The knights of King Arthur's Round Table - Erec, Lancelot, Yvain, Perceval and Gawain - first appeared in the works of Chrétien de Troyes, who cast into Old French stories told by Welsh and Breton story tellers which had their origin in Celtic myth and legend. Chrétien wrote at a time when faery lore was still taken seriously - some leading families even claimed descent from faery ancestors! So we do well to look again at these early stories, for they were written not so much in terms of mystical quests or examples of military chivalry but records of initiation into Otherworld dynamics. Gareth Knight, an acknowledged expert on spiritual and magical traditions and a student of medieval French, goes to the well spring of Arthurian tradition to unveil these original principles. What is more, he shows how they can be regenerated today. "Opening the faery gates" can have its reward not only in terms of personal satisfaction and spiritual growth but as part of a much needed realignment of our spiritual responsibilities as human beings on planet Earth.

Springing from the heart of medieval France, The Romance of the Faery Melusine tells the story of Raymondin of Poitiers who accidentally kills his uncle while out hunting, and fleeing deep into the forest, encounters a faery by a fountain. Falling deeply into a mutual soul-love, the faery Melusine agrees to help Raymondin and to become his wife, on condition that he makes no attempt to see her between dusk and dawn each Saturday. On this basis the house of Lusignan thrives and prospers, until a series of treacherous events tempt Raymondin to violate his promise and shatter the magic which holds his faery wife to the human world. First rendered into written form in a text by Jean d'Arras in 1393, the legend of the Faery Melusine is well established in France, where she is credited with having founded the family, town and castle of Lusignan. However, it is very little known in the English-speaking world, despite the fact that Melusine originally hailed from Scotland. This new retelling by Gareth Knight translated from Andre Lebey's 1920s novel Le Roman de la Melusine captures the freshness of Lebey's telling of the legend and brings the benefit of Knight's expertise both in French literature and in the esoteric faery tradition.

The Breton lai is a narrative poem, usually accompanied by music, that appeared in France about the middle of the 12th century, carried by travelling musicians and storytellers called jongleurs. What is important about them is that they contain a great deal of faery and supernatural lore deriving from Celtic myth, legend and folktale. This collection of twelve tales focuses on faery lore in the lai tradition. Nine are taken from anonymous medieval jongleur sources; the other three are from the more courtly tales collected by Marie de France in the late 12th century. Gareth Knight, a scholar of medieval French as well as an established author on esoteric faery lore, provides a vivid and lively translation of each lai along with a commentary which takes a perspective both historic and esoteric.

A collection of essays tracing the historical importance and esoteric influence of Merlin and the Grail tradition, from its mythological beginnings right down to its relevance in modern magical practice.

The long-awaited magical autobiography of Gareth Knight covers a long career in pursuit of the Mysteries, from the adventures of New Dimensions magazine to the calling of King Arthur, from the rituals of Sherwood Forest to the Somme, from the wrath of fellow ritual magicians to the shining allure of Faery.

The spirituality of a fey person may be quite anarchic and entirely private, having no basis in any organised religion. So it can be a secret spirituality that informs the fey type and this may be largely experiential. It has often been perceived as a threat by people who like ideas to be tied down and under control, and by the organisations that such people have created. Meanwhile, in much of today's world, fey people have been throughly marginalized. In this book, Rae Beth suggests ways in which we might understand Otherworldly realities without abandoning commonsense. Drawing upon her knowledge of traditional faerie lore, she shows how fey perceptions and psychic skills can serve and enhance life.Rae Beth draws on her knowledge of traditional faerie lore and shows how fey perceptions and psychic skills can serve and enhance life.She suggests ways in which we might understand Otherworldly realities without abandoning commonsense. Will be of interest to witches and those interested in the Other world.

Considerable interest in faery tradition has grown up in recent years and not least in the story of Melusine of Lusignan, the subject of a prose romance by Jean d'Arras at the end of the 14th century, swiftly followed by one in verse by Couldrette. This book provides a collection of material from various sources to give an all round picture of the remarkable faery, her town, her church, her immediate family, and the great Lusignan dynasty she founded. An established authority on Melusine, Gareth Knight collects together all the best source material, which he translates from the French, and presents his own researches into the Lusignan family of the 12th century, whose dynasty included kings of Cyprus and Jerusalem, examining the possibility of a familiar spirit guiding the family in its destiny.

"The most important and challenging book on Arthurian and Grail tradition for many a long year." - Gareth Knight. The relationship between human and Faery lies at the very core of the Arthurian stories. In this radical re-evaluation of the Grail legends, Wendy Berg brings the ancient mythology of the British Isles into sharp focus centred around the marriage of King Arthur to the Faery Gwenevere and the origin and destiny of the Grail Hallows. Drawing upon numerous Arthurian sources and other related texts from the Book of Genesis to The Lord of the Rings, she explores the magical ritual underpinning of the legends and their connection to the ancient stellar deities of Britain. "When these stories are read with the additional level of understanding that they are for the most part a record of the lives and relationships of Faeries and humans working together about the Round Table, they immediately become not only a great deal more interesting, but also acquire a new and vivid relevance for the present day."

Selected letters of occult author Gareth Knight, written over a period of forty years and to over seventy different people. These include learned discourse with academics, exchanges of strange experiences with esoteric colleagues, and advice to seekers trying to find their path. The letters reveal extraordinary, entertaining and personal details of the life and work of a contemporary occultist. "One fault of many occult students is to read too much ... all too often the new student is so interested in reading the latest thing that he never gets round to actually doing any of it." "I suppose you can at least feel what it is like to be 'a lone voice crying in the wilderness' ... I think even John the Baptist, in time, would have packed up his traps, said 'Sod it' (or 'Sod them') and gone home, maybe to start a locust and wild honey farm." "Your remark that the devil works by compromise and subtlety is altogether too glib a simplification. He works equally well through uncompromising 'principles' very often. The thing that bothers me though is your preoccupation with the insinuations of the devil, which seems at times to verge on 'old maid's insanity'. I get the impression - I hope wrongly - that I stand a good chance of being cast in the role of the serpent offering the poisoned, or forbidden fruit."

Originally published: Wellingborough: Aquarian Press, 1983.