"The Fall of the House of Usher" is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities. Poe's inspiration for the story may be based upon events of the Hezekiah Usher House, which was located on the Usher estate that is now a three-block area in downtown modern Boston, Massachusetts. Another source of inspiration may be from an actual couple, Mr. and Mrs. Luke Usher, the friends and acting colleagues of his mother Eliza Poe. Intrepid Pictures created an eight-episode limited series titled The Fall of the House of Usher for Netflix that is based on the works of Edgar Allan Poe.

Johannes Cabal, a necromancer of some little infamy, has come into possession of a vital clue that may lead him to his ultimate goal: a cure for death. The path is vague, however, and certainly treacherous as it takes him into strange territories that, quite literally, no one has ever seen before. The task is too dangerous to venture upon alone, so he must seek assistance, comrades for the coming travails. So assisted—ably and otherwise—by his vampiric brother, Horst, and by the kindly accompaniment of a criminologist and a devil, he will encounter ruins and diableries, mystery and murder, the depths of the lowest pit and a city of horrors. London, to be exact. Yet even though Cabal has risked such peril believing he understands the dangers he faces, he is still underestimating them. He is walking into a trap of such arcane complexity that even the one who drew him there has no idea of its true terrors. As the snare closes slowly and subtly around them, it may be that there will be no survivors at all. The Fall of the House of Cabal is the fifth book in Jonathan L. Howard's acclaimed Johannes Cabal series.

About Author The works of American author Edgar Allan Poe (January 19, 1809 - October 7, 1849) include many poems, short stories, and one novel. His fiction spans multiple genres, including horror fiction, adventure, science fiction, and detective fiction, a genre he is credited with inventing. These works are generally considered part of the Dark romanticism movement, a literary reaction to Transcendentalism. Poe's writing reflects his literary theories: he disagreed with didacticism[3] and allegory. Meaning in literature, he said in his criticism, should be an undercurrent just beneath the surface; works whose meanings are too obvious cease to be art. Poe pursued originality in his works, and disliked proverbs.He often included elements of popular pseudosciences such as phrenology and physiognomy.His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead, and mourning. Though known as a masterly practitioner of Gothic fiction, Poe did not invent the genre; he was following a long-standing popular tradition.Poe's literary career began in 1827 with the release of 50 copies of Tamerlane and Other Poems credited only to "a Bostonian", a collection of early poems that received virtually no attention. In December 1829, Poe released Al Aaraaf, Tamerlane, and Minor Poems in Baltimore before delving into short stories for the first time with "Metzengerstein" in 1832.His most successful and most widely read prose during his lifetime was "The Gold-Bug", which earned him a $100 prize, the most money he received for a single work. One of his most important works, "The Murders in the Rue Morgue", was published in 1841 and is today considered the first modern detective story.Poe called it a "tale of ratiocination".Poe became a household name with the publication of "The Raven" in 1845, though it was not a financial success. The publishing industry at the time was a difficult career choice and much of Poe's work was written using themes specifically catered for mass market tastes.

Sixth-grader Simon Bloom can?t believe his luck when he finds a book that enables him to control the laws of physics. By simply reciting the formulas it contains, he can cancel gravity to fly around his bedroom, or decrease friction so he can slide down the street as if he were on Rollerblades. When two thugs with evil intentions come after Simon, he must use the formulas to save himself and the book from falling into their hands. This funny, fast, and imaginative novel from first-time author Michael Reisman will appeal to fans of both fantasy and action-adventure.

The fate of the earth hangs in the balance as H.G. Wells’ The War of the Worlds is transformed from the work of one writer’s imagination into a terrifying reality for all mankind. 1898. New York socialite Emma Harlow agrees to marry well-to-do Montgomery Gilmore, but only if he first accepts her audacious challenge: to reproduce the Martian invasion featured in H. G. Wells’s popular novel The War of the Worlds. Meanwhile in London, Wells himself is unexpectedly made privy to certain objects, apparently of extraterrestrial origin, that were discovered decades earlier on an ill-fated expedition to the Antarctic. On that same expedition was an American crew member named Edgar Allan Poe, whose inexplicable experiences in the frozen wasteland would ultimately inspire him to create one of his most enduring works of literature. When eerie, alien-looking cylinders begin appearing in London, Wells is certain it is all part of some elaborate hoax. But soon, to his great horror, he realizes that a true invasion of Earth has indeed begun. As brave bands of citizens converge on a crumbling London to defend it against utter ruin, Emma and her suitor must confront the enigma that is their love, a bright spark of hope even against the darkening light of apocalypse. Palma dazzled readers with his instant New York Times bestseller The Map of Time. In The Map of the Sky, he embarks on an even more thrilling speculative journey, one that links the earth and the heavens, the familiar and the bizarre, the impossible and the inevitable.