In the late 1960s, dance halls were still popular in Glasgow. At the Barrowland Ballroom in the Bridgeton area of the city, queues were long on Friday and Saturday nights and anything up to two thousand people would spend the evening dancing to music provided by the resident band. Then, in February 1968, a woman who had spent the evening at the Barrowland Ballroom was found murdered. It seemed that she had met her killer while dancing but police were unable to find any clue as to his identity. In August 1969, another woman went dancing at the same ballroom and was seen leaving with a tall, slim, handsome young man. Her body was discovered the following day. The circumstances of the two murders were very similar and police began looking for a single killer. They even commissioned a local artist to produce a painting of the murderer based on witness descriptions. In October 1969, it happened again. Another woman was murdered after meeting her killer at the Barrowland Ballroom. But this time, the killer was seen by a number of witnesses and one even shared a taxi with him and his victim. Surely, it was only a matter of time before this murderer, who newspapers had started calling Bible John, was caught? Fifty years later, we still don't know the identity of this serial killer. There have been many theories and a number of potential suspects. Police cold-case reviews have used new technologies in the search for Bible John and several promising new leads have been identified. None have led to an arrest. How can this be? How can a murderer select and spend time with his victims in a crowded public place where he was seen by large numbers of people and yet escape detection? The artist's depiction of the killer was also said to be a very good likeness, so we even know what he looked like. This book is a fresh look at this fascinating case and an attempt to understand how Bible John managed to escape detection and has continued to elude investigators for fifty years.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.

John, the longest-surviving of the apostles, recorded in his Gospel a portrait of Jesus built on years of reflection. In this last volume of the Biblical Imagination Series, Michael Card shows how John fills out our picture of Jesus' divine identity, with stories and sayings of Jesus not recorded by the other Gospel writers..

A literary history of our most influential book of all time, by an Oxford scholar and Anglican priest In our culture, the Bible is monolithic: It is a collection of books that has been unchanged and unchallenged since the earliest days of the Christian church. The idea of the Bible as "Holy Scripture," a non-negotiable authority straight from God, has prevailed in Western society for some time. And while it provides a firm foundation for centuries of Christian teaching, it denies the depth, variety, and richness of this fascinating text. In A History of the Bible, John Barton argues that the Bible is not a prescription to a complete, fixed religious system, but rather a product of a long and intriguing process, which has inspired Judaism and Christianity, but still does not describe the whole of either religion. Barton shows how the Bible is indeed an important source of religious insight for Jews and Christians alike, yet argues that it must be read in its historical context--from its beginnings in myth and folklore to its many interpretations throughout the centuries. It is a book full of narratives, laws, proverbs, prophecies, poems, and letters, each with their own character and origin stories. Barton explains how and by whom these disparate pieces were written, how they were canonized (and which ones weren't), and how they were assembled, disseminated, and interpreted around the world--and, importantly, to what effect. Ultimately, A History of the Bible argues that a thorough understanding of the history and context of its writing encourages religious communities to move away from the Bible's literal wording--which is impossible to determine--and focus instead on the broader meanings of scripture.

The Knowing the Bible series is a new resource designed to help Bible readers better understand and apply God’s Word. Each 12-week study leads participants through one book of the Bible and is made up of four basic components: (1) Reflection questions designed to help readers engage the text at a deeper level; (2) “Gospel Glimpses” highlighting the gospel of grace throughout the book; (3) “Whole-Bible Connections” showing how any given passage connects to the Bible’s overarching story of redemption culminating in Christ; and (4) “Theological Soundings” identifying how historic orthodox doctrines are taught or reinforced throughout Scripture. With contributions from a wide array of influential pastors and church leaders, these gospel-centered studies will help Christians see and cherish the message of God’s grace on each and every page of the Bible. In this study of John’s Gospel, pastor and author Justin Buzzard helps readers understand the most theologically and philosophically profound account of Jesus’s life, death, and resurrection in the New Testament. From revealing his cosmic identity as being with the Father “in the beginning,” to recounting the many miraculous signs attesting to his divinity, Buzzard illuminates John’s unmatched portrait of Jesus Christ, the unique Son of God, sent from heaven to save all who would turn to him. This insightful guide encourages Christians to worship Christ as Lord and follow him on mission to the world.

Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.

John may be the most artful and poetic of the gospels; it demands and rewards study of its literary shape, the power of its metaphors (eg - "I am's), Jesus' deep discourses, and the beauty of his unfolding passion throughout its chapters. Jesus, the Word made flesh, emerges powerfully and personally, so it is no surprise that John sums up his Gospel's message as "so that you may believe that Jesus is the Christ, the Son of God, and that by believing you may have life in his name" (John 20:31). John offers a theologically deep answer and a compelling historical narrative as to the identity and purpose of God's anointed Son. - Publisher.

This highly accessible 2007 commentary brings readers into the cultural world of the gospel.