary monumnets to the Nazi past testify to the ambiguity of German memory and the continued link of Nazism with contemporary German national identity. The book discusses how certain monuments, and the ways Germans have viewed them, contribute to the different ways Germans have dealt with the past, and how they continue to deal with it as one country. Kattago concludes that West Germans have internalized their Nazi past as a normative orientation for the democratic culture of West Germany, while East Germans have universalized Nazism and the Holocaust, transforming it into an abstraction in which the Jewish question is down played. In order to form a new collective memory, the author argues that unified Germany must contend with these conflicting views of the past, incorporating certain aspects of both views. Providing a topography of East, West, and unified German memory during the 1980s and the 1990s, this work contributes to a better understanding of contemporary national identity and society. The author shows how public debate over such issues at Ronald Reagan's visit to Bitburg, the renarration of Buchenwald as Nazi and Soviet internment camp, the Goldhagen controversy, and the Holocaust Memorial debate in Berlin contribute to the complexities surrounding the way Germans see themselves, their relationship to the past, and their future identity as a nation. In a careful analysis, the author shows how the past was used and abused by both the East and the West in the 1980s, and how these approaches merged in the 1990s. This interesting new work takes a sociological approach to the role of memory in forging a new, integrative national identity.

Describes the history and nature of the Italian Race Laws during the period (1938-43) when Italy was independent of German control.

Taking as its point of departure the notion of community in mid-twentieth century French literature and thought, this ambitious study seeks to uncover the ways in which Breton, Bataille, Sartre and Barthes used literature and art to engage with the question of reconceptualizing society. In exploring the relevance these writings hold for contemporary debates about community, Lubecker argues for the continuing social importance of literary studies. Throughout the book, he suggests that literature and art are privileged fields for confronting some of the anti-social desires situated at the periphery of human rationality. The authors studied put to work the concepts of Thanatos, sado-masochism and (self-)sacrifice; they also write more poetically about man's attraction to Silence, the Night and the Neutral. Many sociological discourses on the question of community tend to marginalize the drives inherent within these concepts; Lubecker argues it is essential to take these drives into account when theorising the question of community, otherwise they may return in the atavistic form of myths. Moreover if handled with care and attention they can prove to be a resource.

From neorealism's resolve to Berlusconian revisionist melodramas, this book examines cinema's role in constructing memories of Fascist Italy. Italian cinema has both reflected and shaped popular perceptions of Fascism, reinforcing or challenging stereotypes, remembering selectively and silently forgetting the most shameful pages of Italy's history.

Contradicts the current orthodoxy that there was a generalised popular consensus for the fascist regime and for Mussolini's rule, at least until the disasters of the Second World War. Demonstrates that there was widespread and mounting hostility to the regime among large sections of the population, even in the 1930s.

The resurgence of the far right across Europe and the emergence of the "alt-right" in the US have put the question of fascism urgently back on the agenda. For those trying to understand these forms of politics, there is no better place to start than Fascism and Dictatorship, the unrivalled Marxist study of German and Italian fascism. It carefully distinguishes between fascism as a mass movement before the seizure of power and what it becomes as an entrenched machinery of dictatorship. It compares the distinct class components of the counterrevolutionary blocs mobilised by fascism in Germany and Italy; analyses the changing relations between the petty bourgeoisie and big capital in the evolution of fascism; discusses the structures of the fascist state itself, as an emergency regime for the defence of capital; and provides a sustained and documented criticism of official Comintern attitudes and policies towards fascism in the fateful years after the Versailles settlement. Fascism and Dictatorship represents a challenging synthesis of factual evidence and conceptual analysis, a standard bearer of what Marxist political theory should be.

A sobering look at the seductive power of fascist ideas for the young Radical nationalism is on the rise in Europe and throughout the world. Living Right provides an in-depth account of the ideas and practices that are driving the varied forms of far-right activism by young people from all walks of life, revealing how these social movements offer the promise of comradery, purpose, and a moral calling to self-sacrifice, and demonstrating how far-right ideas are understood and lived in ways that speak to a variety of experiences. In this eye-opening book, Agnieszka Pasieka draws on her own sometimes harrowing fieldwork among Italian, Polish, and Hungarian militant youths, painting unforgettable portraits of students, laborers, entrepreneurs, musicians, and activists from well-off middle class backgrounds who have all found a nurturing home in the far right. Providing an in-depth account of radical nationalist communities and networks that are taking root across Europe, she shows how the simultaneous orientation of these groups toward the local and the transnational is a key to their success. With a focus on far-right morality that challenges commonly held ideas about the right, Pasieka describes how far-right movements afford opportunities to the young to be active members of tightly bonded comradeships while sharing in a broader project with global ramifications. Required reading for anthropologists and anyone concerned about the resurgence of far-right militancy today, Living Right sheds necessary light on the forces that have made the growing appeal of fascist idealism for young people one of the most alarming trends of our time.

Mussolini, in the thousand guises he projected and the press picked up, fascinated Americans in the 1920s and the early '30s. John Diggins' analysis of America's reaction to an ideological phenomenon abroad reveals, he proposes, the darker side of American political values and assumptions. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.