"This book is a cultural history on the role of icons in the development and dissemination of the worship of a Buddhist deity in Japan from the thirteenth century to the seventeenth." --author-supplied description

David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema. Each chapter begins by focusing upon one or more of three key Deleuzian themes – image, history and thought – before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics – Godzilla (1954), Akira (1988) and Tetsuo (1989); contemporary genre flicks – Ring (1998), Dead or Alive (1999) and Casshern (2004); the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.

Scholar and self-taught ethnographer Lafcadio Hearn spent much of his life documenting and interpreting Japanese culture for Western audiences. His observations and essays in Glimpses of an Unfamiliar Japan offer an exciting look into the daily lives of the Japanese in a bygone era.

DigiCat Publishing presents to you this special edition of "Glimpses of Unfamiliar Japan: First Series" by Lafcadio Hearn. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

In Jizo Bodhisattva, Zen teacher and practicing pediatrician Jan Chozen Bays explores the development of traditional Buddhist practices related to Jizo, as well as the growing interest in Jizo practice in modern American Zen Buddhism. She also shows how you can incorporate this rich tradition into your own life, through meditations, mantras and chanting. In traditional Buddhist belief, a bodhisattva is an enlightened being who has forsaken entry into nirvana until all beings are saved. Jizo, one of the four great bodhisattvas of Mahayana Buddhism, is know as "the Bodhisattva of the Greatest Vows." He is regarded as the protector of travelers—whether their journeys in the physical world, or in the spiritual reams. Jizo also has special significance for pregnant women and parents whose children have died.

Jizo, one of the most beloved Buddhist deities in Japan, is known primarily as the guardian of children and travelers. In coastal areas, fishermen and swimmers also look to him for protection. Soon after their arrival in the late 1800s, issei (first-generation Japanese) shoreline fishermen began casting for ulua on Hawai‘i’s treacherous sea cliffs, where they risked being swept off the rocky ledges. In response to numerous drownings, Jizo statues were erected near dangerous fishing and swimming sites, including popular Bamboo Ridge, near the Blowhole in Hawai‘i Kai; Kawaihapai Bay in Mokule‘ia; and Kawailoa Beach in Hale‘iwa. Guardian of the Sea tells the story of a compassionate group of men who raised these statues as a service to their communities. Written by an authority on Hawai‘i’s beaches and water safety, Guardian of the Sea shines a light on a little-known facet of Hawai‘i’s past. It incorporates valuable firsthand accounts taken from interviews with nisei (second-generation) fishermen and residents and articles from Japanese language newspapers dating as far back as the early 1900s. In addition to background information on Jizo as a guardian deity and historical details on Jizo statues in Hawai‘i, the author discusses shorecasting techniques and organizations, which once played a key role in the lives of local Japanese. Although shorecasting today is done more for sport than subsistence, it remains an important ocean activity in the Islands. In examining Jizo and the lives of issei, Guardian of the Sea makes a significant contribution to our understanding of recent Hawai‘i history.