The Extent of the Literal develops a strikingly new approach to metaphor and polysemy in their relation to the conceptual structure. In a straightforward narrative style, the author argues for a reconsideration of standard assumptions concerning the notion of literal meaning and its relation to conceptual structure. She draws on neurophysiological and psychological experimental data in support of a view in which polysemy belongs to the level of words but not to the level of concepts, and thus challenges some seminal work on metaphor and polysemy within cognitive linguistics, lexical semantics and analytical philosophy.

This is a provocative contribution to the current debate about the best delimitation of semantics and pragmatics. Is 'What is said' determined by linguistic conventions, or is it an aspect of 'speaker's meaning'? Do we need pragmatics to fix truth-conditions? What is 'literal meaning'? To what extent is semantic composition a creative process? How pervasive is context-sensitivity? Recanati provides an original and insightful defence of 'contextualism', and offers an informed survey of the spectrum of positions held by linguists and philosophers working at the semantics/pragmatics interface.

My Death My Life by Pier Paolo Pasolini imagines the Italian filmmaker and writer returning to the Roman homosexual hustlers he knew, in a "scathing commentary on false values in art" (The Hartford Courant).

This book investigates moral metaphors in English and Chinese, applying conceptual metaphor theory to a comparative study of the linguistic manifestation of the moral metaphor system rooted in the domains of bodily and physical experience. Ning Yu sheds light on the metaphorical nature of moral cognition and how it is systematically manifested in language, and explores the potential commonalities that define moral cognition in general, as well as the differences that characterize distinct cultures. The work investigates moral cognition at the cultural level as reflected in language, based on linguistic evidence from both English and Chinese and, to a limited extent, multimodal evidence from the corresponding cultures. The moral metaphor system is taken to consist of three major subsystems, referred to as "physical", "visual", and "spatial". These subsystems are clusters of conceptual metaphors, whose source concepts are from domains of embodied experiences in the physical world, and which are formulated in contrastive categories with bipolar values for the target concepts of moral and immoral. The study is characterized by two keywords: system and systematicity: The former refers to the fact that metaphors (conceptual and linguistic) are connected within networks, and the latter to the need for those metaphors to be studied in such networks.

Awarded 2019 Best Edition or Translation of an Anglo-Saxon (or Anglo-Latin) Text by the International Society of Anglo-Saxonists St. Æthelwold (904/9 –984), abbot of Abingdon and bishop of Winchester, made the first translation of the Rule of Saint Benedict into English (or, indeed, into any vernacular language) as part of the tenth-century English Benedictine Reform. This movement dramatically affected the trajectory of religious life in early medieval England and influenced the ways in which secular power was conceived and wielded in the kingdom. Æthelwold's translation into Old English reworks Benedict’s Latin text through numerous silent additions, omissions, and instances of explanatory material, revealing an Anglo-Saxon ecclesiastical and political reformer intent on making this foundational Latin text more readily accessible to the new monks and nuns of the Reform and to the laity. Presented with related texts composed in Old English, this volume makes Æthelwold’s transformation of Benedict’s Rule available in Modern English translation for the first time.