“Remarkable . . . Vijay traces the fault lines of history, love, and obligation running through a fractured family and country.” —Anthony Marra, New York Times–bestselling author Winner of the 2019 JCB Prize for Literature Gorgeously tactile and sweeping in historical and socio-political scope, Pushcart Prize–winner Madhuri Vijay’s The Far Field follows a complicated flaneuse across the Indian subcontinent as she reckons with her past, her desires, and the tumultuous present. In the wake of her mother’s death, Shalini, a privileged and restless young woman from Bangalore, sets out for a remote Himalayan village in the troubled northern region of Kashmir. Certain that the loss of her mother is somehow connected to the decade-old disappearance of Bashir Ahmed, a charming Kashmiri salesman who frequented her childhood home, she is determined to confront him. But upon her arrival, Shalini is brought face to face with Kashmir’s politics, as well as the tangled history of the local family that takes her in. And when life in the village turns volatile and old hatreds threaten to erupt into violence, Shalini finds herself forced to make a series of choices that could hold dangerous repercussions for the very people she has come to love. With rare acumen and evocative prose, in The Far Field Madhuri Vijay masterfully examines Indian politics, class prejudice, and sexuality through the lens of an outsider, offering a profound meditation on grief, guilt, and the limits of compassion. “A chance to glimpse the lives of distant people captured in prose gorgeous enough to make them indelible—and honest enough to make them real.” —The Washington Post “A singular story of mother and daughter.” —Entertainment Weekly

Many poets writing after World War II have found the individual focus of contemporary poetics poorly suited to making statements directed at public issues and public ethics. The desire to invest such individualized poetry with greater cultural authority presented difficulties for Vietnam-protest poets, for example, and it has been a particular challenge for nature writers in the Thoreau tradition who have attempted to serve as advocates for the natural world. Examining the implications of this dilemma, Bernard W. Quetchenbach locates the poets Robert Bly, Gary Snyder, and Wendell Berry within two traditions: the American nature-writing tradition, and the newer tradition of contemporary poetics. He compares the work of two other twentieth-century poets, Robinson Jeffers and Theodore Roethke, to illustrate how the "contemporary shift" toward a poetics focused on the poet's life has affected portrayals of nature and the "public voice" in poetry. Turning back to the work of Bly, Snyder, and Berry, Quetchenbach assesses their attempts to reinvent the public voice in the context of contemporary poetics and what effect these attempts have had on their work. He argues that these poets have learned from their postwar generation techniques for adapting a personalized poetics to environmental advocacy. In addition to modifying what critics have called the "poetics of immediacy," these poets have augmented their poetic output with prose and identified themselves with long-standing traditions of poetic, ethical, and spiritual authority. In doing so, Bly, Snyder, and Berry have attempted to solve not only a problem inherent in contemporary poetics but also the larger problem of the role of the poet in a society that does not recognize poetry. While it would be an overstatement to suggest that these three figures have found a place for the poet in American life, they have reached audiences that extend beyond traditional readers of poetry. At the end of the twentieth century, Quetchenbach concludes, poets have begun to identify, and direct their writing to, specific audiences defined less by aesthetic preferences and more by a shared interest in and dedication to the work's subject matter. Whether revealing a disturbing trend for poetry or an encouraging one for environmentalism and other political causes, it is one of many provocative conclusions Quetchenbach draws from his examination of postwar nature poetry.

“I have not lately read a finer book than this—on any subject at all. . . . A masterpiece.” —Simon Winchester, New Statesman The photographs of three young men had stood in his grandmother’s house for as long as he could remember, beheld but never fully noticed. They had all fought in the Second World War, a fact that surprised him. Indians had never figured in his idea of the war, nor the war in his idea of India. One of them, Bobby, even looked a bit like him, but Raghu Karnad had not noticed until he was the same age as they were in their photo frames. Then he learned about the Parsi boy from the sleepy south Indian coast, so eager to follow his brothers-in-law into the colonial forces and onto the front line. Manek, dashing and confident, was a pilot with India’s fledgling air force; gentle Ganny became an army doctor in the arid North-West Frontier. Bobby’s pursuit would carry him as far as the deserts of Iraq and the green hell of the Burma battlefront. The years 1939–45 might be the most revered, deplored, and replayed in modern history. Yet India’s extraordinary role has been concealed, from itself and from the world. In riveting prose, Karnad retrieves the story of a single family—a story of love, rebellion, loyalty, and uncertainty—and with it, the greater revelation that is India’s Second World War. Farthest Field narrates the lost epic of India’s war, in which the largest volunteer army in history fought for the British Empire, even as its countrymen fought to be free of it. It carries us from Madras to Peshawar, Egypt to Burma—unfolding the saga of a young family amazed by their swiftly changing world and swept up in its violence.

Pursued by the relentless Peacekeepers, David, Starr, and the Remnant flee into the underworld of the Domed City known as the Shadowland. Here, they gather to worship in secret. But when a spy infiltrates their ranks, they find themselves captives of the Peacekeepers. Now it is up to Mingo, a former enemy turned friend, to save the Remnant.

Sameera Parvin moves to an unnamed Middle Eastern city to live with her father and her relatives. She thrives in her job as a radio jockey and at home she is the darling of the family. But her happy world starts to fall apart when revolution blooms in the country. As the people's agitation gathers strength, Sameera finds herself and her family embroiled in the politics of their adopted land. She is forced to choose between family and friends, loyalty and love, life and death.

"A ... culinary travel book featuring profiles of the stewards of the world's oldest foodways--traditional farming, hunting, fishing, and foraging methods--along with 40 recipes"--

"It's 1936, the world is sliding into war, and Henry Fyre Gould has left behind the salons of New York City for the British colony of Ceylon, the tear-shaped island off the coast of India. Driven by an arrogant faith in his ideals and convinced of his heroic destiny, he storms into the village of Rajottama, determined to build a model Buddhist society."--Jacket.

What if your mother was a criminal? What if her crime was magic? What if magic ran in the family? Bran Hambric was found alone in a locked bank vault when he was six years old. He doesn't have a clue how he got there, or any memory of his past. There's only one explanation: Magic. But magic is outlawed in the Great and Glorious City of Dunce. Eight years later, a twisted, hissing creature confronts Bran and his foster father, Sewey, on their rooftop. Sewey believes it's a gnome, but not Bran. (Sewey isn't the brightest Duncelander to being with.) Bran soon discovers that whatever leapt onto his roof is connected to the mother he never knew...and that Bran himself is the missing link in a plot so secret and evil that those behind it will stop at nothing to hunt him down. Armed with wands and weapons, Bran's enemies are about to attack - with all the power of a horrible curse and a terrible crime. Magic won't be the only law broken in the City of Dunce...

World Seas: An Environmental Evaluation, Second Edition, Volume Three: Ecological Issues and Environmental Impacts covers global issues relating to our seas, including a biological description of the coast and continental shelf waters, the development and use of the coast, landfills and their effects, pollutant discharges over time, the effects of over-fishing, and the management methods and techniques used to ensure continued ecosystem functioning. The relative importance of water-borne and airborne routes differ in different parts of the world is explored, along with extensive coverage of major habitats and species groups, governmental, education and legal issues, fisheries effects, remote sensing, climate change and management. This book is an invaluable, worldwide reference source for students and researchers concerned with marine environmental science, fisheries, oceanography and engineering and coastal zone development. Provides scientific reviews of regional issues, empowering managers and policymakers to make progress in under-resourced countries and regions Covers environmental issues arising from the human use of both the sea and its watershed Presents informed commentary on major trends, problems and successes, and recommendations for the future

True Souls Two strangers embark on an adventure in a strange city. The stars above and the waves beyond witness their souls getting entangled in a beautiful mess. Funky Piya, nerdy Siddhanth. She is a hot mess, he is a philosopher. And a life story. Before it could turn into a happily ever after, life happens and they are torn apart. Will the hope and true love be enough to reunite after they stumble upon each other after five years?Will they pick up where they left off or will they choose different paths all over again?Get ready to laugh, cry and relate to the story of love, family and life.