Poet, philosopher and artist, Khalil Gibran was a man whose fame and influence spread far beyond his native Lebanon. Drawn from Gibran's prose, poetry and letters previously available only in Arabic, The Eye of the Prophet is a source of enlightenment and reflection to guide readers through daily life.

A book of poetic essays written in English, Kahlil Gibran's The Prophet is full of religious inspirations. With the twelve illustrations drawn by the author himself, the book took more than eleven years to be formulated and perfected and is Gibran's best-known work. It represents the height of his literary career as he came to be noted as ‘the Bard of Washington Street.’ Captivating and vivified with feeling, The Prophet has been translated into forty languages throughout the world, and is considered the most widely read book of the twentieth century. Its first edition of 1300 copies sold out within a month.

Young Rupert, with an unquenchable thirst for knowledge and experience, has been raised in complete isolation from the world by his enigmatic grandparents. His life takes an extraordinary turn when a violent storm uncovers a long-concealed treasure. In the aftermath of the storm, his grandparents vanish. Completely alone, the bewildered boy seizes upon the opportunity to leave his forest home at last. Out in the wider world, Rupert encounters new friends and learns that the kingdom's beloved royal family has been slain by brutal usurpers, who now rule the land with cunning and cruelty. But astonishing revelations convince Rupert that he has a pivotal role in restoring justice to the land. As Rupert and his comrades face imprisonment, bloody skirmishes, desperate conditions, and alluring yet sinister encounters, the darkest moments may reveal astonishing wonders. Unfolding events take on a deeper meaning as Rupert's mysterious gifts guide him toward shattering revelations and truths about his identity and his destiny.

Ever since his best-selling book The Prophet was first published in 1923, Kahlil Gibran has been enchanting spiritually inclined readers with his dogma-free writings so rich with insight, wisdom, beauty, and truth. In this companion collection of little-known writings taken from his published works in Arabic, Gibran encourages us to bravely face life's hardships, and to continuously cultivate a rich inner life to set our moral compasses by. In Visions of the Prophet, Gibran's narrator wrestles with the hypocrisies of Christianity ("Mad John," "The Man on the Cross") and challenges hypocrisy ("Kahlil the Ungodly"). He questions how children born of corrupt marriages and living in poverty can ever become soulful creatures ("The Sister Soul," "The Woman of Tomorrow") and urges us to develop our souls ("Solitude and Isolation"). The one-act dramatic play "The Many-Columned City of Iram" shows a Sufi master, a female sage, and a seeker having a heartfelt discussion about the natures of faith and reality. Containing some of his most intellectually challenging work, Visions of the Prophet reveals a Gibran more vehement and vulnerable than in previous publications.

As a vast Holy War begins, a powerful new force emerges in the second book of this “violent, passionate, darkly poetic” fantasy series (SFSite.com). The first battle against the heathen has been won, but while the Great Names squabble over the spoils, Kellhus draws more followers to his banner. The sorcerer Achamian and his lover, Esmenet, submit entirely—only to face an unimaginable test of faith. The warrior Cnaiur falls ever deeper into madness. The skin-spies of the Consult watch with growing trepidation. And across the searing wastes of the desert, a name—a title—begins to be whispered among the faithful. Who is the Warrior-Prophet? A dangerous heretic who turns brother against brother? Or the only man who can avert the Second Apocalypse? With the fate of the Holy War hanging in the balance, the great powers will have to choose between their most desperate desires and their most ingrained prejudice. Between hatred and hope. Between the Warrior-Prophet and the end of the world . . .

Best Book of the Year NPR • The Washington Post • Boston Globe • TIME • USA Today • Entertainment Weekly • Real Simple • Parade • Buzzfeed • Electric Literature • LitHub • BookRiot • PopSugar • Goop • Library Journal • BookBub • KCRW • Finalist for the National Book Award • One of the New York Times Notable Books of the Year • One of the New York Times Best Historical Fiction of the Year • Instant New York Times Bestseller A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence. Isaiah was Samuel's and Samuel was Isaiah's. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel's love, which was once so simple, is seen as sinful and a clear danger to the plantation's harmony. With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr., fiercely summons the voices of slaver and enslaved alike, from Isaiah and Samuel to the calculating slave master to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminates in a climactic reckoning, The Prophets fearlessly reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

Early Islam has emerged as a lively site of historical investigation, and scholars have challenged the traditional accounts of Islamic origins by drawing attention to the wealth of non-Islamic sources that describe the rise of Islam. A Prophet Has Appeared brings this approach to the classroom. This collection provides students and scholars with carefully selected, introduced, and annotated materials from non-Islamic sources dating to the early years of Islam. These can be read alone or alongside the Qur'an and later Islamic materials. Applying historical-critical analysis, the volume moves these invaluable sources to more equal footing with later Islamic narratives about Muhammad and the formation of his new religious movement. Included are new English translations of sources by twenty authors, originally written in not only Greek and Latin but also Syriac, Georgian, Armenian, Hebrew, and Arabic and spanning a geographic range from England to Egypt and Iran. Ideal for the classroom and personal library, this sourcebook provides readers with the tools to meaningfully approach a new, burgeoning area of Islamic studies.

Gibran Kahlil Gibran (January 6, 1883-April 10, 1931) usually referred to in English as Kahlil Gibran. He was a Lebanese-American wirter, poet and visual artist. He was also considered as a philosopher. His best book is 'The Prophet'. It was one of the best-selling books of all time. The achievement is that the book has been translated into more than 100-language. The present book 'A Tear and a Smile' is a wonderful bunch of poetry. And a beautiful anthology. Poetry: "I would not exchange the sorrows of my heart. For the joys of the multitude. And I would not have the tears that sadness makes. To flow from my every part turn into laughter. I would that my life remain a tear and a smile." Poetry are filled with great thoughts and also in-depth feelings. Poetry are related to life. So one has to focus on the understanding and in depth message in each poetry. The author has nicely related the value of Tear and Smile in to his poetry. Every poem is admirable. "The cry of your spirit and I am come to comfort it. Open your heart to me and I shall fill it with light." Author has focussed on feelings. Spiritual feelings the author narrates the pain & sorrows in this world. Tears flush out sorrows and grief. Smile always gives confidence and how to face all the situations. When heart is filled with emotions and by the hurt feelings, then tears are there to help you out. Gibran thus narrates how sorrow of the heart & tears of sadness makes like how into joy. So a tear can lead to a smile because happiness and sorrow come hand in hand. Our sorrows purify us and makes us understand the world.

"Jewish belief in the power of the "evil eye" - aroused and energized by emotions such as jealousy and mean-spiritedness - has been a common concern in Jewish life from earliest times. The everpresent fear of its malevolent power is expressed by the common Yiddish expression "kein ahoro," which means, literally, "without an evil eye." "Kein ahoro" is intended to ward off any potential evil eye when one speaks of one's favorable prospects. Sephardic Jews have been concerned with it as well, and, like the Ashkenazim, their Jewish ritual life has incorporated ways of protecting against it." "Dr. Ulmer's book examines this idea in its many permutations in Rabbinic literature. In particular, she examines its origin in people's negative emotions and its effects on its victims in many phases of life in causing death and sickness, for example, or its role in sexual transgression, etc. The Angel of Death is depicted as having many eyes, and early Jewish mystical literature depicts angels in general as covered with eyes. On the other hand, the "good eye" has many positive meanings, and these are discussed as well." "Dr. Ulmer's study provides the reader with a complete "view" of the numerous symbolic meanings which this most important sense organ has been given in Jewish culture." --Book Jacket.