"This has a double claim to special notice,- the quality of the book, and the identity of the author, the "cipher clerk" who broke with the Soviet Union in 1945 and turned over the documentary evidence contributing to the breaking of Canada's spy ring. Inevitably, one feels that in depicting Novikov, a scholar who molded himself into a "Soviet man", he has tapped his own knowledge of the techniques used to break down a man's resistance, to destroy his moral sense, to corrupt wholly. This figure is set in opposition to the "titan", Mikhail Gorin, a giant literary figure (based, the publishers indicate, on Maxim Gorki), recalled by Stalin to add to the propaganda publishing of the state which he had helped, in earlier years, bring into being. It is a fascinating and horrifying story, with intricate subplots involving insatiable lust for power, petty jockeying for position, ruthless elimination of all who differ from authority, and elimination of any independence even in affairs of the heart. Novikov, really in love with Gorin's daughter, Nina, is instructed to forget it and turn elsewhere; then when his marriage to Lida brings her momentary happiness, that too is negated by her father's arrest as "enemy of the people". The book builds up to an inevitable climax of disaster, as Gorin forcibly recognizes the position into which he has been tricked - and Novikov descends to the depths of infamy. But the final note is one of faint hope, that there is still the spark of faith in man. The story has the sweep and power of Russian classical literature, and despite its length, is a holding and moving reading experience from start to finish. "--Kirkus.

"In book two of the fast-paced Icarus Corps series, the team wages war on the Conglomeration--and this battle may be the final one. The rapacious Confederation has taken their war to our solar system. Now that the human and PAC forces won a decisive battle on the moon, they need to try to head off the coming armada before their overpowering strength is amassed and The Icarus Corps is once again on the front line. Book two in The Icarus Corps, Titan's Fall continues Devin's adventures as he wards off a fierce race of alien conquerors"--

Most critics and literary historians have ignored Marxist-inspired creative literature in Canada, or dismissed it as an ephemeral phenomenon of the 1930s. Research reveals, however, that from the 1920s onward Canadian creative writers influenced by Marxist ideas have produced a quantitatively substantial and artistically significant body of poetry, drama, fiction, and non-fiction. This book traces historically and evaluates critically this tradition, with particular emphasis on writers who were associated with, or sympathetic to, the Communist Party of Canada. After two chapters surveying the work of anti-capitalist writers of the nineteenth and early twentieth centuries, the book concentrates on the development of Marxist-inspired writing from the 1920s to the end of the twentieth century. Besides devoting attention to both social and theoretical backgrounds, this study provides critical commentary on work by prominent writers who spent part of their literary careers as Communist Party members, including Dorothy Livesay, Patrick Anderson, Milton Acorn, and George Ryga, as well as less well known but more fervent Communists such as Margaret Fairley, Dyson Carter, Joe Wallace, Stanley Ryerson, and Jean-Jules Richard. Although primarily concerned with the older generation of Marxists who flourished between the 1920s and the 1970s, the book also includes a chapter on the post-1970s “New Left.”

Like Richard Ellmann’s James Joyce, Richard Zenith’s Pessoa immortalizes the life of one of the twentieth century’s greatest writers. Nearly a century after his wrenching death, the Portuguese poet Fernando Pessoa (1888–1935) remains one of our most enigmatic writers. Believing he could do “more in dreams than Napoleon,” yet haunted by the specter of hereditary madness, Pessoa invented dozens of alter egos, or “heteronyms,” under whose names he wrote in Portuguese, English, and French. Unsurprisingly, this “most multifarious of writers” (Guardian) has long eluded a definitive biographer—but in renowned translator and Pessoa scholar Richard Zenith, he has met his match. Relatively unknown in his lifetime, Pessoa was all but destined for literary oblivion when the arc of his afterlife bent, suddenly and improbably, toward greatness, with the discovery of some 25,000 unpublished papers left in a large, wooden trunk. Drawing on this vast archive of sources as well as on unpublished family letters, and skillfully setting the poet’s life against the nationalist currents of twentieth-century European history, Zenith at last reveals the true depths of Pessoa’s teeming imagination and literary genius. Much as Nobel laureate José Saramago brought a single heteronym to life in The Year of the Death of Ricardo Reis, Zenith traces the backstories of virtually all of Pessoa’s imagined personalities, demonstrating how they were projections, spin-offs, or metamorphoses of Pessoa himself. A solitary man who had only one, ultimately platonic love affair, Pessoa used his and his heteronyms’ writings to explore questions of sexuality, to obsessively search after spiritual truth, and to try to chart a way forward for a benighted and politically agitated Portugal. Although he preferred the world of his mind, Pessoa was nonetheless a man of the places he inhabited, including not only Lisbon but also turn-of-the-century Durban, South Africa, where he spent nine years as a child. Zenith re-creates the drama of Pessoa’s adolescence—when the first heteronyms emerged—and his bumbling attempts to survive as a translator and publisher. Zenith introduces us, too, to Pessoa’s bohemian circle of friends, and to Ophelia Quieroz, with whom he exchanged numerous love letters. Pessoa reveals in equal force the poet’s unwavering commitment to defending homosexual writers whose books had been banned, as well as his courageous opposition to Salazar, the Portuguese dictator, toward the end of his life. In stunning, magisterial prose, Zenith contextualizes Pessoa’s posthumous literary achievements—especially his most renowned work, The Book of Disquiet. A modern literary masterpiece, Pessoa simultaneously immortalizes the life of a literary maestro and confirms the enduring power of Pessoa’s work to speak prophetically to the disconnectedness of our modern world.

Written by an acknowledged expert in the intelligence field, Molehunt is an intriguing story of how MI5 tried to pinpoint the moles within the inner sanctum of British counterintelligence. 8 pages of photos.

When the goddess Artemis goes missing, she is believed to have been kidnapped. And now it's up to Percy and his friends to find out what happened. Who is powerful enough to kidnap a goddess?