Should Justice be blind or should she instead be capable of seeing everything, even the human heart? Jose M. Gonzalez Garcia examines how the iconography of Justice evolved over the course of history. Providing an overview of depictions of Justice in various ages and places, the book mainly focuses on "The Blindfold Dispute" that began to develop during Renaissance. While at first the blindfold was perceived as unjust, precisely because it denied Justice the ability to see everything, it transformed just a few years later into a positive symbol of the equality of all individuals before the law. And other depictions were added: supplementary eyes, transparent blindfolds, the double face of Janus, the returns of Astraea and the "Eye of the Law". The book also analyses important historic moments in which the crisis of the Law went along with a search for new forms of representing the gaze of Justice, as reflections on the art of Durer, Klimt and Kafka as well as recent developments in political philosophy show.

When One of the Triple Threat Is Murdered, All Eyes Turn to Justice. Cassidy, Allison, and Nicole fight for justice everyday—Cassidy as a crime reporter, Nicole as an FBI agent, and Allison as a federal prosecutor. Together they’re a Triple Threat to be reckoned with. A force that, together, has solved the toughest mysteries. Until a ruthless killer finds a way to isolate and murder one of the three. When the authorities keep the survivors at arm’s length in the investigation, the women’s desire for justice goes into overdrive. They find an unexpected ally in a quirky private investigator named Ophelia whose unorthodox methods seem to offer a possible breakthrough in the case. Yet just as the police appear to have the killer in custody and justice within sight, the murderer strikes again. Not knowing whom to trust, the team must engage in a deadly game of cat-and-mouse where nothing can be taken at face value . . . and nothing will ever be the same. A riveting Triple Threat mystery that will leave readers shocked and satisfied. “[S]hocking, fast-paced . . . For those seeking gal pal tales reminiscent of Tess Gerritsen’s Jane Rizzoli and Maura Isles, the Triple Threat adventures are a sure bet.” —Publishers Weekly

Winner of the LA Times Book Prize in Current Interest An instant New York Times Bestseller! “Stirring…Lithwick’s approach, interweaving interviews with legal commentary, allows her subjects to shine...Inspiring.”—New York Times Book Review “In Dahlia Lithwick’s urgent, engaging Lady Justice, Dobbs serves as a devastating bookend to a story that begins in hope.”—Boston Globe Dahlia Lithwick, one of the nation’s foremost legal commentators, tells the gripping and heroic story of the women lawyers who fought the racism, sexism, and xenophobia of Donald Trump’s presidency—and won After the sudden shock of Donald Trump’s victory over Hillary Clinton in 2016, many Americans felt lost and uncertain. It was clear he and his administration were going to pursue a series of retrograde, devastating policies. What could be done? Immediately, women lawyers all around the country, independently of each other, sprang into action, and they had a common goal: they weren’t going to stand by in the face of injustice, while Trump, Mitch McConnell, and the Republican party did everything in their power to remake the judiciary in their own conservative image. Over the next four years, the women worked tirelessly to hold the line against the most chaotic and malign presidency in living memory. There was Sally Yates, the acting attorney general of the United States, who refused to sign off on the Muslim travel ban. And Becca Heller, the founder of a refugee assistance program who brought the fight over the travel ban to the airports. And Roberta Kaplan, the famed commercial litigator, who sued the neo-Nazis in Charlottesville. And, of course, Stacey Abrams, whose efforts to protect the voting rights of millions of Georgians may well have been what won the Senate for the Democrats in 2020. These are just a handful of the stories Lithwick dramatizes in thrilling detail to tell a brand-new and deeply inspiring account of the Trump years. With unparalleled access to her subjects, she has written a luminous book, not about the villains of the Trump years, but about the heroes. And as the country confronts the news that the Supreme Court, which includes three Trump-appointed justices, will soon overturn Roe v. Wade, Lithwick shines a light on not only the major consequences of such a decision, but issues a clarion call to all who might, like the women in this book, feel the urgency to join the fight. A celebration of the tireless efforts, legal ingenuity, and indefatigable spirit of the women whose work all too often went unrecognized at the time, Lady Justice is destined to be treasured and passed from hand to hand for generations to come, not just among lawyers and law students, but among all optimistic and hopeful Americans.

The events surrounding Hurricane Katrina offer a remarkable case study of the social divide in the United States. The book includes scholarly articles examining the continued struggle for social justice from the perspectives of communication, criminology, education, ethnic studies, history, justice studies, law, political science, sociology, and urban planning. This multidisciplinary case study approach is a highly effective way of helping readers understand contemporary debates about social justice, including the roles of historically persistent structural inequality, racism and classism, media portrayals of life changing events, government reactions and responsibilities in the face of crises, and the role of public policy and activism in response to social injustice. The collection of articles is divided into three sections representing the causes of, consequences of, and responses to social injustice as illustrated through the case study of Hurricane Katrina. The first section, Images from the Past: Social Justice and Hurricane Katrina in Context, examines the structural inequality and cultural divisions in the United States that make just responses to disasters difficult. The second section, Images of the Disaster: Reactions to Hurricane Katrina, offers analyses of the effects of Hurricane Katrina, the disparities that are highlighted after such a disaster, and the subsequent actions and reactions that emerge in its wake. The third section, Images of the Future: Policy, Activism, and Justice, focuses on public policy and activist efforts aimed at creating a more just society. This second edition includes new chapters on the gender analysis of disaster recovery work and the implementation of socially just post-disaster urban planning efforts. In addition, the introductory and concluding chapters have been significantly rewritten to include expanded theoretical analyses of both the meaning of social disasters and the policy implications for social disasters in the United States. "Editors Bates and Swan...argue convincingly that Hurricane Katrina's severe social and environmental consequences are best apprehended within a social justice framework because the hurricane revealed and magnified extensive, entrenched patterns of racial and class discrimination against impoverished minority residents of New Orleans... The essays are persuasive because they blend topicality with academic rigor, providing many relevant sources, detailed footnotes, and cogent analyses of situations. The book significantly enhances understanding of the historical and contemporary circumstances that created the Hurricane Katrina disaster." -- CHOICE Magazine, on the first edition

Until the late 18th century, evangelical leaders often used the Bible to justify slavery. A notable exception emerged: John Wesley. Dr. Brendlinger has brought to light the strength of Wesley's convictions about slavery and demonstrates how his theology compelled him to work to abolish it.

Justice Blindfolded gives an overview of the history of “justice” and its iconography through the centuries. Justice has been portrayed as a woman with scales, or holding a sword, or, since the fifteenth century, with her eyes bandaged. This last symbol contains the idea that justice is both impartial and blind, reminding indirectly of the bandaged Christ on the cross, a central figure in the Christian idea of fairness and forgiveness. In this rich and imaginative journey through history and philosophy, Prosperi manages to convey a full account of the ways justice has been described, portrayed and imagined. Translation of Giustizia bendata. Percorsi storici di un'immagine (Einaudi, 2008).

A remnant of the Renaissance : the transnational iconography of justice -- Civic space, the public square, and good governance -- Obedience : the judge as the loyal servant of the state -- Of eyes and ostriches -- Why eyes? : color, blindness, and impartiality -- Representations and abstractions : identity, politics, and rights -- From seventeenth-century town halls to twentieth-century courts -- A building and litigation boom in Twentieth-Century federal courts -- Late Twentieth-Century United States courts : monumentality, security, and eclectic imagery -- Monuments to the present and museums of the past : national courts (and prisons) -- Constructing regional rights -- Multi-jurisdictional premises : from peace to crimes -- From "rites" to "rights" -- Courts : in and out of sight, site, and cite -- An iconography for democratic adjudication.

When Kalen Dren and Myrin Darkdance investigate a friend's disappearance in Westgate, they find that all is not as it seems At long last Kalen “Shadowbane” Dren has given up a life of crime to join Myrin on a journey to the city of Westgate. But although Kalen is leaving his vigilante past behind, his high-stakes adventures are far from over—and there are enemies who still yearn to see him fall. Moreover, rumor has it that others have adopted his guise and now deal with violence on their own terms. The two adventurers leave Luskan for Westgate in search of Kalen's former apprentice, who they fear is dead. As the pair scours the city, seeking answers to Kalen's disappearance and to their own destinies, they find that the rumors about the vigilantes are true. But who are these wannabe "Shadowbanes" who wield the vaunted sword Vindicator? Myrin and Kalen have no idea that a game is being played in which they are only pawns.

Baltimore mobster Charlie Wilhelm reveals in his own words the details of hiswild life in crime and his desperate struggle for redemption.of shocking photos. Original.

A thrilling and incisive examination of the post-Reconstruction era struggle for and suppression of African American voting rights in the United States. Following the Civil War, the Reconstruction era raised a new question to those in power in the US: Should African Americans, so many of them former slaves, be granted the right to vote?In a bitter partisan fight over the legislature and Constitution, the answer eventually became yes, though only after two constitutional amendments, two Reconstruction Acts, two Civil Rights Acts, three Enforcement Acts, the impeachment of a president, and an army of occupation. Yet, even that was not enough to ensure that African American voices would be heard, or their lives protected. White supremacists loudly and intentionally prevented black Americans from voting -- and they were willing to kill to do so.In this vivid portrait of the systematic suppression of the African American vote for young adults, critically acclaimed author Lawrence Goldstone traces the injustices of the post-Reconstruction era through the eyes of incredible individuals, both heroic and barbaric, and examines the legal cases that made the Supreme Court a partner of white supremacists in the rise of Jim Crow. Though this is a story of America's past, Goldstone brilliantly draws direct links to today's creeping threats to suffrage in this important and, alas, timely book.